I Ching in the context of Divination

Taoism or Daoism (/ˈtaʊ.ɪzəm/ , /ˈdaʊ.ɪzəm/ ) is a philosophical and religious tradition indigenous to China, emphasizing harmony with the Tao 道 (Chinese: 道; pinyin: dào, pronounced (IPA): /tɑʊ̯/ (Chinese)). With a range of meaning in Chinese philosophy, translations of Tao include 'way', 'road', 'path', or 'technique', generally understood in the Taoist sense as an enigmatic process of transformation ultimately underlying reality. Taoist thought has informed the development of various practices within the Taoist tradition, ideation of mathematics and beyond, including forms of meditation, astrology, qigong, feng shui, and internal alchemy. A common goal of Taoist practice is self-cultivation, a deeper appreciation of the Tao, and more harmonious existence. Taoist ethics vary, but generally emphasize such virtues as effortless action, naturalness, simplicity, and the three treasures of compassion, frugality, and humility.

The core of Taoist thought crystallized during the early Warring States period (c. 450 – c. 300 BCE), during which the epigrammatic Tao Te Ching and the anecdotal Zhuangzi—widely regarded as the fundamental texts of Taoist philosophy—were largely composed. They form the core of a body of Taoist writings accrued over the following centuries, which was assembled by monks into the Daozang canon starting in the 5th century CE. Early Taoism drew upon diverse influences, including the Shang and Zhou state religions, Naturalism, Mohism, Confucianism, various Legalist theories, as well as the I Ching and Spring and Autumn Annals.

In traditional Confucian philosophy, li is an ethical concept broadly translatable as 'rite'. According to Wing-tsit Chan, li originally referred to religious sacrifices, but has come to mean 'ritual' in a broad sense, with possible translations including 'ceremony', 'ritual', 'decorum', 'propriety', and 'good form'. Hu Shih notes that li has "even been equated with natural law" by some western scholars. In Chinese cosmology, li refers to rites through which human agency participates in the larger order of the universe. One of the most common definitions of 'rite' is a performance transforming the invisible into the visible: through the performance of rites at appropriate occasions, humans make the underlying order visible. Correct ritual practice focuses and orders the social world in correspondence with the terrestrial and celestial worlds, keeping all three in harmony.

Throughout the Sinosphere, li was thought of as the abstract force that made government possible—along with the Mandate of Heaven it metaphysically combined with—and it ensured "worldly authority" would bestow itself onto competent rulers. The effect of ritual has been described as "centering", and was among the duties of the emperor, who was called the 'Son of Heaven'. However, rites were performed by all those involved in the affairs of state. Rites also involve ancestral and life-cycle dimensions. Daoists who conducted the rites of local gods as a centering of the forces of exemplary history, of liturgical service, of the correct conduct of human relations, and of the arts of divination such as the earliest of all Chinese classics—the I Ching—joining textual learning to bodily practices for harmonization of exogenous and endogenous origins of energy qi for a longer healthier life.

I Ching divination is a form of cleromancy applied to the I Ching. The text of the I Ching consists of sixty-four hexagrams: six-line figures of yin (broken) or yang (solid) lines, and commentaries on them. There are two main methods of building up the lines of the hexagram, using either 50 yarrow stalks or three coins. Some of the lines may be designated "old" lines, in which case the lines are subsequently changed to create a second hexagram. The text relating to the hexagram(s) and old lines (if any) is studied, and the meanings derived from such study can be interpreted as an oracle.

The King Wen sequence (Chinese: 文王卦序) is an arrangement of the sixty-four divination figures in the I Ching (often translated as the Book of Changes). They are called hexagrams in English because each figure is composed of six 爻 yáo—broken or unbroken lines, that represent yin or yang respectively.

The King Wen sequence is also known as the "received" or "classical" sequence because it is the oldest surviving arrangement of the hexagrams. Its true age and authorship are unknown. Traditionally, it is said that King Wen of Zhou arranged the hexagrams in this sequence while imprisoned by King Zhou of Shang in the 12th century BC. A different arrangement, the "binary sequence" named in honor of the mythic culture hero Fu Xi, originated in the Song dynasty. It is believed to be the work of scholar Shao Yong (1011–1077 AD). As mirrored by the 先天 Earlier Heaven and 後天 Later Heaven arrangements of the eight trigrams, or bagua, it was customary to attribute authorship to these legendary figures. Of the two hexagram arrangements, the King Wen sequence is, however, of much greater antiquity than the Fu Xi sequence.

Geomancy, a compound of Greek roots denoting "earth divination", was originally used to mean methods of divination that interpret geographic features, markings on the ground, or the patterns formed by soil, rocks, or sand. Its definition has expanded over time (along with the recognized definition of the suffix -mancy), to include any spiritual, metaphysical, or pseudoscientific practice that is related to the Earth. In recent times the term has been applied to a wide range of other occult and fringe activities, including Earth mysteries and the introduction of ley lines and Bau-Biologie.

