Independent record label in the context of "Soul music"

Punk rock (or simply punk) is a subgenre of rock music that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the overproduction and corporate nature of mainstream rock music. Typically producing short, fast-paced songs with rough stripped-down vocals and instrumentation and an anti-establishment theme, artists embrace a DIY ethic with many bands self-producing and distributing recordings through independent labels.

During the early 1970s, the term "punk rock" was originally used by some American rock critics to describe mid-1960s garage bands. Subsequent developments such as glam and pub rock in the UK, alongside the Velvet Underground and the New York Dolls from New York have been cited as key influences. By the mid-1970s, the term "punk rock" had become associated with several regional underground music scenes, including the MC5 and the Stooges in Detroit; Television, Patti Smith, Suicide, the Dictators, Richard Hell and the Voidoids, and the Ramones in New York City; Rocket from the Tombs, Electric Eels and Dead Boys in Ohio; the Saints and Radio Birdman in Australia; and the Sex Pistols, the Clash, the Damned and the Buzzcocks in England. By late 1976, punk had become a major cultural phenomenon in the UK, giving rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing, such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands, jewelry, bondage clothing and safety pins.

Emo (/ˈiːmoʊ/ EE-moh) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, Mineral, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, American Football, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

The emo subculture signifies a specific relationship between fans and artists and certain aspects of fashion, culture, and behavior. Emo fashion includes skinny jeans, black eyeliner, tight t-shirts with band names, studded belts, and flat, straight, jet-black hair with long bangs. Since the early-to-mid 2000s, fans of emo music who dress like this are referred to as "emo kids" or "emos". The emo subculture was stereotypically associated with social alienation, sensitivity, misanthropy, introversion, and angst. Purported links to depression, self-harm, and suicide, combined with its rise in popularity in the early 2000s, inspired a backlash against emo, with some bands, including My Chemical Romance and Panic! at the Disco, rejecting the emo label because of the social stigma and controversy surrounding it. There has long been controversy over which bands are labeled "emo", especially for bands that started outside traditional emo scenes; a viral website, Is This Band Emo?, was created to address one fan's opinion on this question. Emo and its subgenre emo pop entered mainstream culture in the early 2000s with the success of Jimmy Eat World and Dashboard Confessional, and many artists signed contracts with major record labels. Bands such as My Chemical Romance, AFI, Fall Out Boy, and the Red Jumpsuit Apparatus continued the genre's popularity during the rest of the decade.

Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".

Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C., Boston, and New York, as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew. Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal.

Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.

With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, and sought to break with the past musical traditions.

Independent music (also commonly known as indie music, or simply indie) is a broad style of music characterized by creative freedom, low budgets, and a do-it-yourself approach to music creation. It originated from the liberties afforded by independent record labels. Indie music describes a number of related styles, but generally refers to guitar-oriented music that deviates from mainstream conventions. There are a number of subgenres of independent music which combine its characteristics with other genres, such as indie pop, indie rock, indie folk, and indie electronic. Additionally, in certain circles, the term indie has taken on a definition entirely based on the typical sound of independent music in the 1980s, losing its connection to production style.

The origins of independent music lie in the early distribution of private press albums from the 1960s–1970s as well as late '70s British independent record labels, from the early alternative music scene such as Rough Trade, Factory, Industrial Records and Mute, which later contributed to the development of alternative rock music. NME released the influential compilation album C86 in 1986, which helped define indie rock. American independent music first emerged in the 1980s, and was spread via college radios, which led to the term college rock. Styles that evolved out of indie music and reached wide commercial success in the 1990s include grunge (Nirvana, Pearl Jam, and the Smashing Pumpkins) and Britpop (Blur, Pulp, and Oasis). In the 21st century, due to the internet, indie music saw a global spread in popularity, as music fans were no longer dependent on physical publications to find new music.

Floral Shoppe (Japanese: フローラルの専門店, Hepburn: Furōraru no Senmon-ten) is the ninth studio album by the American electronic musician Ramona Andra Langley, released on December 9, 2011 under the alias Macintosh Plus by the independent record label Beer on the Rug. It was one of the first releases of the 2010s microgenre known as vaporwave to gain popular recognition on the Internet.

