Henry Irving in the context of "Grand Theatre, Islington"

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⭐ Core Definition: Henry Irving

Sir Henry Irving (6 February 1838 – 13 October 1905), christened John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era. Known as an actor-manager, he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the West End's Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood.

Describing Irving as having a "dark, imperious nature", The Times literary critic John Carey said that Irving and Ellen Terry (who joined Irving's company as his leading lady) were celebrities and national figureheads who transformed British theatre, writing, "Under Irving's management, the Lyceum Theatre brought culture to the masses. It was unstuffy, lavish and daring. Shakespeare's plays were put on in tandem with blood-and-thunder melodramas and their texts were ruthlessly cut." Irving is also widely acknowledged as being an inspiration for Count Dracula, the title character of the 1897 novel Dracula whose author, Bram Stoker, worked for Irving as business manager of the Lyceum Theatre.

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👉 Henry Irving in the context of Grand Theatre, Islington

The Grand Theatre, Islington – formerly the Philharmonic, Islington, later the Empire, Islington, and finally the Empire Cinema – was a theatre and later a cinema in the London suburb of Islington. Opened in 1860 as a concert hall it became a theatre in the 1870s. After it was destroyed by fire in 1882 a replacement was designed by Frank Matcham; it opened in 1883, was burnt down in 1888, rebuilt to Matcham's designs, and burnt down again in 1900. Matcham again designed a replacement, which survived a 1933 fire and stood until the building was demolished in 1962.

The theatre was home to French opéra comique in the 1870s, melodrama in the 1880s and a range of productions in the 1890s. It became a regular first stop for companies from the West End going on provincial tours, and many stars appeared there including Henry Irving, George Alexander, Arthur Bourchier, Lottie Collins, Tom Costello, Harry Randall and Lewis Waller. In the 20th century the building became first a music hall and then, for its last thirty years, a cinema.

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Henry Irving in the context of Count Dracula

Count Dracula (/ˈdrækjʊlə, -jə-/) is the title character and main antagonist of Bram Stoker's gothic horror novel Dracula (1897). He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving and Jacques Damala, actors with aristocratic backgrounds that Stoker had met during his life. Count Dracula is one of the best-known fictional figures of the Victorian era.

One of Dracula's most famous powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other characteristics have been added or altered in subsequent popular fictional works, including books, films, cartoons, and video games.

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Henry Irving in the context of Actor-manager

An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the business, sometimes taking over a theatre to perform select plays in which they usually star. It is a method of theatrical production used consistently since the 16th century, particularly common in 19th-century Britain and the United States.

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Henry Irving in the context of Ruy Blas and the Blase Roue

Ruy Blas and the Blasé Roué is a burlesque written by A. C. Torr (pen name of Fred Leslie) and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama Ruy Blas. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun.

After a tryout in Birmingham beginning on 3 September 1889, Ruy Blas and the Blasé Roué opened in London on 21 September 1889 at the Gaiety Theatre and ran for 289 performances. The cast included Nellie Farren, Fred Leslie, Marion Hood, Letty Lind, Sylvia Grey, Linda Verner, Blanche Massie, Alice Young, Charles Danby, Fred Storey and Ben Nathan. The piece toured in the British provinces and internationally, and was revised at least once during its run. It originally included a caricature of Henry Irving, in a scene in which some of the actors wore ballet girl costumes. Irving, never having seen the show, objected, and the Lord Chamberlain (Britain's theatrical censor, who also had not seen the show) prohibited the caricature.

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Henry Irving in the context of Royal Lyceum Theatre

The Royal Lyceum Theatre is a theatre in Edinburgh, Scotland, named after the Theatre Royal Lyceum and English Opera House, the residence at the time of legendary Shakespearean actor Henry Irving. It was built in 1883 by architect C. J. Phipps at a cost of £17,000 on behalf of James B. Howard and Fred. W. P. Wyndham, two theatrical managers and performers whose partnership became the renowned Howard & Wyndham Ltd created in 1895 by Michael Simons of Glasgow.

With only four minor refurbishments, in 1929, 1977, 1991 and 1996, the Royal Lyceum remains one of the most original and unaltered of the architect's works.

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