Holy Doors in the context of "Saint Lawrence"

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⭐ Core Definition: Holy Doors

The royal doors, holy doors, or beautiful gates are the central doors of the iconostasis in an Eastern Orthodox or Eastern Catholic church. The sanctuary (sometimes called the Altar, which contains the Holy Table) is separated from the nave by a wooden screen called the iconostasis. The iconostasis represents Christian continuity from the veil of the Temple in Jerusalem which separated the people from the Holy of Holies that housed the Ark of the Covenant. Normally, the iconostasis has three doors in it. The two single doors to the right and left are called "deacons' doors" or "angel doors" and they usually have on them icons of either sainted deacons (Saint Stephen, Saint Lawrence, etc.) or the Archangels Michael and Gabriel. These are the doors that the clergy will normally use when entering the sanctuary. The central double doors are the "holy doors" (Slavonic: Svyatýa Vratá), which are considered to be most sacred, and may only be entered at certain sacred moments during the services, and only by ordained clergy (deacons, priests, bishops).

The term Royal Doors (Greek: Ωραία Πύλη: Slavonic: Tsárskiya Vratá) is commonly used to describe the Holy Doors, because Christ passes through these gates during the Great Entrance at the Divine Liturgy (and most especially during the Liturgy of the Presanctified Gifts). More properly, however, these doors should be called the "Beautiful Gate", and in Greek this is the only term used, although the official English sites of the Ecumenical Patriarchate, the Orthodox Church in America and the Antiochian Orthodox Church all use the term "Royal Doors". In Russia, they are sometimes called the "Red Gates", red being synonymous with beautiful.

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Holy Doors in the context of Byzantine Rite

The Byzantine Rite, also known as the Greek Rite or the Rite of Constantinople, is a liturgical rite that is identified with the wide range of cultural, devotional, and canonical practices that developed in the Eastern Christian church of Constantinople.

The canonical hours are extended and complex, lasting about eight hours (longer during Great Lent) but are abridged outside of large monasteries. An iconostasis, a partition covered with icons, separates the area around the altar from the nave. The sign of the cross, accompanied by bowing, is made very frequently, e.g., more than a hundred times during the divine liturgy, and there is prominent veneration of icons, a general acceptance of the congregants freely moving within the church and interacting with each other, and distinctive traditions of liturgical chanting.

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Holy Doors in the context of Ambon (liturgy)

The ambon or ambo (Greek: ἄμβων, meaning "pulpit"; Slavonic: amvón) in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it.

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Holy Doors in the context of Soleas

The soleas ((Greek: σολέα, other form σολέας) = Latin: solea meaning (“bottom, base”, as used in "sole of a shoe", cf. also the "sole" from the resemblance of fish to a flat shoe. Of uncertain origin)) is an extension of the sanctuary platform in an Eastern Orthodox temple (church building). The soleas projects beyond the iconostasis, forming a narrow walkway running the full length of the iconostasis.

In the center of the soleas is the ambon, directly in front of the Holy Doors, where the communicants stand to receive Holy Communion and where the clergy come out for public prayers, sermons, etc.

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