History of England in the context of "Bronze Age Britain"

The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The Roman symbol of Britannia (a female personification of Great Britain) was revived in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain.

This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music, and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate realm before its royal union with Scotland.

The La Tène culture (/ləˈtɛn/; French pronunciation: [la tɛn]) was a European Iron Age culture. It developed and flourished during the late Iron Age (from about 450 BC to the Roman conquest in the 1st century BC), succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences.

La Tène culture's territorial extent corresponded to what is now France, Belgium, Switzerland, Austria, England, Southern Germany, the Czech Republic, Northern Italy and Central Italy, Slovenia, Hungary and Liechtenstein, as well as adjacent parts of the Netherlands, Slovakia, Serbia, Croatia, Transylvania (western Romania), and Transcarpathia (western Ukraine). The Celtiberians of western Iberia shared many aspects of the culture, though not generally the artistic style. To the north extended the contemporary Pre-Roman Iron Age of Northern Europe, including the Jastorf culture of Northern Germany and Denmark and all the way to Galatia in Asia Minor (today Turkey).

Bede (/biːd/; Old English: Bēda [ˈbeːdɑ]; 672/3 – 26 May 735), also known as Saint Bede, Bede of Jarrow, the Venerable Bede, and Bede the Venerable (Latin: Beda Venerabilis), was an English monk, author and scholar. He was one of the most known writers during the Early Middle Ages, and his most famous work, Ecclesiastical History of the English People, gained him the title "The Father of English History". He served at the monastery of St Peter and its companion monastery of St Paul in the Kingdom of Northumbria of the Angles.

Born on lands belonging to the twin monastery of Monkwearmouth–Jarrow in present-day Tyne and Wear, England, Bede was sent to Monkwearmouth at the age of seven and later joined Abbot Ceolfrith at Jarrow. Both of them survived a plague that struck in 686 and killed the majority of the population there. While Bede spent most of his life in the monastery, he travelled to several abbeys and monasteries across the British Isles, even visiting the archbishop of York and King Ceolwulf of Northumbria.

England in the Middle Ages concerns the history of England during the medieval period, from the end of the 5th century through to the start of the early modern period in 1485. When England emerged from the collapse of the Roman Empire, the economy was in tatters and many of the towns abandoned. After several centuries of Germanic immigration, new identities and cultures began to emerge, developing into kingdoms that competed for power. A rich artistic culture flourished under the Anglo-Saxons, producing epic poems such as Beowulf and sophisticated metalwork. The Anglo-Saxons converted to Christianity in the 7th century, and a network of monasteries and convents were built across England. In the 8th and 9th centuries, England faced fierce Viking attacks, and the fighting lasted for many decades. Eventually, Wessex was established as the most powerful kingdom and promoted the growth of an English identity. Despite repeated crises of succession and a Danish seizure of power at the start of the 11th century, it can also be argued that by the 1060s England was a powerful, centralised state with a strong military and successful economy.

The Norman invasion of England in 1066 led to the defeat and replacement of the Anglo-Saxon elite with Norman and French nobles and their supporters. William the Conqueror and his successors took over the existing state system, repressing local revolts and controlling the population through a network of castles. The new rulers introduced a feudal approach to governing England, eradicating the practice of slavery, but creating a much wider body of unfree labourers called serfs. The position of women in society changed as laws regarding land and lordship shifted. England's population more than doubled during the 12th and 13th centuries, fueling an expansion of the towns, cities, and trade, helped by warmer temperatures across Northern Europe. A new wave of monasteries and friaries was established while ecclesiastical reforms led to tensions between successive kings and archbishops. Despite developments in England's governance and legal system, infighting between the Anglo-Norman elite resulted in multiple civil wars and the loss of Normandy.

Shakespearean tragedy is the designation given to most tragedies written by William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances (tragicomic plays) were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, English scholar Frederick S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.

Sir Christopher Wren FRS (/rɛn/; 30 October 1632 [O.S. 20 October] – 8 March 1723 [O.S. 25 February]) was an English architect, astronomer, mathematician and physicist who is one of the most highly acclaimed architects in the history of England. Known for his work in the English Baroque style, he was accorded responsibility for rebuilding 52 churches in the City of London after the Great Fire in 1666, including what is regarded as his masterpiece, St Paul's Cathedral, on Ludgate Hill, completed in 1710.

The principal creative responsibility for a number of the churches is now more commonly attributed to others in his office, especially Nicholas Hawksmoor. Other notable buildings by Wren include the Royal Hospital Chelsea, the Old Royal Naval College, Greenwich, and the south front of Hampton Court Palace. Educated in Latin and Aristotelian physics at the University of Oxford, Wren was a founder of the Royal Society and served as its president from 1680 to 1682. His scientific work was highly regarded by Isaac Newton and Blaise Pascal.

A bill of attainder (also known as an act of attainder, writ of attainder, or bill of pains and penalties) is an act of a legislature declaring a person, or a group of people, guilty of some crime, and providing for a punishment, often without a trial. As with attainder resulting from the normal judicial process, the effect of such a bill is to nullify the targeted person's civil rights, most notably the right to own property (and thus pass it on to heirs), the right to a title of nobility, and, in at least the original usage, the right to life itself.

In the history of England, the word "attainder" refers to people who were declared "attainted", meaning that their civil rights were nullified: they could no longer own property or pass property to their family by will or testament. Attainted people would normally be put to death, with the property left behind escheated to the Crown or lord rather than being inherited by family. The first use of a bill of attainder was in 1321 against Hugh le Despenser, 1st Earl of Winchester and his son Hugh Despenser the Younger, Earl of Gloucester, who were both attainted for supporting King Edward II. Bills of attainder passed in Parliament by Henry VIII on 29 January 1542 resulted in the executions of a number of notable historical figures.

The Contenance angloise, or English manner, a distinctive style of musical polyphony, developed in fifteenth-century England. It uses full, rich harmonies based on the third and sixth. It became highly influential in the fashionable Burgundian court of Philip the Good (r. 1419–1467), and on European music of the era. Its leading proponent was John Dunstaple (c. 1390 - 1453), followed by Walter Frye and John Hothby (c. 1410 - 1487).