Hearth in the context of "Skara Brae"

In ancient Greek religion and mythology, Hestia (/ˈhɛstiə, ˈhɛstʃə/; Ancient Greek: Ἑστία, lit. 'hearth, fireplace, altar') is the virgin goddess of the hearth and the home. In myth, she is the firstborn child of the Titans Cronus and Rhea, and one of the Twelve Olympians.

In Greek mythology, newborn Hestia, along with four of her five siblings, was devoured by her father Cronus, who feared being overthrown by one of his offspring. Zeus, the youngest child, escaped with his mother's help, and made his father disgorge all his siblings. Cronus was supplanted by this new generation of deities; and Hestia thus became one of the Olympian gods, the new rulers of the cosmos, alongside her brothers and sisters. In spite of her status, she has little prominence in Greek mythology. Like Athena and Artemis, Hestia elected never to marry and remained an eternal virgin goddess instead, forever tending to the hearth of Olympus.

Vesta (Classical Latin: [ˈwɛs.ta]) is the virgin goddess of the hearth, home, and family in Roman religion. She was rarely depicted in human form, and was more often represented by the fire of her temple in the Forum Romanum. Entry to her temple was permitted only to her priestesses, the Vestal Virgins. Their virginity was deemed essential to Rome's survival; if found guilty of inchastity, they were buried or entombed alive. As Vesta was considered a guardian of the Roman people, her festival, the Vestalia (7–15 June), was regarded as one of the most important Roman holidays. During the Vestalia privileged matrons walked barefoot through the city to the temple, where they presented food-offerings. Such was Vesta's importance to Roman religion that following the rise of Christianity, hers was one of the last non-Christian cults still active, until it was forcibly disbanded by the Christian emperor Theodosius I in AD 391.

The myths depicting Vesta and her priestesses were few; the most notable of them were tales of miraculous impregnation of a virgin priestess by a phallus appearing in the flames of the sacred hearth — the manifestation of the goddess combined with a male supernatural being. In some Roman traditions, Rome's founders Romulus and Remus and the benevolent king Servius Tullius were conceived in this way. Vesta was among the Dii Consentes, twelve of the most honored gods in the Roman pantheon. She was the daughter of Saturn and Ops, and sister of Jupiter, Neptune, Pluto, Juno, and Ceres. Her Greek equivalent is Hestia.

A forge is a type of hearth used for heating metals, or the workplace (smithy) where such a hearth is located. The forge is used by the smith to heat a piece of metal to a temperature at which it becomes easier to shape by forging, or to the point at which work hardening no longer occurs. The metal (known as the "workpiece") is transported to and from the forge using tongs, which are also used to hold the workpiece on the smithy's anvil while the smith works it with a hammer. Sometimes, such as when hardening steel or cooling the work so that it may be handled with bare hands, the workpiece is transported to the slack tub, which rapidly cools the workpiece in a large body of water. However, depending on the metal type, it may require an oil quench or a salt brine instead; many metals require more than plain water hardening. The slack tub also provides water to control the fire in the forge.

A reredos (/ˈrɪərˌdɒs, ˈrɪərɪ-, ˈrɛrɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images.

The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth.

In archaeological excavation, a feature is a collection of one or more contexts representing some human non-portable activity, such as a hearth or wall. Features serve as an indication that the area in which they are found has been interfered with in the past, usually by humans.

Features are distinguished from artifacts in that they cannot be separated from their location without changing their form. Artifacts are portable, while features are non-portable. Artifacts and features can both be made from any available material, with the primary distinction being portability.

A brownie or broonie (Scots), also known as a brùnaidh or gruagach (Scottish Gaelic), is a household spirit or hobgoblin from Scottish folklore that is said to come out at night while the owners of the house are asleep and perform various chores and farming tasks. The human owners of the house must leave a bowl of milk or cream or some other offering for the brownie, usually by the hearth. Brownies are described as easily offended and will leave their homes forever if they feel they have been insulted or in any way taken advantage of. Brownies are characteristically mischievous and are often said to punish or pull pranks on lazy servants. If angered, they are sometimes said to turn malicious, like boggarts.

Brownies originated as domestic tutelary spirits, very similar to the Lares of ancient Roman tradition. Descriptions of brownies vary regionally, but they are usually described as ugly, brown-skinned, and covered in hair. In the oldest stories, they are usually human-sized or larger. In more recent times, they have come to be seen as small and wizened. They are often capable of turning invisible, and they sometimes appear in the shapes of animals. They are always either naked or dressed in rags. If a person attempts to present a brownie with clothing or baptize it, it will leave forever.

