Hatching in the context of "Mezzotint"

⭐ In the context of Mezzotint, hatching is considered…

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⭐ Core Definition: Hatching

Hatching (French: hachure) is an artistic technique used to create tonal or shading effects by drawing, painting, or scribing closely spaced parallel lines. When lines are placed at an angle to one another, it is called cross-hatching. Hatching is also sometimes used to encode colours in monochromatic representations of colour images, particularly in heraldry.

Hatching is especially important in essentially linear media, such as drawing and many forms of printmaking, such as engraving, etching, and woodcut. In Western art, hatching originated in the Middle Ages and developed further into cross-hatching, especially in the old master prints of the fifteenth century. Master ES and Martin Schongauer in engraving and Erhard Reuwich and Michael Wolgemut in woodcut were pioneers of both techniques. Albrecht Dürer in particular perfected the technique of crosshatching in both media.

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👉 Hatching in the context of Mezzotint

Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room.

Mezzotint is often combined with other intaglio techniques, usually etching and engraving, including stipple engraving. The process was especially widely used in England from the eighteenth century, and in France was called la manière anglaise (“the English manner”). Until the 20th century it has mostly been used for reproductive prints to reproduce portraits and other paintings, rather than for original compositions. From the mid-18th century it was somewhat in competition with the other main tonal technique of the day, aquatint.

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Hatching in the context of Demesne

A demesne (/dɪˈmn, -ˈmn/ di-MAYN, -⁠MEEN) or domain was all the land retained and managed by a lord of the manor under the feudal system for his own use, occupation, or support. This distinguished it from land sub-enfeoffed by him to others as sub-tenants. In contrast, the entire territory controlled by a monarch both directly and indirectly via their tenant lords would typically be referred to as their realm. The concept originated in the Kingdom of France and found its way to foreign lands influenced by it or its fiefdoms.

In England, Wales and Northern Ireland, royal demesne is the land held by the Crown, and ancient demesne is the legal term for the land held by the king at the time of the Domesday Book in 1086.

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Hatching in the context of Gradation (art)

In the visual arts, gradation is the technique of gradually transitioning from one hue to another, or from one shade to another, or one texture to another. Space, distance, atmosphere, volume, and curved or rounded forms are some of the visual effects created with gradation.

Artists use a variety of methods to create gradation, depending upon the art medium, and the precise desired effect. Blending, shading, hatching and crosshatching are common methods. A fading effect can be created with pastels by using a torchon.

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Hatching in the context of Gekiga

Gekiga (劇画; pronounced [ɡekʲiɡa], lit.'dramatic pictures') is a style of Japanese comics aimed at adult audiences and marked by a more cinematic art style and more mature themes. Gekiga was the predominant style of adult comics in Japan in the 1960s and 1970s. It is aesthetically defined by sharp angles, hatching, and gritty lines, and thematically by realism, social engagement, maturity, and masculinity.

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Hatching in the context of Open-field system

The open-field system was the prevalent agricultural system in much of Europe during the Middle Ages and lasted into the 20th century in Russia, Iran, and Turkey. Each manor or village had two or three large fields, usually several hundred acres each, which were divided into many narrow strips of land. The strips or selions were cultivated by peasants, often called tenants or serfs. The holdings of a manor also included woodland and pasture areas for common usage and fields belonging to the lord of the manor and the religious authorities, usually Roman Catholics in medieval Western Europe. The farmers customarily lived in separate houses in a nucleated village with a much larger manor house and church nearby. The open-field system necessitated co-operation among the residents of the manor.

The Lord of the Manor, his officials, and a manorial court administered the manor and exercised jurisdiction over the peasantry. The Lord levied rents and required the peasantry to work on his personal lands, called a demesne.

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Hatching in the context of Islamic glass

Islamic glass is glass made in the Islamic world, especially in periods up to the 19th century. It built on pre-Islamic cultures in the Middle East, especially ancient Egyptian, Persian and Roman glass, and developed distinct styles, characterized by the introduction of new techniques and the reinterpreting of old traditions. It came under European influence by the end of the Middle Ages, with imports of Venetian glass documented by the late 15th century.

It rarely has religious content, other than inscriptions, although the mosque lamp was mainly used in religious contexts, to light mosques, but it uses the decorative styles of Islamic art from the same times and places. The makers were not necessarily Muslims themselves.

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Hatching in the context of Desborough Mirror

The Desborough Mirror is an intricately decorated English bronze mirror dated to c. 50 BC – 50 AD. It consists of a cast handle and a circular mirror plate, which is highly polished on its front side to achieve reflectivity. The plate's reverse is decorated with intricate engraved and chased curvilinear patterns in the La Tène style, and filled in with basket hatching.

The mirror was discovered in 1908 by workmen outside Desborough, Northamptonshire. Along with the Birdlip Mirror, it is widely considered to be the finest of the roughly 26 surviving, fully intact and decorated Iron Age bronze mirrors, the large majority of which are English. It was acquired by the British Museum in 1924, where it is displayed in room 50 (Britain and Europe 800 BC–AD 43).

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Hatching in the context of Barbell

A barbell is a piece of exercise equipment used in weight training, bodybuilding, weightlifting, powerlifting and strongman, consisting of a long bar, usually with weights attached at each end.

Barbells range in length from 1.2 metres (4 ft) to above 2.4 metres (8 ft), although bars longer than 2.2 metres (7.2 ft) are used primarily by powerlifters and are not commonplace. The central portion of the bar varies in diameter from 25 millimetres (0.98 in) to 50 millimetres (1.96 in) (e.g., Apollon's Axle), and is often engraved with a knurled crosshatch pattern to help lifters maintain a solid grip. Weight plates slide onto the outer portions of the bar to increase or decrease the desired total weight. Collars are used to prevent plates from moving outward unevenly so that the lifter does not experience uneven force.

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