Humphrey Bogart in the context of The Treasure of the Sierra Madre (film)


Humphrey Bogart in the context of The Treasure of the Sierra Madre (film)

⭐ Core Definition: Humphrey Bogart

Humphrey DeForest Bogart (/ˈbɡɑːrt/ BOH-gart; December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American actor. His performances in classic Hollywood cinema made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema.

Bogart began acting in Broadway shows. Debuting in film in The Dancing Town (1928), he appeared in supporting roles for more than a decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in The Petrified Forest (1936). Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin in William Wyler's Dead End (1937).

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👉 Humphrey Bogart in the context of The Treasure of the Sierra Madre (film)

The Treasure of the Sierra Madre is a 1948 American neo-western film written and directed by John Huston, and starring Humphrey Bogart, with Walter Huston, Tim Holt, and Bruce Bennett in support. Based on B. Traven's 1927 novel of the same name, the film follows two downtrodden men who join forces with a grizzled old prospector in searching for gold in Mexico.

John Huston developed an interest in adapting Traven's novel in 1935. Development of the film began in 1941, shortly after the release of The Maltese Falcon, but was delayed by American entry into World War II and Huston's Army service. The Treasure of the Sierra Madre was one of the early Hollywood productions to be shot on location outside the United States, with extensive location shooting in Mexico, as well as back in the US.

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Humphrey Bogart in the context of Crime drama

Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense, or noir.

Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre).

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Humphrey Bogart in the context of The Roaring Twenties

The Roaring Twenties is a 1939 American gangster film directed by Raoul Walsh and starring James Cagney, Priscilla Lane, Humphrey Bogart, and Gladys George. The film, spanning the period from 1919 to 1933, was written by Jerry Wald, Richard Macaulay and Robert Rossen. The film follows three men and their experiences during major events in the 1920s, such as Prohibition era violence and the 1929 stock market crash.

The picture was based on "The World Moves On", a short story by Mark Hellinger, a columnist who had been hired by Jack L. Warner to write screenplays. The movie is hailed as a classic in the gangster movie genre, and considered an homage to the classic gangster movie of the early 1930s.

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Humphrey Bogart in the context of To Have and Have Not (film)

To Have and Have Not is a 1944 American romantic war adventure film directed by Howard Hawks, loosely based on Ernest Hemingway's 1937 novel of the same name. It stars Humphrey Bogart, Walter Brennan and Lauren Bacall; it also features Dolores Moran, Hoagy Carmichael, Sheldon Leonard, Dan Seymour, and Marcel Dalio. The plot, centered on the romance between a freelancing fisherman in Martinique and a beautiful American drifter, is complicated by the growing French resistance in Vichy France.

Hemingway and Hawks were close friends and, on a fishing trip, Hawks told Hemingway, who was reluctant to go into screenwriting, that he could make a great movie from his worst book, which Hemingway admitted was To Have and Have Not. Jules Furthman wrote the first screenplay, which, like the novel, was set in Cuba. However, the screenplay was altered to be set in Martinique, because the portrayal of Cuba's government was believed to be in violation of the United States' Good Neighbor policy. Hawks's friend William Faulkner was the main contributor to the screenplay, including and following the revisions. Because of the contributions from both Hemingway and Faulkner, it is the only film story on which two winners of the Nobel Prize for Literature worked. Filming began on February 29, 1944, while Faulkner continued to work on the script, and ended on May 10.

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Humphrey Bogart in the context of The Big Sleep (1946 film)

The Big Sleep is a 1946 American film noir directed by Howard Hawks. William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay, which adapts Raymond Chandler's 1939 novel. The film stars Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and leads to multiple murders.

Initially produced in late 1944, the film's release was delayed by more than a year because the studio wanted to release war films in anticipation of the end of World War II. A cut was released to servicemen overseas in 1945 shortly after its completion. During the delay, Bogart and Bacall married and Bacall was cast in Confidential Agent. When that movie failed, reshoots of The Big Sleep were done in early 1946 meant to take advantage of the public's fascination with "Bogie and Bacall".

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Humphrey Bogart in the context of Raymond Chandler

Raymond Thornton Chandler (July 23, 1888 – March 26, 1959) was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once.

Chandler had an immense stylistic influence on American popular literature. He is a founder of the hardboiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective". Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.

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