Human female sexuality in the context of "Penis envy"

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⭐ Core Definition: Human female sexuality

Human female sexuality encompasses a broad range of behaviors and processes, including female sexual identity and sexual behavior, the physiological, psychological, social, cultural, political, and spiritual or religious aspects of sexual activity. Various aspects and dimensions of female sexuality, as a part of human sexuality, have also been addressed by principles of ethics, morality, and theology. In almost any historical era and culture, the arts, including literary and visual arts, as well as popular culture, present a substantial portion of a given society's views on human sexuality, which includes both implicit (covert) and explicit (overt) aspects and manifestations of feminine sexuality and behavior.

In most societies and legal jurisdictions, there are legal bounds on what sexual behavior is permitted. Sexuality varies across the cultures and regions of the world, and has continually changed throughout history, and this also applies to female sexuality. Aspects of female sexuality include issues pertaining to body image, self-esteem, personality, sexual orientation, values and attitudes, gender roles, relationships, activity options, and communication.

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👉 Human female sexuality in the context of Penis envy

Penis envy (German: Penisneid) is a stage in Sigmund Freud's theory of female psychosexual development, in which young girls experience anxiety upon realization that they do not have a penis. Freud considered this realization a defining moment in a series of transitions toward a mature female sexuality. In Freudian theory, the penis envy stage begins the transition from attachment to the mother to competition with the mother for the attention and affection of the father. The young boy's realization that women do not have a penis is thought to result in castration anxiety.

Freud's theory on penis envy was criticized and debated by other psychoanalysts, such as Karen Horney, Ernest Jones, Helene Deutsch, and Melanie Klein, specifically on the treatment of penis envy as a fixed operation as opposed to a formation constructed or used in a secondary manner to fend off earlier wishes.

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Human female sexuality in the context of Virginity

Virginity is a social construct that denotes the state of a person who has never engaged in sexual intercourse. As it is not an objective term with an operational definition, social definitions of what constitutes virginity, or the lack thereof, vary. Heterosexuals may or may not consider loss of virginity to occur only through penile–vaginal penetration, while people of other sexual orientations often include oral sex, anal sex, or manual sex in their definitions of virginity loss. The term "virgin" encompasses a range of definitions, as found in traditional, modern, and ethical concepts. Religious rituals for regaining virginity exist in many cultures. Some men and women who practice celibacy after losing their virginity consider themselves born-again virgins.

There are cultural and religious traditions that place special value and significance on this state, predominantly towards unmarried females, associated with notions of personal purity, honour, and worth. Like chastity, the concept of virginity has traditionally involved sexual abstinence. The concept of virginity usually involves moral or religious issues and can have consequences in terms of social status and in interpersonal relationships. Although virginity has social implications and had significant legal implications in some societies in the past, it has no legal consequences in most societies today. The social implications of virginity still remain in many societies and can have varying effects on an individual's social agency.

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Human female sexuality in the context of Romance of the Rose

Le Roman de la Rose (The Romance of the Rose) is a medieval poem written in Old French and presented as an allegorical dream vision. As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed. Its two authors conceived it as a psychological allegory; throughout the Lover's quest, the word Rose is used both as the name of the titular lady and as an abstract symbol of female sexuality. The names of the other characters function both as personal names and as metonyms illustrating the different factors that lead to and constitute a love affair. Its long-lasting influence is evident in the number of surviving manuscripts of the work, in the many translations and imitations it inspired, and in the praise and controversy it inspired.

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