Independent film in the context of "Media in New York City"

⭐ In the context of New York City's media landscape, independent film production is considered


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⭐ Core Definition: Independent film

An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style, and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.

It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film; they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director they admire. Examples of the latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction.

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👉 Independent film in the context of Media in New York City

New York City has been called the media capital of the world. The media organizations based in New York City are internationally influential and include some of the most important newspapers, largest publishing houses, biggest record companies, and most prolific television studios in the world. It is a major global center for the book, magazine, music, newspaper, and television industries. A 2019 Pew Research Center report found that 12 percent of all U.S. newsroom employees live in New York City, disproportionately higher than the 7 percent of the U.S. working-age population that lives in New York City.

New York is also the largest media market in North America (followed by Los Angeles, Chicago, and Toronto). Some of the city's media conglomerates include CNN (CNN Global), the Hearst Corporation, NBCUniversal, The New York Times Company, the Fox Corporation and News Corp, the Thomson Reuters Corporation, and Warner Bros. Discovery. Seven of the world's top eight global advertising agency networks are headquartered in New York. Three of the "Big Four" record labels are also headquartered or co-headquartered in the city. One-third of all American independent films are produced in New York. More than 200 newspapers and 350 consumer magazines have an office in the city and the book-publishing industry employs about 25,000 people.

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Independent film in the context of Film industry

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making film almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.

In 2019, the global box office was worth $42.2 billion. When including box office and home entertainment revenue, the global film industry was worth $136 billion in 2018. Hollywood is the world's oldest national film industry, and largest in terms of box-office gross revenue.

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Independent film in the context of Below the line (filmmaking)

"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting ("above the-line") and the rest of the crew, or production team.

The top sheet of any creative project's budget serves only as an at-a-glance reference to a fully detailed and attached main budget document, which features total expenses including federal, state and local taxes, as well as insurance within the entire production, and/or production incentives. This painstaking task is usually assigned to the Production Manager or UPM of a production and should be completed before principal photography begins for any project.

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Independent film in the context of Courteney Cox

Courteney Bass Cox (born June 15, 1964) is an American actress and producer. She rose to international prominence by playing Monica Geller in the NBC sitcom Friends (1994–2004) and Gale Weathers in the horror film franchise Scream (1996–present). Her accolades include a Screen Actors Guild Award, nominations for two Emmy Awards and a Golden Globe Award, and a star on the Hollywood Walk of Fame.

Cox had a recurring role in the NBC sitcom Family Ties (1987–1989), and starred in the FX drama series Dirt (2007–2008), the ABC/TBS sitcom Cougar Town (2009–2015), and the Starz horror comedy series Shining Vale (2022–2023). Her film credits include the action fantasy Masters of the Universe (1987), the comedy Ace Ventura: Pet Detective (1994), the animated comedy Barnyard (2006), the fantasy comedy Bedtime Stories (2008), and the independent drama Mothers and Daughters (2016).

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Independent film in the context of Satyajit Ray

Satyajit Ray (Bengali: [ˈʃotːodʒit ˈraeÌŻ] ; 2 May 1921 – 23 April 1992) was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligrapher, and composer. He is widely considered to be one of the greatest and most influential film directors in the history of cinema. He is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963), Charulata (1964), and the Goopy–Bagha trilogy (1969–1992).

Ray was born in Calcutta to author Sukumar Ray and Suprabha Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.

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Independent film in the context of Dakota Fanning

Hannah Dakota Fanning (born February 23, 1994) is an American actress. Fanning is known for her roles in blockbuster films and independent features, both as a child actor and as an adult. Her accolades include nominations for a Primetime Emmy Award, a Golden Globe Award, and two Screen Actors Guild Awards.

Fanning received recognition at the age of seven for starring in the drama film I Am Sam (2001), being nominated for the SAG Award for Outstanding Performance by a Female Actor in a Supporting Role and becoming the youngest nominee in SAG history. She then starred in the miniseries Taken (2002), and in the films Uptown Girls (2003), Man on Fire (2004), War of the Worlds (2005), Charlotte's Web (2006), and The Secret Life of Bees (2008). She transitioned to mature roles with The Twilight Saga (2009–2012) and the independent films The Runaways (2010) and a co-starring role in Night Moves (2013).

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Independent film in the context of Roger Corman

Roger William Corman (April 5, 1926 – May 9, 2024) was an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.

Many of the more than 500 features directed or produced by Corman were low-budget films that later attracted a cult following, such as A Bucket of Blood (1959), The Little Shop of Horrors (1960), The Intruder (1962), X: The Man with the X-ray Eyes (1963), and the counterculture films The Wild Angels (1966) and The Trip (1967). House of Usher (1960) became the first of eight films directed by Corman that were adapted from the tales of Edgar Allan Poe, and which collectively came to be known as the "Poe Cycle".

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Independent film in the context of Independent video games

An indie video game or indie game (short for independent video game) is a video game created by individuals or smaller development teams without the financial and technical support of a large game publisher, in contrast to most "AAA" (triple-A) games. Because of their independence and freedom to develop, indie games often focus on innovation, experimental gameplay, and taking risks not usually afforded in AAA games. Indie games tend to be sold through digital distribution channels rather than at retail due to a lack of publisher support. The term is analogous to independent music or independent film in those respective mediums.

Indie game development bore out from the same concepts of amateur and hobbyist programming that grew with the introduction of the personal computer and the simple BASIC computer language in the 1970s and 1980s. So-called bedroom coders, particularly in the United Kingdom and other parts of Europe, made their own games and used mail order to distribute their products, although they later shifted to other software distribution methods with the onset of the Internet in the 1990s, such as shareware and other file sharing distribution methods. However, by this time, interest in hobbyist programming had waned due to rising costs of development and competition from video game publishers and home consoles.

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Independent film in the context of Rudyard Kipling's Jungle Book

Jungle Book or Rudyard Kipling's Jungle Book is a 1942 independent Technicolor action-adventure film by the Korda brothers, loosely adapted from Rudyard Kipling's The Jungle Book (1894). The story centers on Mowgli, a feral young man who is kidnapped by villagers who are cruel to the jungle animals as they attempt to steal a dead king's cursed treasure. The film was directed by ZoltĂĄn Korda and produced by his brother Alexander, with the art direction by their younger brother Vincent. The screenplay was written by Laurence Stallings. The film stars Indian-born actor Sabu as Mowgli. Although the film is in the public domain, the master 35mm elements are with ITV Studios Global Entertainment. An official video release is currently available via The Criterion Collection.

The cinematography was by Lee Garmes and W. Howard Greene and the music was by MiklĂłs RĂłzsa. Because of World War II, the Korda brothers moved their filmmaking to Hollywood in 1940, and Jungle Book is one of the films they produced during that Hollywood period. The film was a commercial success at the box office.

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