History of cartography in the context of Classical Greece

The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius. The first part of the atlas contains copper plate prints depicting the world systems of Claudius Ptolemy, Nicolaus Copernicus, and Tycho Brahe. At the end are star maps of the classical and further constellations, the latter ones as introduced by Julius Schiller in his Coelum stellatum christianum of 1627.

For its importance in the history of cartography, particularly of celestial cartography, the Harmonia Macrocosmica is considered one of the notable masterworks from the Golden Age of Dutch/Netherlandish cartography (c. 1570s–1670s), along with Abraham Ortelius's Theatrum Orbis Terrarum and Johannes Blaeu's Atlas Maior. It is often described as the most beautiful celestial atlas ever published.

Su Song (Chinese: 蘇頌; Pe̍h-ōe-jī: So͘ Siōng, 1020–1101), courtesy name Zirong (Chinese: 子容; Pe̍h-ōe-jī: Chú-iông), was a Chinese polymathic scientist and statesman who lived during the Song dynasty (960–1279). He excelled in numerous fields including but not limited to mathematics, astronomy, cartography, geography, metallurgy, mechanical engineering, hydraulic engineering, poetry, and statesmanship.

Su Song was the engineer for a hydro-mechanical astronomical clock tower located in Kaifeng. It employed an early escapement mechanism. The escapement mechanism of Su's clock tower was invented by the Tang dynasty Buddhist monk Yi Xing and government official Liang Lingzan in 725 AD to operate a water-powered armillary sphere, however Su's armillary sphere was the first to utilize a mechanical clock drive. Su's clock tower also featured the oldest known endless power-transmitting chain drive, called the tian ti (天梯), or "celestial ladder", as depicted in his horological treatise. The clock tower had 133 different clock jacks to indicate and sound the hours. The clock was dismantled by the invading Jurchen army in 1127 AD, and although attempts were made to reassemble it, the tower was never successfully reinstated.

The Mercator world map of 1569 is titled Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata (Renaissance Latin for "New and more complete representation of the terrestrial globe properly adapted for use in navigation"). The title shows that Gerardus Mercator aimed to present contemporary knowledge of the geography of the world and at the same time 'correct' the chart to be more useful to sailors. This 'correction', whereby constant bearing sailing courses on the sphere (rhumb lines) are mapped to straight lines on the plane map, characterizes the Mercator projection. While the map's geography has been superseded by modern knowledge, its projection proved to be one of the most significant advances in the history of cartography, inspiring the 19th century map historian Adolf Nordenskiöld to write "The master of Rupelmonde stands unsurpassed in the history of cartography since the time of Ptolemy." The projection heralded a new era in the evolution of navigation maps and charts and it is still their basis.

The map is inscribed with a great deal of text. The framed map legends (or cartouches) cover a wide variety of topics: a dedication to his patron and a copyright statement; discussions of rhumb lines; great circles and distances; comments on some of the major rivers; accounts of fictitious geography of the north pole and the southern continent. The full Latin texts and English translations of all the legends are given below. Other minor texts are sprinkled about the map. They cover such topics as the magnetic poles, the prime meridian, navigational features, minor geographical details, the voyages of discovery and myths of giants and cannibals. These minor texts are also given below.

Negroland, Nigrita, or Nigritia, is an archaic term in European mapping, referring to Europeans' descriptions of West Africa as an area populated with negroes.

This area comprised at least the western part of the region called Sudan (not to be confused with the modern country). The term is probably a direct translation of the Arabic term Bilad as-Sudan (بلاد السودان), meaning "Land of the Blacks", corresponding to about the same area. There were various kinds of people in the area. The Persians called these areas Zangistān (زنگستان), meaning "Land of the Blacks" and the name Zang for black still remains in the name of Zanzibar (from Persian زنگبار (Zangibār) meaning "The Coast of Blacks". The name was given by Persian navigators when they visited the area in the middle ages. Some of the greatest states of those considered part of Negroland were the Bornu Empire and the Sokoto Caliphate.

Typography, as an aspect of cartographic design, is the craft of designing and placing text on a map in support of the map symbols, together representing geographic features and their properties. It is also often called map labeling or lettering, but typography is more in line with the general usage of typography. Throughout the history of maps to the present, their labeling has been dependent on the general techniques and technologies of typography.