The new wave of British heavy metal (often abbreviated as NWOBHM) was a nationwide musical movement that began in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of heavy metal bands in the mid-to-late 1970s, as punk rock declined amid the dominance of new wave music.

Although encompassing diverse styles inherited from rock music, the music of the NWOBHM is best remembered for infusing earlier heavy metal with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the NWOBHM bands led to raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes, such as mythology, fantasy, horror, and the rock 'n' roll lifestyle.

Jawbreaker is an American punk rock band that was initially active from 1986 to 1996, and reunited in 2017. The band is considered to be extremely influential to the 1990s emo and punk genre with their "poetic take on hardcore." Their influence on the punk scene has led some critics to label Jawbreaker as the best punk rock band of the 1990s.

Lead vocalist and guitarist Blake Schwarzenbach, bassist Chris Bauermeister, and drummer Adam Pfahler formed the band while students at New York University, later relocating to Los Angeles where they released their debut album Unfun (1990) through independent record label Shredder Records. Relocating again to San Francisco the next year, they released 1992's Bivouac through the Tupelo Recording Company and The Communion Label.

Gravity is an underground independent record label from San Diego. It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as Mohinder from the Bay Area and Angel Hair from Colorado. The sound is associated with the first wave of screamo, and the label played an important role in the development of post-hardcore in the 1990s. Gravity has also branched out into other forms of experimental or independent music, releasing seminal early works by Unwound, Black Dice, The Rapture, and a full-length from Man Is The Bastard. The label has no affliation with the Capitol Records subsidiary Gravity Inc Records.

XL Recordings is a British independent record label founded in 1989 by Tim Palmer and Nick Halkes. It has been run and co-owned by Richard Russell since 1996. It forms part of the Beggars Group.

It releases an average of six albums a year. The label releases albums worldwide and operates across a range of genres.

Boy Better Know, often abbreviated as BBK, is a British grime collective and record label. The collective was founded in North London in 2005 as an independent record label by brothers Jamie and Joseph Adenuga, better known as Jme and Skepta, respectively. The former also serves as a sole owner and director of an associated company, Boy Better Know Limited, incorporated in 2008. All members of the collective use the record label as a means to publish their music, and is digitally distributed by The Orchard, a subsidiary of Sony Music.

Island Records is a multinational record label owned by Universal Music Group. It was founded in Jamaica by Chris Blackwell, Graeme Goodall, and Leslie Kong in 1959, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s.

Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France (known as Vertigo France until 2014). Current key people include Imran Majid and Justin Eshak who were named co-CEOs of Island Records in 2021. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels.

Trunk Records is a British independent record label, which specialises mainly in lost film scores, unreleased TV music, library music, old advertising jingles, art, sexploitation and kitsch releases.

It was founded in 1995 by Jonny Trunk, and has since gained a cult following as a result of the releases of highly influential material from scores for films such as The Wicker Man, Deep Throat, Kes, The Blood on Satan's Claw and George A. Romero's Dawn of the Dead.

Sun Records is an American independent record label founded by producer Sam Phillips in Memphis, Tennessee on February 1, 1952. Sun was the first label to record Elvis Presley, Charlie Rich, Roy Orbison, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. Prior to that, Sun had concentrated mainly on African-American musicians because Phillips loved rhythm and blues and wanted to bring it to a white audience.

On January 28, 2021, Sun Records was acquired by Primary Wave for $30 million.

Z'EV (born Stefan Joel Weisser, February 8, 1951 – December 16, 2017) was an American poet, percussionist, and sound artist. After studying various world music traditions at CalArts, he began creating his own percussion sounds out of industrial materials for a variety of independent and underground record labels. He is regarded as a pioneer of industrial music.

In 1983, critic Roy Sablosky wrote: "Z'EV doesn't just break the rules, he changes them." Journalist Louis Morra wrote in 1983: "Z'EV is a consummate example of contemporary performance art, as well as modern composition and theater." and, "Z'EV realizes many of modernist art's ultimate goals: primitivism, improvisation, multi-media/conjunction of art forms, the artist as direct creator."

Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drums on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter.

Mascis's drawling vocals and distinct guitar sound, harking back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s.