Herbie Hancock in the context of "Turntablist"

Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's cross-fader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records (Greasley & Prior, 2013).

Turntablists, often called DJs (or "deejays"), generally prefer direct-drive turntables over belt-driven or other types, because the belt can be stretched or damaged by "scratching" and other turntable manipulation such as slowing down a record, whereas a direct drive turntable can be stopped, slowed down, or spun backwards without damaging the electric motor. The word turntablist is claimed to be originated by Luis "DJ Disk" Quintanilla (Primus, Herbie Hancock, Invisibl Skratch Piklz). After a phone conversation with Disk, it was later popularised in 1995 by DJ Babu to describe the difference between a DJ who simply plays and mixes records and one who performs by physically manipulating the records, stylus, turntables, turntable speed controls and mixer to produce new sounds. The new term coincided with the resurgence of hip-hop DJing in the 1990s.

Robert Keith McFerrin Jr. (born March 11, 1950) is an American singer, songwriter, and conductor. His vocal techniques include singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He performs and records regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

McFerrin's song "Don't Worry, Be Happy" is the only acapella track to ever reach No. 1 in the US, which it reached in 1988 and additionally won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with jazz fusion instrumentalists including pianists Chick Corea (of Return to Forever), Herbie Hancock (of The Headhunters), and Joe Zawinul (of Weather Report), drummer Tony Williams, and cellist Yo-Yo Ma.

Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz pianist, composer, bandleader, and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are considered jazz standards.

As a member of the Miles Davis band in the late 1960s, Corea participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered one of the foremost pianists of the post-John Coltrane era.

The Headhunters was an American jazz fusion band formed by Herbie Hancock in 1973. The group fused jazz, funk, and rock music.

William Henry Marcus Miller Jr. (born June 14, 1959) is an American musician, songwriter, and record producer. He has worked with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonists Wayne Shorter and David Sanborn, among others. He was the main songwriter and producer on three of Davis's albums: Tutu (1986), Music from Siesta (1987), and Amandla (1989). His collaboration with Vandross was especially close; he co-produced and served as the arranger for most of Vandross's albums, and he and Vandross co-wrote many songs, including the hits "I Really Didn't Mean It", "Any Love", "Power of Love/Love Power" and "Don't Want to Be a Fool". Miller also co-wrote the 1988 single "Da Butt" for Experience Unlimited.