Antony and Cleopatra in the context of "Shakespearean tragedy"

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โญ Core Definition: Antony and Cleopatra

Antony and Cleopatra is a tragedy by William Shakespeare. The play was first performed around 1607, by the King's Men at either the Blackfriars Theatre or the Globe Theatre. Its first appearance in print was in the First Folio published in 1623, under the title The Tragedie of Anthonie, and Cleopatra.

The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the War of Actium. The main antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.

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๐Ÿ‘‰ Antony and Cleopatra in the context of Shakespearean tragedy

Shakespearean tragedy is the designation given to most tragedies written by William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragediesโ€”Julius Caesar, Antony and Cleopatra and Coriolanusโ€”are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances (tragicomic plays) were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, English scholar Frederick S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.

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Antony and Cleopatra in the context of Caesar and Cleopatra (play)

Caesar and Cleopatra (Shavian: ยท๐‘•๐‘ฐ๐‘Ÿ๐‘ฉ๐‘ฎ ๐‘จ๐‘ฏ๐‘› ยท๐‘’๐‘ค๐‘ฐ๐‘ฉ๐‘ซ๐‘๐‘จ๐‘‘๐‘ฎ๐‘ฉ) is a play written in 1898 by George Bernard Shaw that depicts a fictionalised account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. Shaw based his plot on Theodor Mommsen's The History of Rome, which presents an admiring depiction of Caesar as a strong leader and great man, contrasting his piece with Shakespeare's Antony and Cleopatra, which was based on histories by Plutarch and Holinshed. Shaw focused on the background of Roman interference in the affairs of Alexandria, which he saw as akin to the British imperialism of his day. He also portrayed Cleopatra as sixteen years old to downplay the sexual relationship between the title characters and focus on the political story.

The play was first performed in a single staged reading at Newcastle upon Tyne in March 1899, to secure the copyright, starring Mrs Patrick Campbell and Nutcombe Gould, though Shaw said that he had written the role of Caesar with Johnston Forbes-Robertson in mind. Campbell resisted Shaw's concept of her character and portrayed it more maturely. It was not staged again until March 1906, when it was played unsuccessfully in Berlin in a German translation, with cuts. Shaw's text was fully given a full staging in New York later in 1906 and in London in 1907, both starring Gertrude Elliott and Forbes-Robertson.

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Antony and Cleopatra in the context of Coriolanus

Coriolanus (/kษ’riษ™หˆleษชnษ™s/ or /-หˆlษ‘ห-/) is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Gnaeus Marcius Coriolanus. Shakespeare worked on it during the same years he wrote Antony and Cleopatra, making them his last two tragedies.

Coriolanus is the name given to a Roman general after his military feats against the Volscians at Corioli. Following his success, others encourage Coriolanus to pursue the consulship, but his disdain for the plebeians and mutual hostility with the tribunes lead to his banishment from Rome. In exile, he presents himself to the Volscians, then leads them against Rome. After he relents and agrees to a peace with Rome, he is killed by his previous Volscian allies.

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Antony and Cleopatra in the context of Patrick Stewart

Sir Patrick Stewart (born 13 July 1940) is an English actor. With a career spanning over seven decades of stage and screen, he has received various accolades, including two Olivier Awards and a Grammy Award, as well as nominations for a Tony Award, three Golden Globe Awards, four Emmy Awards, and three Screen Actors Guild Awards. He was knighted by Queen Elizabeth II for services to drama in 2010.

In 1966, Stewart became a member of the Royal Shakespeare Company. He made his Broadway theatre debut in 1971 in a production of A Midsummer Night's Dream. In 1979, he received the Laurence Olivier Award for Best Actor in a Supporting Role for his performance in Antony and Cleopatra in the West End. His first television role was in Coronation Street in 1967. His first major screen roles were in Fall of Eagles (1974), I, Claudius (1976) and Tinker Tailor Soldier Spy (1979). In 2008 he reprised his role as King Claudius in Hamlet and received his second Olivier Award and his first Tony Award nomination for respectively the West End and Broadway theatre productions.

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Antony and Cleopatra in the context of Helen Mirren

Dame Helen Mirren (/หˆmษชrษ™n/; born Ilyena Lydia Mironoff; 26 July 1945) is an English actor. With a career spanning over six decades of screen and stage, her accolades include an Academy Award, three Golden Globe Awards, four BAFTA Awards, five Emmy Awards, a Tony Award, two Cannes Film Festival Awards, a Volpi Cup and a Laurence Olivier Award. She is the only person to have achieved both the US and UK Triple Crowns of Acting, and has also received the BAFTA Fellowship, Honorary Golden Bear, Screen Actors Guild Life Achievement Award, and the Cecil B. DeMille Award. Mirren was made a Dame Commander of the Order of the British Empire (DBE) by Queen Elizabeth II in 2003.

Mirren started her career at the age of 18 as a performer with the National Youth Theatre, where she played Cleopatra in Antony and Cleopatra (1965). She later joined the Royal Shakespeare Company and made her West End stage debut in 1975. She went on to receive the Laurence Olivier Award for Best Actress for playing Elizabeth II in the Peter Morgan play The Audience (2013). She reprised the role on Broadway and won the Tony Award for Best Actress in a Play. She was Tony-nominated for A Month in the Country (1995) and The Dance of Death (2002).

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Antony and Cleopatra in the context of Anthony Hopkins

Sir Philip Anthony Hopkins (born 31 December 1937) is a Welsh actor. Considered one of Britain's most recognisable and prolific actors, he is known for his performances on the screen and stage. Hopkins has received numerous accolades, including two Academy Awards, four BAFTA Awards, two Primetime Emmy Awards, and a Laurence Olivier Award. He has also received the Cecil B. DeMille Award in 2005 and the BAFTA Fellowship for lifetime achievement in 2008. He was knighted by Queen Elizabeth II for his services to drama in 1993.

After graduating from the Royal Welsh College of Music & Drama in 1957, Hopkins trained at RADA (the Royal Academy of Dramatic Art) in London. He was then spotted by Laurence Olivier, who invited him to join the Royal National Theatre in 1965. Productions at the National included King Lear (his favourite Shakespeare play), Coriolanus, Macbeth, and Antony and Cleopatra. In 1985, he received acclaim and a Laurence Olivier Award for his performance in the David Hare play Pravda. His last stage play was a West End production of M. Butterfly in 1989.

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