Hieroglyph in the context of "Ideogram"

Maya script, also known as Maya glyphs, is historically the native writing system of the Maya civilization of Mesoamerica and is the only Mesoamerican writing system that has been substantially deciphered. The earliest inscriptions found which are identifiably Maya date to the 3rd century BCE in San Bartolo, Guatemala. Maya writing was in continuous use throughout Mesoamerica until the Spanish conquest of the Maya in the 16th and 17th centuries. Though modern Mayan languages are almost entirely written using the Latin alphabet rather than Maya script, there have been recent developments encouraging a revival of the Maya glyph system.

Maya writing used logograms complemented with a set of syllabic glyphs, somewhat similar in function to modern Japanese writing. Maya writing was called "hieroglyphics" or hieroglyphs by early European explorers of the 18th and 19th centuries who found its general appearance reminiscent of Egyptian hieroglyphs, although the two systems are unrelated.

The Proto-Sinaitic script is a Middle Bronze Age writing system known from a small corpus of about 30–40 inscriptions and fragments from Serabit el-Khadim in the Sinai Peninsula, as well as two inscriptions from Wadi el-Hol in Middle Egypt. Together with about 20 known Proto-Canaanite inscriptions, it is also known as Early Alphabetic, i.e. the earliest trace of alphabetic writing and the common ancestor of the Hebrew, the Ancient South Arabian script and the Phoenician alphabet, which led to many modern alphabets including the Greek alphabet and, subsequently, the Latin alphabet. According to common theory, Israelites, Canaanites or Hyksos who spoke a Canaanite language repurposed Egyptian hieroglyphs to construct a different script.

The earliest Proto-Sinaitic inscriptions are mostly dated to between the mid-19th (early date) and the mid-16th (late date) century BC.

A character is a semiotic sign, symbol, grapheme, or glyph – typically a letter, a numerical digit, an ideogram, a hieroglyph, a punctuation mark or another typographic mark.

William Edmond Gates (December 8, 1863 – April 24, 1940) was an American Mayanist. Most of his research focused around Mayan language hieroglyphs. He also collected Mesoamerican manuscripts. Gates studied Mayan-based languages like Yucatec Maya, Ch'olti', Huastec and Q'eqchi'. Biographies state that he could speak at least 13 languages. Works and archives related to Gates reside in the collections of Brigham Young University.

The domestic pigeon (Columba livia "domestica" or Columba livia forma domestica) is a domesticated bird derived from the rock dove Columba livia. Although often termed a "subspecies", the domesticated pigeon does not constitute an accepted zoological subspecies of the rock dove, but a collection of over 350 breeds. The rock dove is among the world's first birds to be domesticated; Mesopotamian cuneiform tablets mention the domestication of pigeons more than 5,000 years ago, as do Egyptian hieroglyphics.

Pigeons have held historical importance to humans as food, pets, holy animals, and messengers. Due to their homing ability, pigeons have been used to deliver messages, including war pigeons during the two world wars. Despite this, city pigeons, which are feral birds, are generally seen as pests, mainly due to their droppings and a reputation for spreading disease.

In art and archaeology, sculpture and painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically.

The use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of small scenes arranged in registers.