I Gelosi in the context of "Francesco Andreini"

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⭐ Core Definition: I Gelosi

I Gelosi (Italian: [i dʒeˈloːzi, -oːsi]; lit.'the Zealous Ones') was an Italian acting troupe that performed commedia dell'arte from 1569 to 1604. Their name stems form their motto: Virtù, fama ed honor ne fèr gelosi, long thought to mean "Virtue, fame and honour made us jealous", or "We are jealous of attaining virtue, fame, and honour", signifying that such rewards could only be attained by those who sought for them jealously. Modern reevaluations have considered "zealous" (present-day Italian zelanti) as a more accurate translation over "jealous", redefining their motto to signify that, as actors, they were zealous to please.

I Gelosi was formed in Milan, Italy, by Flaminio Scala. Their first notable performer was Vittoria Piisimi. I Gelosi was the first troupe to be patronized by nobility: in 1574 and 1577 they performed for the king of France. Audiences in France were enthused by the raunchiness and comedy of their performances and were willing to pay a decent sum to watch them. After this they toured all over Europe, spreading commedia dell'arte from Italy to France, Poland, Spain, Germany, and England. Not only was I Gelosi the first troupe patronized by nobility, they were also some of the first to allow women to perform as women, and also write and direct, during this time period

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👉 I Gelosi in the context of Francesco Andreini

Francesco Andreini (c. 1548 – 1624) was an Italian actor mainly of commedia dell'arte plays. He began his career playing the role of the unsophisticated love-stricken young man. Later, he played the role of Capitan Spavento (lit.'Captain Fright'), a Pickwickian character of excessive fatigue. He died on January 1, 1624, in Mantua, Italy at the age of 76.

Francesco Andreini was the leader of the Gelosi commedia dell'arte troupe, and had he not brought this type of theatre elsewhere, it would not have made it further to the mainstream media and developed into multilingualism and oral and textual transmissions. His role as Capitano made its way into modern media with adapted versions solely based on the original Capitano. Francesco had an impact on today's theatre and improvisation.

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I Gelosi in the context of Commedia dell'arte

Commedia dell'arte was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Commedia is characterized by masked "types" which are standardised archetypical characters shared across all productions and identified via their names, costumes, and functions in the comedy.

Commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of commedia is the lazzo, a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of commedia is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin.

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I Gelosi in the context of Isabella Andreini

Isabella Andreini (born Isabella Canali; 1562 – 10 June 1604), also known as Isabella Da Padova, was an Italian actress and writer. Andreini was a member of the Compagnia dei Comici Gelosi, a touring theatre company that performed in Italy and France. The role of Isabella of the commedia dell'arte was named after her.

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I Gelosi in the context of Isabella (commedia dell'arte)

Isabella is a stock character used in commedia dell'arte, in the class of innamorata (female lover). In the commedia dell'arte, the relationship of the innamorati, or lovers, is often threatened by the vecchi (old men) characters, but they are reunited in the end. In his 1929 book The Italian Comedy, Pierre Louis Duchartre writes that Isabella changed from being mainly tender and loving in the 16th century to a more flirtatious and strong-willed woman with a "lively, picturesque wit" by the end of the 17th century.

Although actress Vittoria degli Amorevoli also played an innamoratta named Isabella in the 16th century, the character Isabella is named to honour the actress and writer Isabella Andreini of the commedia troupe I Gelosi, who popularized the role. Later, Isabella was played by Françoise Biancolelli of the Biancolelli acting family.

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