Historical romance in the context of "Historical fiction"

Play Trivia Questions online!

or

Skip to study material about Historical romance in the context of "Historical fiction"

Ad spacer

⭐ Core Definition: Historical romance

Historical romance is a broad category of mass-market fiction focusing on romantic relationships in historical periods, which Byron helped popularize in the early 19th century. The genre often takes the form of the novel.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Historical romance in the context of Historical fiction

Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.

An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the depicted period. Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. The historical romance usually seeks to romanticize eras of the past. Some subgenres such as alternate history and historical fantasy insert intentionally ahistorical or speculative elements into a novel.

↓ Explore More Topics
In this Dossier

Historical romance in the context of Novel

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

↑ Return to Menu

Historical romance in the context of Romance novel

A romance or romantic novel is a genre fiction work focused on the relationship and romantic love between two people, often concluding with an emotionally satisfying or optimistic ending. Authors who have significantly contributed to the development of this genre include Samuel Richardson, Frances Burney, Maria Edgeworth, Jane Austen, Charlotte Brontë, Emily Brontë, and Anne Brontë.

Romance novels can encompass various subgenres, such as fantasy, contemporary, historical romance, paranormal fiction, sapphic, and science fiction. They may also contain tropes such as enemies to lovers, second chance, and forced proximity. While women have traditionally been considered the primary readers of romance novels, a 2017 study commissioned by the Romance Writers of America found that men accounted for 18% of romance book buyers.

↑ Return to Menu

Historical romance in the context of Contemporary romance

Contemporary romance is a subgenre of contemporary and romance novels. This era of romance novels that were published after 1945 and the Second World War. Contemporary romance is generally set contemporaneously with the time of its writing. The largest of the romance novel subgenres, contemporary romance novels usually reflect the mores of their time. Heroines in the contemporary romances written before 1970 usually quit working when they married or had children, while those novels written after 1970 usually have, and keep, a career. As contemporary romance novels have grown to contain more complex plotting and more realistic characters, the line between this subgenre and the genre of women's fiction has blurred.

Most contemporary romance novels contain elements that date the books, and the majority of them eventually become irrelevant to more modern readers and go out of print. Those that survive the test of time, such as the works of Jane Austen are often reclassified as historical romances. In a 2014 survey of romance readers, contemporary romance made up 41% of print and 44% of eBook sales compared to other romance subgenres.

↑ Return to Menu

Historical romance in the context of Kathleen Woodiwiss

Kathleen E. Woodiwiss (born Kathleen Erin Hogg, June 3, 1939 – July 6, 2007) was an American novelist. She pioneered the historical romance genre with the 1972 publication of her novel The Flame and the Flower.

↑ Return to Menu

Historical romance in the context of The Flame and the Flower

The Flame and the Flower (published 1972) is the debut work of romance novelist Kathleen E. Woodiwiss. The first modern "bodice ripper" romance novel, the book revolutionized the historical romance genre. It was also the first full-length romance novel to be published first in paperback rather than hardback.

↑ Return to Menu

Historical romance in the context of The Betrothed

The Betrothed (Italian: I promessi sposi, pronounced [i proˈmessi ˈspɔːzi]) is an Italian historical novel by Alessandro Manzoni. The novel was first published in three volumes in 1827; it was significantly revised and rewritten until the definitive version was published between 1840 and 1842. It has been called the most famous and widely read novel in the Italian language.

Set in the Duchy of Milan in 1628, during the years of Spanish rule, the novel is also noted for its extraordinary description of the plague that struck Milan around 1630.

↑ Return to Menu