Henryk Sienkiewicz in the context of "Quo Vadis (novel)"

Gaius Petronius Arbiter (/pɪˈtroʊniəs/; Classical Latin: [ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊˈs ar.bɪ.t̪ɛr]; c. 27 – c. 66 AD; sometimes Titus Petronius Niger) was a Roman courtier during the reign of Nero (r. 54–68). He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.

Quo Vadis (Latin for "Where are you going?") is a 1951 American religious epic historical film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz. Produced by Metro-Goldwyn-Mayer and filmed in Technicolor, it was directed by Mervyn LeRoy from a screenplay by S. N. Behrman, Sonya Levien, and John Lee Mahin. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars Robert Taylor, Deborah Kerr, Leo Genn, and Peter Ustinov, and features Patricia Laffan, Finlay Currie, Abraham Sofaer, Marina Berti, Buddy Baer, and Felix Aylmer. Future Italian stars Sophia Loren and Bud Spencer appeared as uncredited extras. The score is by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall. The film was released by Metro-Goldwyn-Mayer on November 2, 1951.

The story, set between 64 and 68 AD, combines both historical and fictional events and characters, and compresses the key events of that period into the space of only a few weeks. Its main theme is the Roman Empire’s conflict with Christianity and persecution of Christians in the final years of the Julio-Claudian line. Unlike his illustrious and powerful predecessor, Emperor Claudius, Nero proved corrupt and destructive, and his actions eventually threatened to destroy Rome's previously peaceful social order. The title refers to an incident in the apocryphal Acts of Peter.

Quo Vadis is an Italian film directed by Enrico Guazzoni for Cines in 1913, based on the 1896 novel of the same name written by Henryk Sienkiewicz. It was one of the first blockbusters in the history of cinema, with 5,000 extras, lavish sets, and a lengthy running time of two hours, setting the standard for "superspectacles" for decades to come.

A worldwide success, it premiered in Germany at the opening night of the Ufa-Pavillon am Nollendorfplatz (Berlin's first purpose-built, free-standing cinema), on 19 March 1913. In an unusual departure from normal cinematic practice, the crowd scenes were reinforced with "special mobs" of live costumed actors in the auditorium.

The Deluge was a series of mid-17th-century military campaigns in the Polish–Lithuanian Commonwealth. In a stricter sense, the term refers to the Swedish invasion and occupation of the Commonwealth as a theatre of the Second Northern War (1655–1660) only; in Poland and Lithuania this period is called the Swedish Deluge (Polish: potop szwedzki, Lithuanian: švedų tvanas, Swedish: svenska syndafloden), or less commonly the Russo–Swedish Deluge (Polish: Potop szwedzko-rosyjski) due to the simultaneous Russo-Polish War. In a wider sense, it applies to the period between the Khmelnytsky Uprising of 1648 and the Truce of Andrusovo in 1667, comprising the Polish theatres of the Russo-Polish and Second Northern Wars. The term "deluge" (potop in Polish) was popularized by Henryk Sienkiewicz in his novel The Deluge (1886).

During the wars the Commonwealth lost approximately one third of its population as well as its status as a great power due to invasions by Sweden and Russia. According to Professor Andrzej Rottermund, manager of the Royal Castle in Warsaw, the destruction of Poland in the Deluge was more extensive than the destruction of the country in World War II. Rottermund claims that Swedish invaders robbed the Commonwealth of its most important riches, and most of the stolen items never returned to Poland. Warsaw, the capital of the Polish–Lithuanian Commonwealth, was destroyed by the Swedes, and out of a pre-war population of 20,000, only 2,000 remained in the city after the war. According to the 2012 Polish estimates, the material damage caused by the Swedish army amounted to 4 billion złotys. 188 cities and towns, 186 villages, 136 churches, 89 palaces, and 81 castles were completely destroyed in Poland.

The Trilogy (1884–1888) is a series of three novels written by the Polish author Henryk Sienkiewicz. The series follows dramatized versions of famous events in Polish history, weaving fact and fiction. It is considered a great literary work, on par with Adam Mickiewicz's Pan Tadeusz.

The first novel, titled With Fire and Sword, chronicles the mid-17th century Khmelnytsky Uprising, a revolt by the Ukrainian Cossacks in the Polish–Lithuanian Commonwealth.

The 1905 Nobel Prize in Literature was awarded to the Polish novelist Henryk Sienkiewicz (1846–1916) "because of his outstanding merits as an epic writer." He was given the prize on 10 December 1905. He is the first Polish author to win the Nobel Prize in the literary category and the second Polish citizen to win in general after the chemist Maria Skłodowska Curie in 1903. He was followed by Władysław Reymont in 1924.