Geomancy was a common, and cross cultural, forms of divination in premodern times. In regards to Africa and Europe, it was considered a forbidden practice by various Christians and Muslims across the medieval era. In other regions and cultures, geomancy practices include Sikidy and Ifá (found in Africa), I Ching and Feng shui (found in China), Kumalak (found in parts of Central Asia), Vastu shastra (in India), Kahuna kuhikuhipu'uone (in Ancient Hawai'i).

The bagua (Chinese: 八卦; pinyin: bāguà; lit. 'eight trigrams') is a set of symbols from China intended to illustrate the nature of reality as comprising mutually opposing forces reinforcing one another. Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang, respectively. Each line having two possible states allows for a total of 2 = 8 trigrams, whose early enumeration and characterization in China has had an effect on the history of Chinese philosophy and cosmology.

The trigrams are related to the divination practice as described within the I Ching and practiced as part of the Shang and Zhou state religion, as well as with the concepts of taiji and the five elements within traditional Chinese metaphysics. The trigrams have correspondences in astronomy, divination, meditation, astrology, geography, geomancy (feng shui), anatomy, decorative arts, the family, martial arts (particularly tai chi and baguazhang), Chinese medicine and elsewhere.

Fortune-telling is the spiritual practice of predicting information about a person's life. The scope of fortune telling is in principle identical with the practice of divination. The difference is that divination is the term used for predictions considered part of a religious ritual, invoking deities or spirits, while the term fortune telling implies a less serious or formal setting, even one of popular culture, where belief in occult workings behind the prediction is less prominent than the concept of suggestion, spiritual or practical advisory or affirmation.

Historically, Pliny the Elder describes use of the crystal ball in the 1st century CE by soothsayers ("crystallum orbis", later written in Medieval Latin by scribes as orbuculum). Contemporary Western images of fortune telling grow out of folkloristic reception of Renaissance magic, specifically associated with Romani people. During the 19th and 20th century, methods of divination from non-Western cultures, such as the I Ching, were also adopted as methods of fortune telling in Western popular culture.

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text and decision-making tool, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, "Experimental Music", he described music as "a purposeless play" which is "an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living".

The I Ching book consists of 64 hexagrams.A hexagram in this context is a figure composed of six stacked horizontal lines (爻 yáo), where each line is either Yang (an unbroken, or solid line), or Yin (broken, an open line with a gap in the center). The hexagram lines are traditionally counted from the bottom up, so the lowest line is considered line one while the top line is line six. Hexagrams are formed by combining the original eight trigrams in different combinations. Each hexagram is accompanied with a description, often cryptic, akin to parables. Each line in every hexagram is also given a similar description.

The Chinese word for a hexagram is 卦 "guà", although that also means trigram.

Dan, Duke Wen of Zhou, commonly known as the Duke of Zhou, was a member of the royal family of the early Zhou dynasty who played a major role in consolidating the kingdom established by his elder brother King Wu. He was renowned for acting as a capable and loyal regent for his young nephew King Cheng, and for successfully suppressing the Rebellion of the Three Guards and establishing firm rule of the Zhou dynasty over eastern China. He is also a Chinese culture hero, with the authorship of the I Ching and the Classic of Poetry having traditionally been attributed to him, as well as the establishment of the Rites of Zhou.

Genji (元治) is a Japanese era name (年号, nengō; lit. "year name") after Bunkyū and before Keiō. This period spanned only slightly more than a single year from March 27, 1864 until May 1, 1865. The reigning emperor was Kōmei-tennō (孝明天皇).

The new era name was derived from the I Ching.

Xuanxue (simplified Chinese: 玄学; traditional Chinese: 玄學; pinyin: Xuánxué; Wade–Giles: Hsüan-hsüeh), sometimes called Neo-Taoism or Neo-Daoism, is a metaphysical post-classical Chinese philosophy from the Six Dynasties (222-589), bringing together Taoist and Confucian beliefs through revision and discussion. The movement found its scriptural support both in Taoist and drastically reinterpreted Confucian sources. Xuanxue, or "Mystic Learning", came to reign supreme in cultural circles, especially at Jiankang during the period of division. The concept represented the more abstract, unworldly, and idealistic tendency in early medieval Chinese thought. Xuanxue philosophers combined elements of Confucianism and Taoism to reinterpret the I Ching, Daodejing and Zhuangzi.

The Mawangdui Silk Texts (traditional Chinese: 馬王堆帛書; simplified Chinese: 马王堆帛书; pinyin: Mǎwángduī Bóshū) are Chinese philosophical and medical works written on silk which were discovered at the Mawangdui site in Changsha, Hunan, in 1973. They include some of the earliest attested manuscripts of existing texts (such as the I Ching), two copies of the Tao Te Ching, a copy of Zhan Guo Ce, works by Gan De and Shi Shen, and previously unknown medical texts such as Wushi'er Bingfang (Prescriptions for Fifty-Two Ailments). Scholars arranged them into 28 types of silk books. Their approximately 120,000 words cover military strategy, mathematics, cartography, and the six classical arts: ritual, music, archery, horsemanship, writing, and arithmetic.