Iconoclastic in the context of "Andreas Karlstadt"

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⭐ Core Definition: Iconoclastic

Iconoclasm (from Ancient Greek εἰκών (eikṓn) 'figure, icon' and κλάω (kláō) 'to break') is the belief in the importance of the destruction of icons and other images or monuments, often for religious or political reasons. Those who engage in or support iconoclasm are called iconoclasts, a term that has come to be applied figuratively and more broadly to anyone who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious".

Conversely, one who reveres or venerates religious images is called (by iconoclasts) an iconolater; in a Byzantine context, such a person is called an iconodule or iconophile. Iconoclasm does not generally encompass the destruction of the images of a specific ruler after their death or overthrow, a practice better known as damnatio memoriae.

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👉 Iconoclastic in the context of Andreas Karlstadt

Andreas Rudolph Bodenstein von Karlstadt (1486 – 24 December 1541), better known as Andreas Karlstadt, Andreas Carlstadt or Karolostadt, in Latin, Carolstadius, or simply as Andreas Bodenstein, was a German Protestant theologian, University of Wittenberg chancellor, a contemporary of Martin Luther and a reformer of the early Reformation.

Karlstadt became a close associate of Martin Luther and one of the earliest Protestant Reformers. After Frederick III, Elector of Saxony concealed Luther at the Wartburg (1521–1522), Karlstadt and Thomas Müntzer started the first iconoclastic movement in Wittenberg and preached theology that was viewed as Anabaptist, but Karlstadt and Müntzer never regarded themselves as Anabaptists.

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Iconoclastic in the context of Anahita

Anahita /ɑːnəˈhtə/ is the Old Persian form of the name of an Iranian goddess and appears in complete and earlier form as Aradvi Sura Anahita (Arədvī Sūrā Anāhitā), the Avestan name of an Indo-Iranian cosmological figure venerated as the divinity of "the Waters" (Aban) and hence associated with fertility, healing and wisdom. There is also a temple named Anahita in Iran. Aredvi Sura Anahita is Ardwisur Anahid (اردویسور آناهید) in Middle and Modern Persian, and Anahit in Armenian. An iconic shrine sects of Aredvi Sura Anahita was, together with other shrine sects, "introduced apparently in the 4th century BCE and lasted until it was suppressed in the wake of an iconoclastic movement under the Sasanids." The symbol of goddess Anahita is the Lotus flower. Lotus Festival (Persian: Jashn-e Nilupar) is an Iranian festival that is held on the end of the first week of July. Holding this festival at this time was probably based on the blooming of lotus flowers at the beginning of summer.

The Greek and Roman historians of classical antiquity either refer to her as Anaïtis or identify her with one of the divinities from their own pantheons. 270 Anahita, a silicaceous S-type asteroid, is named after her. Based on the development of her sect, she was described as a syncretistic goddess, who was composed of two independent elements. The first is a manifestation of the Indo-Iranian idea of the Heavenly River who provides the waters to the rivers and streams flowing in the earth while the second is that of a goddess of uncertain origin, though maintaining her own unique characteristics, who became associated with the sect of the ancient Mesopotamian goddess Inanna-Ishtar. According to one theory, this arose partly from a desire to make Anahita part of Zoroastrianism following the diffusion of her sect from the extreme northwest into the rest of Persia.

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Iconoclastic in the context of Theophanes the Branded

Theodorus (Greek: Θεοδώρος; ca. 775–ca. 842) and Theophanes (Greek: Θεοφάνης; ca. 778–845), called the Grapti (from Greek: γραπτοί, "written upon"), are remembered as proponents of the veneration of icons during the second Iconoclastic controversy. They were brothers and natives of Jerusalem.

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