Important Cultural Property (Japan) in the context of "Ichijōdani Asakura Family Historic Ruins"

In philosophy and theology, metempsychosis (Ancient Greek: μετεμψύχωσις) is the transmigration of the soul, especially its reincarnation after death. The term is derived from ancient Greek philosophy, and has been recontextualized by modern philosophers such as Arthur Schopenhauer, Kurt Gödel, Mircea Eliade, and Magdalena Villaba; otherwise, the word "transmigration" is more appropriate. The word plays a prominent role in James Joyce's Ulysses and is also associated with Nietzsche. Another term sometimes used synonymously is palingenesis.

Nihonga (Japanese: 日本画) is a Japanese style of painting that typically uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term translates to "pictures in a Japanese style."

In the narrow sense, it refers to paintings that were developed during the 77 years from the Meiji Restoration to the end of World War II based on traditional Japanese techniques and styles, such as calligraphy and hand-painted painting , rather than oil painting. In contrast, oil paintings were called Yōga.

Japanese painting (絵画; kaiga; also gadō 画道) is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century onwards, beginning at the same time as Japanese art was influencing that of the West.

Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have developed in all these fields. The subject matter that is widely regarded as most characteristic of Japanese painting, and later printmaking, is the depiction of scenes from everyday life and narrative scenes that are often crowded with figures and detail. This tradition no doubt began in the early medieval period under Chinese influence that is now beyond tracing except in the most general terms, but from the period of the earliest surviving works had developed into a specifically Japanese tradition that lasted until the modern period.

In Japanese religion, Yahata (八幡神, ancient Shinto pronunciation) formerly in Shinto and later commonly known as Hachiman (八幡神, Japanese Buddhist pronunciation) is the syncretic divinity of archery and war, incorporating elements from both Shinto and Buddhism. His title that was given Great Bodhisattva of National Protection and Marvelous Spirit Power (護国霊験威力神通大菩薩).

The first mention of this kami is found in the Shoku Nihongi as it contains the information that offerings were sent 794 CE to Hachiman shrines on the occasion of conflict with the kingdom Silla in Korea.

Tosa jinja (土佐神社) is a Shinto shrine located in the Ichinomiya-shinane neighborhood in the northeastern part of the city of Kochi, Japan. It is the ichinomiya of the former Tosa Province. The shrine's main festival is held annually from March 11–13. Several of the shrine structures are designated National Important Cultural Properties. The shrine's Shinane Festival, held on August 25, is known as one of the three major festivals of Kochi.

The Sannai-Maruyama Site (Japanese: 三内丸山遺跡, Hepburn: Sannai-Maruyama iseki) is an archaeological site and museum located in the Maruyama and Yasuda neighborhoods to the southwest of central Aomori City in Aomori Prefecture in northern Japan, containing the ruins of a very large Jōmon period settlement. The ruins of a 40-hectare (400,000 m; 99-acre) settlement were discovered in 1992, when Aomori Prefecture started surveying the area for a planned baseball stadium. Archaeologists have used this site to further their understanding of the transition to sedentism and the life of the Jōmon people. Excavation has led to the discovery of storage pits, above ground storage, and long houses. These findings demonstrate a change in the structure of the community, architecture, and organizational behaviors of these people. Because of the extensive information and importance, this site was designated as a Special National Historical Site of Japan in 2000, and a UNESCO World Heritage Site as part of the Jōmon Prehistoric Sites in Northern Japan collection in 2021. Today the public can visit the site, its various reconstructions of Jōmon structures, and a museum that displays and houses artifacts collected on the site, which have collectively been designated an Important Cultural Property of Japan.

The Katsura Imperial Villa or Katsura Detached Palace (桂離宮, Katsura Rikyū; Japanese pronunciation: [ka.tsɯ.ɾa ɾʲiꜜ.kʲɯː]) is an Imperial residence with associated gardens and outbuildings in the western suburbs of Kyoto, Japan. Located on the western bank of the Katsura River in Katsura, Nishikyō-ku, the Villa is 8km distant from the main Kyoto Imperial Palace. The villa and gardens are nationally recognized as an Important Cultural Property of Japan.

The grounds of the villa are regarded as a notable exemplar of traditional Japanese gardening. Tea ceremony houses within the strolling gardens and the main villa itself are all sited to maximize appreciation of varied foliage and changing seasonal vistas.

Sankei-en (三溪園, Three Creeks Garden) is a traditional Japanese-style garden in Naka Ward, Yokohama, Japan, which opened in 1906. Sankei-en was designed and built by Tomitaro Hara (原富太郎) (1868–1939), known by the pseudonym Sankei Hara, who was a silk trader. Almost all of its buildings are historically significant structures bought by Hara himself in locations all over the country, among them Tokyo, Kyoto, Kamakura, Gifu Prefecture, and Wakayama Prefecture. Ten have been declared Important Cultural Property, and three more are Tangible Cultural Properties of Japan designated by the City of Yokohama. Badly damaged during World War II, the garden was donated in 1953 to the City of Yokohama, which entrusted it to the Sankeien Hoshōkai Foundation (三溪園保勝会, Sankeien Hoshōkai). Sankei-en was then restored almost to its pre-war condition.