Chinese classics in the context of "Classical tradition"

China, officially the People's Republic of China (PRC), is a country in East Asia. With a population exceeding 1.4 billion, it is the second-most populous country after India, representing 17% of the world population. China borders fourteen countries by land across an area of 9.6 million square kilometers (3,700,000 sq mi), making it the third-largest country by area. The country is divided into 33 province-level divisions: 22 provinces, 5 autonomous regions, 4 municipalities, and 2 semi-autonomous special administrative regions. Beijing is the capital, while Shanghai is the most populous city by urban area and largest financial center.

China saw the first humans in the region arriving during the Paleolithic era. By the 2nd millennium BCE dynastic states had emerged in the Yellow River basin. The 8th–3rd centuries BCE saw a breakdown in the authority of the Zhou dynasty, accompanied by the emergence of administrative and military techniques, literature and philosophy. In 221 BCE, China was unified under an emperor, ushering in two millennia of imperial dynasties. With the invention of gunpowder and paper, the establishment of the Silk Road, and the Great Wall, Chinese culture flourished and has heavily influenced its neighbors and lands further afield. China began to cede parts of the country in the 19th century, to European powers by a series of unequal treaties. The 1911 Revolution overthrew the Qing dynasty and the Republic of China was established the following year. The country was unstable and fragmented during the Warlord Era, which ended upon the Northern Expedition conducted by the Kuomintang to reunify the country.

The I Ching or Yijing (Chinese: 易經 Mandarin pronunciation:[î tɕíŋ] ), usually translated Book of Changes or Classic of Changes, is an ancient Chinese divination text that is among the oldest of the Chinese classics. The I Ching was originally a divination manual in the Western Zhou period (1000–750 BCE). Over the course of the Warring States and early imperial periods (500–200 BCE), it transformed into a cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BCE, the I Ching was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought.

As a divination text, the I Ching is used for a Chinese form of cleromancy known as I Ching divination in which bundles of yarrow stalks are manipulated to produce sets of six apparently random numbers ranging from 6 to 9. Each of the 64 possible sets corresponds to a hexagram, which can be looked up in the I Ching. The hexagrams are arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching has been discussed and debated over the centuries. Many commentators have used the book symbolically, often to provide guidance for moral decision-making, as informed by Confucianism, Taoism and Buddhism. The hexagrams themselves have often acquired cosmological significance and been paralleled with many other traditional names for the processes of change such as yin and yang and Wuxing.

The history of Chinese literature extends thousands of years, and begins with the earliest recorded inscriptions, court archives, building to the major works of philosophy and history written during the Axial Age. The Han (202 BC – 220 AD) and Tang (618–907 AD) dynasties were considered golden ages of poetry, while the Song (960–1279) and Yuan (1271–1368) were notable for their lyrics (ci), essays, dramas, and plays. During the Ming and Qing, mature novels were written in written vernacular Chinese, an evolution from the preeminence of Literary Chinese patterned off the language of the Chinese classics. The introduction of widespread woodblock printing during the Tang and the invention of movable type printing by Bi Sheng (990–1051) during the Song rapidly spread written knowledge throughout China. Around the turn of the 20th century, the author Lu Xun (1881–1936) is considered an influential voice of vernacular Chinese literature.

Classical Chinese is the language in which the classics of Chinese literature were written, from c. the 5th century BCE. For millennia thereafter, the written Chinese used in these works was imitated and iterated upon by scholars in a form now called Literary Chinese, which was used for almost all formal writing in China until the early 20th century. Each written character corresponds to a single spoken syllable, and almost always to a single independent word. As a result, the characteristic style of the language is comparatively terse.

Starting in the 2nd century CE, use of Literary Chinese spread to the countries surrounding China, including Vietnam, Korea, Japan, and the Ryukyu Islands, where it represented the only known form of writing. Literary Chinese was adopted as the language of civil administration in these countries, creating what is known as the Sinosphere. Each additionally developed systems of readings and annotations that enabled non-Chinese speakers to interpret Literary Chinese texts in terms of the local vernacular.

Wang Mang (45 BC – 6 October AD 23), courtesy name Jujun, officially titled the Shijianguo Emperor, was the founder and the only emperor of the short-lived Xin dynasty of imperial China. Originally an official and consort kin of the Han dynasty, Wang seized the throne in AD 9. The Han dynasty was restored after his overthrow, and his rule marked the separation between the earlier Western Han dynasty and the later Eastern Han dynasty.

Traditional Chinese historiography viewed Wang as a tyrant and usurper, while more recently some historians have portrayed him as a visionary and selfless social reformer. During his reign, he abolished slavery and initiated a land redistribution program. A learned Confucian scholar who sought to implement the harmonious society he saw in the Chinese classics, his efforts ended in chaos. Wang Mang's late reign saw large-scale peasant rebellions, most notably the revolts of the Lülin and Red Eyebrows (Chimei). In October AD 23, the capital Chang'an was overrun and the imperial palaces sacked. Wang Mang was killed in the battle. The Han dynasty was re-established, the Gengshi Emperor taking the throne in the year 23 and the Guangwu Emperor taking the throne in the year 25 after defeating the Red Eyebrows who had deposed the Gengshi Emperor.

The Spring and Autumn Annals is an ancient Chinese chronicle that has been one of the core Chinese classics since ancient times. The Annals is the official chronicle of the State of Lu, and covers a 242-year period from 722 to 481 BCE. It is the earliest surviving Chinese historical text to be arranged in annals form. Because it was traditionally regarded as having been compiled by Confucius—after a claim to this effect by Mencius—it was included as one of the Five Classics of Chinese literature.

The Annals records main events that occurred in Lu during each year, such as the accessions, marriages, deaths, and funerals of rulers, battles fought, sacrificial rituals observed, celestial phenomena considered ritually important, and natural disasters. The entries are tersely written, averaging only 10 characters per entry, and contain no elaboration on events or recording of speeches.