Hugo Ball (German: [bal]; 22 February 1886 – 14 September 1927) was a German author, poet, and essentially the founder of the Dada movement in European art in Zürich in 1916. Among other accomplishments, he was a pioneer in the development of sound poetry. His best known works include the "Dada Manifesto", the Dadaist nonsense poem "Karawane", the poetry collection 7 schizophrene Sonette, the edited diary Flight out of Time, the Christian anarchist polemic book Critique of the German Intelligentsia and the novels Flametti, or The Dandyism of the Poor and Tenderenda the Fantast.
>>>PUT SHARE BUTTONS HERE<<<
👉 Hugo Ball in the context of Tristan Tzara
Tristan Tzara (/ˈzɑːrə/; French: [tʁistɑ̃ dzaʁa]; Romanian: [trisˈtan ˈt͡sara]; born Samuel or Samy Rosenstock, also known as S. Samyro; 28 April [O.S. 16 April] 1896 – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco.
During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball.
In this Dossier
Hugo Ball in the context of Dada
Dada (/ˈdɑːdɑː/) or Dadaism was an international art movement that developed in the context of the Great War and Futurism first established in Zürich, Switzerland, and later quickly spread to Berlin, Paris, New York City and a variety of artistic centers in Europe and Asia. The Dada movement's principles were first collected in Hugo Ball's Dada Manifesto in 1916. Ball is seen as the founder of the Dada movement. Key figures in the movement included Hugo Ball, Emmy Hennings, Jean Arp, Johannes Baader, Marcel Duchamp, Max Ernst, Elsa von Freytag-Loringhoven, George Grosz, Raoul Hausmann, John Heartfield, Hannah Höch, Richard Huelsenbeck, Francis Picabia, Man Ray, Hans Richter, Kurt Schwitters, Sophie Taeuber-Arp, Tristan Tzara, and Beatrice Wood, among others. The movement influenced later styles like the avant-garde and downtown music movements, and groups including Surrealism, nouveau réalisme, pop art, and Fluxus.
Hugo Ball in the context of Dada Manifesto
The Dada Manifesto (French: Le Manifeste DaDa) is a short text written by Hugo Ball detailing the ideals underlying the Dadaist movement. It was presented at Zur Waag guildhall in Zürich at the first public Dada gathering on July 14, 1916. The choice of this date, Bastille Day, was important to Ball as it carried significance as a protest to World War I. In this manifesto, Ball begins by giving diverse definitions of the word "Dada" in multiple languages. He continues to introduce the movement's own definition of "Dada" by boldly asserting that "Dada is the heart of words." Ball concludes his manifesto with a linguistic explosion that alternates between coherence and absurdity. After writing his manifesto Ball stayed active in the Dada movement for another six months, but the manifesto created conflict with his fellow Dada artists, most notably Tristan Tzara.
On March 23, 1918, Tzara wrote and published another, longer, Manifeste Dada 1918. This manifesto was angrier and more nonsensical in tone. Tzara counters Ball's earlier manifesto and states that all definitions of "Dada" were to be dismissed immediately. Tzara's Manifeste was used in the prologue and in the segment about Dadaism of the 2015 film Manifesto.
Hugo Ball in the context of Emmy Hennings
Emmy Hennings (born Emma Maria Cordsen, 17 January 1885 – 10 August 1948) was a German poet and performing artist, and co-founder of the Dadaist Cabaret Voltaire with her second husband Hugo Ball.
Known as the "star of the show," Hennings has been the subject of numerous creative works, including a best-selling novel, a graphic novel, short films and various works of visual art. Family member Julian Schütt has commented on her eclipse and re-emergence as a central artistic figure of the early twentieth century: "Suddenly my great-grandmother is on YouTube – although for a long time she was only considered an ecstatic groupie"