Hayam Wuruk in the context of "Penataran"

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⭐ Core Definition: Hayam Wuruk

Hayam Vuruk (Indonesian: Hayam Wuruk, Sanskrit: हयम् वुरुक्, Kawi: ꦲꦪꦩ꧀ꦮꦸꦫꦸꦏ꧀) (1334–1389), also called Rajasanagara, Pa-ta-na-pa-na-wu, or Bhatara Prabhu after 1350, was a Javanese Hindu emperor from the Rajasa dynasty and the 4th emperor of the Majapahit Empire. Together with his prime minister Gajah Mada, he reigned the empire at the time of its greatest power. During his reign, the Hindu epics, the Ramayana and the Mahabharata, became ingrained in the culture and worldview of the Javanese through the wayang kulit (leather puppets). He was preceded by Tribhuwana Wijayatunggadewi, and succeeded by his son-in-law Wikramawardhana.

Most of the accounts of his life were taken from the Nagarakretagama, a eulogy to Hayam Wuruk, and the Pararaton ("Book of Kings"), a Javanese historical chronicle.

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👉 Hayam Wuruk in the context of Penataran

Penataran or Panataran (Indonesian: Candi Penataran) is one of the largest Hindu temple ruins complexes in East Java, Indonesia. It is located in Penataran, Blitar Regency, roughly 12 km northeast of Blitar, on the lower southwestern slopes of the Kelud volcano. Believed to have been constructed between the 12th and the 15th centuries, the temple played a significant role in the Majapahit Kingdom, especially under King Hayam Wuruk. He considered it his favorite sanctuary. The temple is also mentioned in the Nagarakretagama. The construction of the Penataran temple complex started in 1197, in the Kediri era.

The arrangement of the courtyards of temple complex resembles the arrangement used in the Balinese puras. It consists of three courtyards that lie one behind the other. The most sacred structures are placed in the rear courtyard nearest to the mountain. The first courtyard contains two rectangular platforms above which originally roofs of thatch were constructed supported on wooden pillars. They provide suitable space for religious rituals and ceremonies. The smaller platform is richly decorated with mythical snakes, the so-called nagas. To the left of the entrance to the second courtyard a beautiful small stone temple is found, called the Dated Temple because a lintel inscribed with a date equivalent to 1323 was found in its neighborhood. The second courtyard itself contains the Naga Temple devoted to the nagas. The main temple is found in the rear courtyard. It is decorated with reliefs about Rama and Krishna. It is good to realize that we find only stone remnants on this site. Wooden and other perishable buildings and objects are lost, but the reliefs of the Borobudur and the Shiva temple near Prambanan in Central Java disclose that they have existed. Remarkably enough, there are no stones found at the complex, which could have been used for making a stone roof on the main temple. Therefore some scholars believe that the stone remnant of the main temple was covered with a wooden frame covered with palm fibers or thatch grass and that consisted of a set of roofs with a stepped reduction similar to the tiered roofs found in present-day Bali.There exists on the island of Bali a similar temple, the Pura Yeh Gangga, near the village of Perean, dating from 1334, and therefore from the same time as the main temple of Panataran, which has a comparable substructure and is covered by a tiered roof just as many other puras in Bali. The advantage of a roof like this is that it is easy to repair after an earthquake, a phenomenon occurring frequently both in Java and Bali. According to the Indonesian scholar R. Soekmono the central shrine was empty. It did not contain any divine image. This means that this sanctuary is one of the temples in which the transition has taken place from the classical temple type with a stone roof to the temple type currently common in Bali with a roof not constructed with stone.

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Hayam Wuruk in the context of Majapahit

Majapahit (Javanese: ꦩꦗꦥꦲꦶꦠ꧀, romanized: Måjåpahit; Javanese pronunciation: [mɔd͡ʒɔpaɪt] (eastern and central dialect) or [mad͡ʒapaɪt] (western dialect), Sanskrit: मजापहित, romanizedmajāpahita), also known as Wilwatikta (Javanese: ꦮꦶꦭ꧀ꦮꦠꦶꦏ꧀ꦠ; Javanese pronunciation: [wɪlwatɪkta], Sanskrit: विल्वतिक्त, romanizedvilvatikta), was a Javanese Hindu-Buddhist thalassocratic empire in Southeast Asia based on the island of Java (in modern-day Indonesia). At its greatest extent, following significant military expansions, the territory of the empire and its tributary states covered almost the entire Nusantara archipelago, spanning both Asia and Oceania. After a civil war that weakened control over the vassal states, the empire slowly declined before collapsing in 1527 due to an invasion by the Sultanate of Demak. The fall of Majapahit saw the rise of Islamic kingdoms in Java.

Established by Raden Wijaya in 1292, Majapahit rose to power after the Mongol invasion of Java and reached its peak during the era of the queen Tribhuvana and her son Hayam Wuruk, whose reigns in the mid-14th century were marked by conquests that extended throughout Southeast Asia. This achievement is also credited to the famous prime minister Gajah Mada. According to the Nagarakṛtāgama written in 1365, Majapahit was an empire of 98 tributaries, stretching from Sumatra to New Guinea; including territories in present-day Indonesia, Singapore, Malaysia, Brunei, southern Thailand, Timor Leste, and southwestern Philippines (in particular the Sulu Archipelago), although the scope of Majapahit sphere of influence is still the subject of debate among historians. The nature of Majapahit's relations and influence upon its overseas vassals and also its status as an empire still provokes discussion.

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Hayam Wuruk in the context of Nagarakretagama

The Nagarakretagama or Nagarakṛtāgama (Sanskrit: नगरकृतगाम, lit.'the advanced city'), also known in Bali as Desawarnana or Deśavarṇana (Sanskrit: देशवर्णन, lit.'country's description'), is an Old Javanese eulogy to Hayam Wuruk, a Javanese king of the Majapahit Empire. It was written on lontar as a kakawin by Mpu Prapanca in 1365 (1287 Saka year). The Nagarakretagama contains detailed descriptions of the Majapahit Empire during its greatest extent. The poem affirms the importance of Hindu–Buddhism in the Majapahit empire by describing temples and palaces and several ceremonial observances.

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