Historical romance in the context of Romance fiction


Historical romance is a subgenre of romance fiction that sets its narratives in the past, often incorporating details of specific historical periods to enrich the romantic relationship and provide a backdrop for the story. Authors like Samuel Richardson, Frances Burney, and Jane Austen contributed significantly to the early development of the broader romance genre, influencing the conventions later adopted by historical romance writers.

⭐ In the context of romance fiction, historical romance is distinguished by its inclusion of what key element?


⭐ Core Definition: Historical romance

Historical romance is a broad category of mass-market fiction focusing on romantic relationships in historical periods, which Byron helped popularize in the early 19th century. The genre often takes the form of the novel.

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In the context of romance fiction, historical romance is distinguished by its inclusion of what key element?
HINT: Historical romance specifically utilizes past time periods as an integral part of the narrative, providing context and often influencing the plot and characters' interactions.

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Historical romance in the context of Novel

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

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Historical romance in the context of Romance novel

A romance or romantic novel is a genre fiction work focused on the relationship and romantic love between two people, often concluding with an emotionally satisfying or optimistic ending. Authors who have significantly contributed to the development of this genre include Samuel Richardson, Frances Burney, Maria Edgeworth, Jane Austen, Charlotte Brontë, Emily Brontë, and Anne Brontë.

Romance novels can encompass various subgenres, such as fantasy, contemporary, historical romance, paranormal fiction, sapphic, and science fiction. They may also contain tropes such as enemies to lovers, second chance, and forced proximity. While women have traditionally been considered the primary readers of romance novels, a 2017 study commissioned by the Romance Writers of America found that men accounted for 18% of romance book buyers.

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Historical romance in the context of Historical fiction

Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.

An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the depicted period. Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. The historical romance usually seeks to romanticize eras of the past. Some subgenres such as alternate history and historical fantasy insert intentionally ahistorical or speculative elements into a novel.

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Historical romance in the context of Contemporary romance

Contemporary romance is a subgenre of contemporary and romance novels. This era of romance novels that were published after 1945 and the Second World War. Contemporary romance is generally set contemporaneously with the time of its writing. The largest of the romance novel subgenres, contemporary romance novels usually reflect the mores of their time. Heroines in the contemporary romances written before 1970 usually quit working when they married or had children, while those novels written after 1970 usually have, and keep, a career. As contemporary romance novels have grown to contain more complex plotting and more realistic characters, the line between this subgenre and the genre of women's fiction has blurred.

Most contemporary romance novels contain elements that date the books, and the majority of them eventually become irrelevant to more modern readers and go out of print. Those that survive the test of time, such as the works of Jane Austen are often reclassified as historical romances. In a 2014 survey of romance readers, contemporary romance made up 41% of print and 44% of eBook sales compared to other romance subgenres.

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Historical romance in the context of Kathleen Woodiwiss

Kathleen E. Woodiwiss (born Kathleen Erin Hogg, June 3, 1939 – July 6, 2007) was an American novelist. She pioneered the historical romance genre with the 1972 publication of her novel The Flame and the Flower.

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Historical romance in the context of The Flame and the Flower

The Flame and the Flower (published 1972) is the debut work of romance novelist Kathleen E. Woodiwiss. The first modern "bodice ripper" romance novel, the book revolutionized the historical romance genre. It was also the first full-length romance novel to be published first in paperback rather than hardback.

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Historical romance in the context of The Betrothed

The Betrothed (Italian: I promessi sposi, pronounced [i proˈmessi ˈspɔːzi]) is an Italian historical novel by Alessandro Manzoni. The novel was first published in three volumes in 1827; it was significantly revised and rewritten until the definitive version was published between 1840 and 1842. It has been called the most famous and widely read novel in the Italian language.

Set in the Duchy of Milan in 1628, during the years of Spanish rule, the novel is also noted for its extraordinary description of the plague that struck Milan around 1630.

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Historical romance in the context of Gone with the Wind (film)

Gone with the Wind is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O'Hara (Vivien Leigh), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes (Leslie Howard), who is married to his cousin, Melanie Hamilton (Olivia de Havilland), and her subsequent marriage to Rhett Butler (Clark Gable).

The film had a troubled production. The start of filming was delayed for two years until January 1939 because Selznick was determined to secure Gable for the role of Rhett, and filming concluded in July. The role of Scarlett was challenging to cast, and 1,400 unknown women were interviewed for the part. Sidney Howard's original screenplay underwent many revisions by several writers to reduce it to a suitable length. The original director, George Cukor, was fired shortly after filming began and was replaced by Fleming, who in turn was briefly replaced by Sam Wood while taking some time off due to exhaustion. Post-production concluded in November 1939, just a month before its premiere.

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Historical romance in the context of Titanic (1997 film)

Titanic is a 1997 American epic historical romance film written and directed by James Cameron. Incorporating both historical and fictional aspects, it is based on accounts of the sinking of RMS Titanic in 1912. Leonardo DiCaprio and Kate Winslet star as members of different social classes who fall in love during the ship's ill-fated maiden voyage. The ensemble cast includes Billy Zane, Kathy Bates, Frances Fisher, Bernard Hill, Jonathan Hyde, Danny Nucci, David Warner and Bill Paxton.

Cameron's inspiration came from his fascination with shipwrecks. He felt a love story interspersed with human loss would be essential to convey the emotional impact of the disaster. Production began on September 1, 1995, when Cameron shot footage of the Titanic wreck. The modern scenes on the research vessel were shot on board the Akademik Mstislav Keldysh, which Cameron had used as a base when filming the wreck. Scale models, computer-generated imagery (CGI), and a reconstruction of the Titanic built at Baja Studios were used to recreate the sinking. Titanic was initially in development at 20th Century Fox, but delays and a mounting budget resulted in Fox partnering with Paramount Pictures for financial help. It was the most expensive film ever made at the time, with a production budget of $200 million. Filming took place from July 1996 to March 1997.

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