Henry Mayhew (25 November 1812 – 25 July 1887) was an English journalist, playwright, and advocate of reform. He was one of the co-founders of the satirical magazine Punch in 1841, and was the magazine's joint editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the Morning Chronicle that was later compiled into the three-volume book London Labour and the London Poor (1851), a groundbreaking and influential survey of the city's poor.
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👉 Henry Mayhew in the context of Punch (magazine)
Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Artists at Punch included John Tenniel who, from 1850, was the chief cartoon artist at the magazine for over 50 years. The editors took the anarchic puppet Mr Punch, of Punch and Judy, as their mascot—the character appears in many magazine covers—with the character also an inspiration for the magazine's name.
With its satire of the contemporary, social, and political scene, Punch became a household name in Victorian Britain. Sales of 40,000 copies a week by 1850 rose above 100,000 by 1910. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002.
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Henry Mayhew in the context of Ragpickers
A rag-and-bone man or ragpicker (UK English) or ragman, old-clothesman, junkman, or junk dealer (US English), also called a bone-grubber, bone-picker, chiffonnier, rag-gatherer, rag-picker, bag board, or totter, collects unwanted household items and sells them to merchants. Scraps of cloth and paper could be turned into cardboard, while broken glass could be melted down and reused, and even dead cats and dogs could be skinned to make clothes. Traditionally, this was a task performed on foot, with the scavenged materials (which included rags, bones, and various metals to be scrapped) kept in a small bag slung over the shoulder. Some rag-and-bone men used a cart, sometimes pulled by a horse or pony.
In the 19th century, rag-and-bone men typically lived in extreme poverty, surviving on the proceeds of what they collected each day. Conditions for rag-and-bone men in general improved following the Second World War, but the trade declined during the latter half of the 20th century. In the 21st century, rag-and-bone-style collection continues, partly as the result of the soaring price of scrap metal, particularly in the developing world.
Henry Mayhew in the context of Punch magazine
Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Artists at Punch included John Tenniel who worked for the magazine from 1850 and was its chief cartoonist from 1864 to 1901. The editors took the anarchic puppet Mr Punch, of Punch and Judy, as their mascot—the character appears in many magazine covers—with the character also an inspiration for the magazine's name.
With its satire of the contemporary, social, and political scene, Punch became a household name in Victorian Britain. Sales of 40,000 copies a week by 1850 rose above 100,000 by 1910. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002.