Herbert Read in the context of "The Collected Works of C. G. Jung"

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👉 Herbert Read in the context of The Collected Works of C. G. Jung

The Collected Works of C. G. Jung (German: Gesammelte Werke) is a book series containing the first collected edition, in English translation, of the major writings of Swiss psychiatrist Carl Gustav Jung.

The twenty volumes, including a Bibliography and a General Index, were translated from the original German by R.F.C. Hull, under the editorship of Sir Herbert Read, Michael Fordham and Gerhard Adler. The works consist of published volumes, essays, lectures, letters, and a dissertation written by Jung from 1902 until his death in 1961. The compilation by the documentary editors dates from 1945 onward. The series contains revised versions of works previously published, works not previously translated, and new translations of many of Jung's writings. Several of the volumes are extensively illustrated; each contains an index and most contain a bibliography. Until his death, Jung supervised the revisions of the text, some of which were extensive. A body of Jung's work still remains unpublished.

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Herbert Read in the context of Paul Klee Notebooks

Paul Klee Notebooks is a two-volume work by the Swiss-born artist Paul Klee that collects his lectures at the Bauhaus schools in 1920s Germany and his other main essays on modern art. These works are considered so important for understanding modern art that they are compared to the importance that Leonardo's A Treatise on Painting had for Renaissance art. Herbert Read called the collection "the most complete presentation of the principles of design ever made by a modern artist – it constitutes the Principia Aesthetica of a new era of art, in which Klee occupies a position comparable to Newton's in the realm of physics."

The final work was edited by Swiss artist Jürg Spiller and Marcel Franciscono criticized Spiller's collection of Klee's notes as "extensive but drastically rearranged", and added that the lectures "are interspersed with later notes and in part rearranged. Despite Spiller's notation of their sources in Klee's manuscripts, it is not always possible to determine from his arrangement where a lecture leaves off and an interpolation begins."

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