Hypereides in the context of "Aristarchus of Samothrace"

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⭐ Core Definition: Hypereides

Hypereides or Hyperides (Ancient Greek: Ὑπερείδης, Hypereidēs; c. 390 – 322 BC; English pronunciation with the stress variably on the penultimate or antepenultimate syllable) was an Athenian logographer (speech writer). He was one of the ten Attic orators included in the "Alexandrian canon" compiled by Aristophanes of Byzantium and Aristarchus of Samothrace in the third century BC.

He was a leader of the Athenian resistance to King Philip II of Macedon and Alexander the Great. He was associated with Lycurgus and Demosthenes in exposing pro-Macedonian sympathizers. He is known for prosecuting Philippides of Paiania for his pro-Macedonian measures and his decree in honoring Alexander the Great.

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Hypereides in the context of Phryne

Phryne (Ancient Greek: Φρύνη, before 370 – after 316 BC) was an ancient Greek hetaira (courtesan). Born Mnesarete, she was from Thespiae in Boeotia, but seems to have lived most of her life in Athens. She apparently grew up poor, but became one of the richest women in Greece.

Phryne is best known for her trial for impiety, in which she was defended by the orator Hypereides. According to legend, she was acquitted after baring her breasts to the jury, though the historical accuracy of this episode is doubtful. She also modeled for the artists Apelles and Praxiteles: the Aphrodite of Knidos was said to have been based on her. Phryne was largely ignored during the Renaissance, but artistic interest in her began to grow from the end of the eighteenth century. Her trial was depicted by Jean-Léon Gérôme in the 1861 painting Phryne Before the Areopagus, which influenced many subsequent depictions of her, and according to Laura McClure made her an "international cultural icon". As well as her depiction in visual arts, since the nineteenth century she has also appeared in literature, theatre, and on film.

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Hypereides in the context of Phryne before the Areopagus

Phryne Before the Areopagus (French: Phryne devant l'Areopage) is an 1861 painting by the French artist Jean-Léon Gérôme. The painting depicts the trial of Phryne, an ancient Greek hetaira (courtesan), who was charged with impiety. Phryne was said to have been acquitted after her defender Hypereides removed her robe and exposed her naked bosom, "to excite the pity of her judges by the sight of her beauty."

The painting was exhibited at the 1861 Salon. It is in the collection of the Kunsthalle Hamburg in Germany.

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Hypereides in the context of Philippides of Paiania

Philippides, son of Philomelos, of Paiania was an Athenian aristocratic oligarch.

He is identified with the Philippides prosecuted by Hypereides in 336/5 B.C. who proposed honours for Macedonians after the Battle of Chaeronea, among them Alexander the Great. The trial speech by Hypereides against Philippides lasted just over thirty minutes and is taken from the papyrus where epilogue is preserved in its entirety. It states that Philippides campaigned with King Philip II of Macedon, which was his most serious offense, and did everything in the service of the Macedonians which Hypereides detested. Philippides was known as saying, "We must honor Alexander for all those that died at his hand". Hypereides attacks Philip and Alexander during the first half of the speech, the second half he turns his attack on Philippides. A reference suggest that Philip was alive at the time of the trial. Philippides was also involved in embassies to King Cassander.

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