Herculaneum in the context of "Neo-Classicism"

Campania is an administrative region of Italy, located in the south of the country; most of it is in the southwestern portion of the Italian Peninsula (with the Tyrrhenian Sea to its west), but it also includes the small Phlegraean Islands and the island of Capri. The capital is Naples. Campania has a population of 5,575,025 as of 2025, making it Italy's third-most populous region, and, with an area of 13,590 km (5,247 sq mi), its most densely populated. Based on its GDP, Campania is also the most economically productive region in Southern Italy and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the eighth most populous in the European Union. The region is home to 10 of the 58 UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast, the Longobardian Church of Santa Sofia in Benevento, and the Historic Centre of Naples. In addition, Campania's Mount Vesuvius is part of the UNESCO World Network of Biosphere Reserves. The region plays a key international role in international diplomacy, since it is home to NATO's Allied Joint Force Command Naples and the Parliamentary Assembly of the Mediterranean.

The Campania's hinterland was inhabited from the beginning of the 1st millennium BC by the Osci, Samnites, and Etruscans, while between the 8th and 7th centuries BC its coastal areas were colonised by the ancient Greeks (Magna Graecia). At that time, Capua was Campania's leading city, while Naples was an anomaly, being predominantly Greek-speaking.

Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement emerged from the 18th-century Age of Enlightenment, and reached its peak in the early-to-mid-19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century.

European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymmetry; Neoclassical architecture is based on the principles of simplicity and symmetry, which were seen as virtues of the arts of Ancient Rome and Ancient Greece, and drawn directly from 16th-century Renaissance Classicism. Each "neo"-classicism movement selects some models among the range of possible classics that are available to it, and ignores others. Between 1765 and 1830, Neoclassical proponents—writers, speakers, patrons, collectors, artists and sculptors—paid homage to an idea of the artistic generation associated with Phidias, but sculpture examples they actually embraced were more likely to be Roman copies of Hellenistic sculptures. They ignored both Archaic Greek art and the works of late antiquity. The discovery of ancient Palmyra's "Rococo" art through engravings in Robert Wood's The Ruins of Palmyra came as a revelation. With Greece largely unexplored and considered a dangerous territory of the Ottoman Empire, Neoclassicists' appreciation of Greek architecture was predominantly mediated through drawings and engravings which were subtly smoothed and regularized, "corrected" and "restored" monuments of Greece, not always consciously.

Pompeii (/pɒmˈpeɪ(i)/ pom-PAY(-ee); Latin: [pɔmˈpei̯.iː]) was a city in what is now the municipality of Pompei, near Naples, in the Campania region of Italy. Along with Herculaneum, Stabiae, and many surrounding villas, the city was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.

Largely preserved under the ash, Pompeii offers a unique snapshot of Roman life, frozen at the moment it was buried, as well as insight into ancient urban planning. It was a wealthy town of 10,000 to 20,000 residents at the time it was destroyed. It hosted many fine public buildings and luxurious private houses with lavish decorations, furnishings and artworks, which were the main attractions for early excavators; subsequent excavations have found hundreds of private homes and businesses reflecting various architectural styles and social classes, as well as numerous public buildings. Organic remains, including wooden objects and human bodies, were interred in the ash; their eventual decay allowed archaeologists to create moulds of figures in their final moments of life. The numerous graffiti carved on outside walls and inside rooms provide a wealth of examples of the largely lost Vulgar Latin spoken colloquially at the time, contrasting with the formal language of classical writers.

The National Archaeological Museum of Naples (Italian: Museo Archeologico Nazionale di Napoli, abbr. MANN) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (Italian: Real Museo Borbonico).

A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.

A large proportion of the surviving examples of wall mosaics come from Italian sites such as Pompeii and Herculaneum. Otherwise, floor mosaics are far more likely to have survived, with many coming from the fringes of the Roman Empire. The Bardo National Museum in Tunis has an especially large collection from large villas in modern Tunisia.

In ancient Roman mythology, Salacia (/səˈleɪʃə/ sə-LAY-shə, Latin: [saˈɫaːkia]) was the female divinity of the sea, worshipped as the goddess of salt water who presided over the depths of the ocean. Neptune was her consort. That Salacia was the consort of Neptune is implied by Varro, and is positively affirmed by Seneca, Augustine and Servius. She is identified with the Greek goddess Amphitrite, consort of Poseidon, or Tethys who was also a marine deity.

The god Neptune wanted to marry Salacia, but she was in great awe of her distinguished suitor, and to preserve her virginity, with grace and celerity she managed to glide out of his sight, and hid from him in the Atlantic Ocean. The grieving Neptune sent a dolphin to look for her and persuade the fair nymph to return and share his throne. Salacia agreed to marry Neptune and the King of the Deep was so overjoyed at these good tidings that the dolphin was awarded a place in the heavens, where he now forms a well known constellation Delphinus.

Mount Vesuvius (/vəˈsuːviəs/ və-SOO-vee-əs) is a somma–stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure.

The eruption of Mount Vesuvius in 79 AD destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae and other settlements. The eruption ejected a cloud of stones, ash and volcanic gases to a height of 33 km (21 mi), erupting molten rock and pulverized pumice at the rate of 6×10 cubic metres (7.8×10 cu yd) per second. More than 1,000 people are thought to have died in the eruption, though the exact toll is unknown. The only surviving witness account consists of two letters by Pliny the Younger to the historian Tacitus.

The Gulf of Naples (Italian: Golfo di Napoli; Neapolitan: Gurfo 'e Napule), also called the Bay of Naples, is a roughly 15-kilometer-wide (9.3 mi) gulf located along the south-western coast of Italy (Metropolitan City of Naples, Campania region). It opens to the west into the Mediterranean Sea. It is bordered on the north by the cities of Naples and Pozzuoli, on the east by Mount Vesuvius, and on the south by the Sorrento Peninsula and the main town of the peninsula, Sorrento. The Peninsula separates the Gulf of Naples from the Gulf of Salerno, which includes the Amalfi Coast.

The islands of Capri, Ischia and Procida are located in the Gulf of Naples. The area is a tourist destination, with the seaside Roman ruins of Pompeii and Herculaneum at the foot of Mount Vesuvius (destroyed in the AD 79 eruption of Vesuvius), along the north coast.