Humpback whale in the context of "Orca"

Whales use a variety of sounds for communication and sensation. The mechanisms used to produce sound vary from one family of cetaceans to another. Marine mammals, including whales, dolphins, and porpoises, are much more dependent on sound than land mammals due to the limited effectiveness of other senses in water. Sight is less effective for marine mammals because of the way particulates in the ocean scatter light. Smell is also limited, as molecules diffuse more slowly in water than in air, which makes smelling less effective. However, the speed of sound is roughly three times greater in water than in the atmosphere at sea level. As sea mammals are so dependent on hearing to communicate and feed, environmentalists and cetologists are concerned that they are being harmed by the increased ambient noise in the world's oceans caused by ships, sonar and marine seismic surveys.

The word "song" is used to describe the pattern of regular and predictable sounds made by some species of whales, notably the humpback whale. This is included with or in comparison with music, and male humpback whales have been described as "inveterate composers" of songs that are "'strikingly similar' to human musical traditions". This position has been complicated by more recent research, however. It has been suggested that humpback songs communicate male fitness to female whales, although this explanation has been challenged on various grounds.

Marine mammals are mammals that rely on marine ecosystems for their existence. They include animals such as cetaceans, pinnipeds, sirenians, sea otters and polar bears. They are an informal group, unified only by their reliance on marine environments for feeding and survival.

Marine mammal adaptation to an aquatic lifestyle varies considerably between species. Both cetaceans and sirenians are fully aquatic and therefore are obligate water dwellers. Pinnipeds are semiaquatic; they spend the majority of their time in the water but need to return to land for important activities such as mating, breeding and molting. Sea otters tend to live in kelp forests and estuaries. In contrast, the polar bear is mostly terrestrial and only go into the water on occasions of necessity, and are thus much less adapted to aquatic living. The diets of marine mammals vary considerably as well; some eat zooplankton, others eat fish, squid, shellfish, or seagrass, and a few eat other mammals. While the number of marine mammals is small compared to those found on land, their roles in various ecosystems are large, especially concerning the maintenance of marine ecosystems, through processes including the regulation of prey populations. This role in maintaining ecosystems makes them of particular concern as 23% of marine mammal species are currently threatened.

Cetacean surfacing behaviour is a grouping of movement types that cetaceans make at the water's surface in addition to breathing. Cetaceans have developed and use surface behaviours for many functions such as display, feeding and communication. All regularly observed members of the infraorder Cetacea, including whales, dolphins and porpoises, show a range of surfacing behaviours.

Cetacea is usually split into two suborders, Odontoceti and Mysticeti, based on the presence of teeth or baleen plates in adults respectively. However, when considering behaviour, Cetacea can be split into whales (cetaceans more than 10 m long such as sperm and most baleen whales) and dolphins and porpoises (all Odontocetes less than 10 m long including orca) as many behaviours are correlated with size.

Whale watching is the practice of observing whales and dolphins (cetaceans) in their natural habitat. Whale watching is mostly a recreational activity (cf. birdwatching), but it can also serve scientific and/or educational purposes. A study prepared for International Fund for Animal Welfare in 2009 estimated that 13 million people went whale watching globally in 2008. Whale watching generates $2.1 billion per annum in tourism revenue worldwide, employing around 13,000 workers. The size and rapid growth of the industry has led to complex and continuing debates with the whaling industry about the best use of whales as a natural resource.

Bubble-net feeding is a feeding behavior engaged in by humpback whales and Bryde's whales. It is one of the few surface feeding behaviors that humpback whales are known to engage in. This type of feeding can be done alone or in groups with as many as twenty whales participating at once. Whales can also perform a similar method of surface feeding called "lunge feeding".

Humpback whales are migratory and only eat during half of the year. During this feeding season humpback whales actively feed for up to twenty-two hours a day. They do this so they can store enough fat reserves to live through their breeding season when they do not eat at all. Humpback whales typically spend summer months in feeding grounds with cooler waters that they return to every year. They have been documented feeding in areas such as Southeast Alaska and off the coast of Antarctica.

Whaling in Australian waters began in 1791 when five of the 11 ships in the Third Fleet landed their passengers and freight at Sydney Cove and then left Port Jackson to engage in whaling and seal hunting off the coast of Australia and New Zealand. The two main species hunted by such vessels in the early years were right and sperm whales. Humpback, bowhead and other whale species would later be taken.

Whaling went on to be a major maritime industry in Australia providing work for hundreds of ships and thousands of men and contributing export products worth £4.2 million by 1850.

Cape Solander is a natural historic site, located near the small town of Kurnell, New South Wales, situated in the Kamay Botany Bay National Park. The location is known for whale watching, the whale species to be seen including the humpback whale, southern right whale, and the grey whale.

Fatalities caused by falling from the cliffs have occurred at this location.

George Henry Crumb Jr. (24 October 1929 – 6 February 2022) was an American composer of avant-garde contemporary classical music. Early in his life he rejected the widespread modernist usage of serialism, developing a highly personal musical language which "range[s] in mood from peaceful to nightmarish". Crumb's compositions are known for pushing the limits of technical prowess by way of frequent use of extended techniques. The unusual timbres he employs evoke a surrealist atmosphere which portray emotions of considerable intensity with vast and sometimes haunting soundscapes. His few large-scale works include Echoes of Time and the River (1967), which won the 1968 Pulitzer Prize for Music, and Star-Child (1977), which won the 2001 Grammy Award for Best Contemporary Classical Composition; however, his output consists of mostly music for chamber ensembles or solo instrumentalists. Among his best known compositions are Black Angels (1970), a striking commentary on the Vietnam War for electric string quartet; Ancient Voices of Children (1970) for a mixed chamber ensemble; and Vox Balaenae (1971), a musical evocation of the humpback whale, for electric flute, electric cello, and amplified piano.

Born to a musical family, Crumb was acquainted with classical music at an early age and his affinity for Classical and Romantic composers in particular would stay throughout his life. He was especially influenced by composers such as Mahler, Debussy and Bartók; Crumb wrote his four-volume piano set Makrokosmos (1972–1979) in response to Bartók's earlier piano set Mikrokosmos. His compositions often contain musical quotations from wide range of composers including Bach, Chopin, Schubert, Strauss, and the jazz pianist and composer Thelonious Monk. The use of pastiche is also found in his music, as is text by Federico García Lorca, whose poetry Crumb set eleven times. Elements of theatricality appear in numerous compositions, inspiring choreographies from contemporary dance groups. To convey his unorthodox and complex musical style, Crumb's musical scores are facsimile manuscripts, using special notation "distinguished by astonishing clarity, precision and elegance, and by arresting graphic symbols in which staves are bent into arches, circles and other pictorial devices." Among his students were the composers Osvaldo Golijov, Jennifer Higdon, Christopher Rouse and Melinda Wagner.