Albanian paganism comprises the pagan customs, beliefs, rituals, myths and legends of the Albanian people. The elements of Albanian mythology are of ancient Paleo-Balkanic origin and almost all of them are pagan. Ancient paganism persisted among Albanians, and especially within the inaccessible and deep interior – where Albanian folklore evolved over the centuries in a relatively isolated tribal culture and society – it has continued to persist, or at most it was partially transformed by the Christian, Muslim and Marxist beliefs that were either to be introduced by choice or imposed by force. The Albanian traditional customary law (Kanun) has held a sacred – although secular – longstanding, unwavering and unchallenged authority with a cross-religious effectiveness over the Albanians, which is attributed to an earlier pagan code common to all the Albanian tribes. Indeed, the Kanun contains several customary concepts that clearly have their origins in pagan beliefs, including in particular the ancestor worship, animism and totemism, which have been preserved since pre-Christian times. Albanian traditions have been orally transmitted – through memory systems that have survived intact into modern times – down the generations and are still very much alive in the mountainous regions of Albania, Kosovo, Montenegro and western North Macedonia, as well as among the Arbëreshë in Italy, the Arvanites in Greece and the Arbanasi in Croatia.

The old beliefs in sun and moon, light and darkness, sky and earth, fire and hearth, water and springs, death and rebirth, birds and serpents, mountains, stones and caves, sacrifice, and fate are some of the pagan beliefs among Albanians. The Fire (Zjarri) rituals and the Sun (Dielli) and Moon (Hëna) worship are the earliest attested cults of the Albanians. The Sun holds the primary role in Albanian pagan customs, beliefs, rituals, myths, and legends; Albanian major traditional festivities and calendar rites are based on the Sun, worshiped as the god of light, sky and weather, giver of life, health and energy, and all-seeing eye; the sunrise is honored as it is believed to give energy and health to the body. The Moon is worshiped as a goddess, with her cyclical phases regulating many aspects of Albanian life, defining agricultural and livestock activities, various crafts, and human body. The morning and evening star Venus is personified with Prende, associated with dawn, beauty, love, fertility, health, and the protection of women. The cult of the Earth (Dheu) and that of the Sky (Qielli) have a special place. The Fire – Zjarri, evidently also called with the theonym Enji – is deified in Albanian tradition as releaser of light and heat with the power to ward off darkness and evil, affect cosmic phenomena and give strength to the Sun, and as sustainer of the continuity between life and afterlife and between the generations, ensuring the survival of the lineage (fis or farë). To spit into Fire is taboo. The divine power of Fire is used for the hearth and the rituals, including calendar fires, sacrificial offerings, divination, purification, and protection from big storms and other potentially harmful events. Fire worship and rituals are associated with the cult of the Sun, the cult of the hearth (vatër) and the ancestor, and the cult of fertility in agriculture and animal husbandry. Ritual calendar fires are associated with the cosmic cycle and the rhythms of agricultural and pastoral life. Besa is a common practice in Albanian culture, consisting of an oath (be) solemnly taken by sun, by moon, by sky, by earth, by fire, by stone and thunderstone, by mountain, by water, and by snake, which are all considered sacred objects. Associated with human life, bees are highly revered by Albanians. The eagle is the animal totem of all Albanians, associated with the Sky, freedom and heroism. A widespread folk symbol is the serpent (Gjarpër, Vitore, etc.), a totem of the Albanians associated with earth, water, sun, hearth and ancestor cults, as well as destiny, good fortune and fertility. The sun, the moon, the star, the eagle (bird), the serpent, and the bee, often appear in Albanian legends and folk art.

A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Modern fireplaces vary in heat efficiency, depending on the design.

Historically, they were used for heating a dwelling, cooking, and heating water for laundry and domestic uses. A fire is contained in a firebox or fire pit; a chimney or other flue allows exhaust gas to escape. A fireplace may have the following: a foundation, a hearth, a firebox, a mantel, a chimney crane (used in kitchen and laundry fireplaces), a grate, a lintel, a lintel bar, an overmantel, a damper, a smoke chamber, a throat, a flue, and a chimney filter or afterburner.