Hart Crane in the context of "Modernist poetry"

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⭐ Core Definition: Hart Crane

Harold Hart Crane (21 July 1899 – 27 April 1932) was an American poet. Inspired by the Romantics and his fellow Modernists, Crane wrote highly stylized poetry, often noted for its complexity. His collection White Buildings (1926), featuring "Chaplinesque", "At Melville's Tomb", "Repose of Rivers" and "Voyages", helped to cement his place in the avant-garde literary scene of the time. The long poem The Bridge (1930) is an epic inspired by the Brooklyn Bridge.

Crane was born in Garrettsville, Ohio, to Clarence A. Crane and Grace Edna Hart. He dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would later attend Columbia University. Crane took various jobs, including in copywriting and advertising. Throughout the early 1920s, various small but well-respected literary magazines published some of Crane's poems, gaining him among the avant-garde a respect that White Buildings ratified and strengthened. His ambition to synthesize America was expressed in The Bridge, intended to be an uplifting counter to T. S. Eliot's The Waste Land (1922). Initial critical reaction to it was mixed, with many praising the scope but criticizing the quality of the poems. On April 27, 1932, Crane, in an inebriated state, jumped off the steamship USS Orizaba and into the Atlantic Ocean while the ship was en route from Vera Cruz to New York via Havana, Cuba. He left no suicide note, but witnesses to his jump believed he was intentionally killing himself. Throughout his life, he had multiple homosexual relations, many of which were described in, or otherwise influenced, his poetry. He had one known female partner, Peggy Cowley, around a year before his death.

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Hart Crane in the context of Boni & Liveright

Boni & Liveright (pronounced "BONE-eye" and "LIV-right") is an American trade book publisher established in 1917 in New York City by Albert Boni and Horace Liveright. Over the next sixteen years the firm, which changed its name to Horace Liveright, Inc., in 1928 and then Liveright, Inc., in 1931, published over a thousand books. Before its bankruptcy in 1933 and subsequent reorganization as Liveright Publishing Corporation, Inc., it had achieved considerable notoriety for editorial acumen, brash marketing, and challenge to contemporary obscenity and censorship laws. Their logo is of a cowled monk.

It was the first American publisher of William Faulkner, Ernest Hemingway, Sigmund Freud, E. E. Cummings, Jean Toomer, Hart Crane, Lewis Mumford, Anita Loos, and the Modern Library series. In addition to being the house of Theodore Dreiser and Sherwood Anderson throughout the 1920s, it notably published T. S. Eliot's The Waste Land, Isadora Duncan's My Life, Nathanael West's Miss Lonelyhearts, Djuna Barnes's Ryder, Ezra Pound's Personae, John Reed's Ten Days That Shook the World, and Eugene O'Neill's plays. In his biography of Horace Liveright, Firebrand, author Tom Dardis noted B&L was "the most magnificent yet messy publishing firm this century has seen." In 1974 Liveright's remaining backlist was bought by W. W. Norton & Company. Norton revived the name as an imprint in 2012 as Liveright Publishing Corporation.

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Hart Crane in the context of Caresse Crosby

Caresse Crosby (born Mary Phelps Jacob; April 20, 1892 – January 24, 1970) was an American publisher and writer. Time called her the "literary godmother to the Lost Generation of expatriate writers in Paris." As an American patron of the arts, she and her second husband, Harry Crosby, founded the Black Sun Press, which was instrumental in publishing some of the early works of many authors who would later become famous, among them Anaïs Nin, Kay Boyle, Ernest Hemingway, Archibald MacLeish, Henry Miller, Charles Bukowski, Hart Crane, and Robert Duncan. She was also the recipient of a patent for the first successful modern bra.

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Hart Crane in the context of Paterson (poem)

Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from 1946 to 1958. The origin of the poem was an eighty-five line long poem written in 1926, after Williams had read and been influenced by James Joyce's novel Ulysses. As he continued writing lyric poetry, Williams spent increasing amounts of time on Paterson, honing his approach to it both in terms of style and structure. While The Cantos of Ezra Pound and The Bridge by Hart Crane could be considered partial models, Williams was intent on a documentary method that differed from both these works, one that would mirror "the resemblance between the mind of modern man and the city."

While Williams might or might not have said so himself, commentators such as Christoper Beach and Margaret Lloyd have called Paterson his response to T.S. Eliot's The Waste Land and Pound's Cantos. The long gestation time of Paterson before its first book was published was due in large part to Williams's honing of prosody outside of conventional meter and his development of an overall structure that would stand on a par with Eliot and Pound yet remain endemically American, free from past influences and older forms.

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Hart Crane in the context of Harry Crosby

Harry Crosby (June 4, 1898 – December 10, 1929) was an American poet and publisher regarded as a figure of the Lost Generation in American literature. He was the son of one of the richest banking families in New England, a Boston Brahmin, and the nephew of Jane Norton Grew, the wife of financier J. P. Morgan, Jr. As such, he was heir to a portion of a substantial family fortune. He was a volunteer in the American Field Service and later served in the U.S. Ambulance Corps, narrowly escaping with his life. Profoundly affected by his experience in World War I, Crosby vowed to live life on his own terms as a bon vivant, and abandoned all pretense of living the expected life of a privileged Bostonian. In 1920 he met and married Caresse Crosby; their affair was the source of scandal and gossip among blue-blood Boston. He and Caresse subsequently left for Europe, where they devoted themselves to art and poetry.

The couple enjoyed a decadent lifestyle, drinking, smoking opium regularly, traveling frequently, and having an open marriage. In the late 1920s, Crosby wrote and published poetry that dwelt on solar symbolism and mysticism, and explored transgressive themes of sexual intercourse, pagan worship, sacrifice, death and suicide. He numbered among his friends some of the most famous individuals of the early 20th century, including Salvador Dalí, Ernest Hemingway, and Henri Cartier-Bresson. Caresse founded the Black Sun Press with Harry, with it being the first to publish works by several authors who became famous, including Hemingway, D. H. Lawrence, Hart Crane, James Joyce, René Crevel and Kay Boyle. Crosby died in 1929 alongside his new partner Josephine Noyes Rotch, committing a murder–suicide which was speculated as being a suicide pact.

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Hart Crane in the context of Black Sun Press

The Black Sun Press was an English-language press noted for publishing the early works of many modernist writers including Hart Crane, D. H. Lawrence, Archibald MacLeish, Ernest Hemingway, and Eugene Jolas. It enjoyed the greatest longevity among the several expatriate presses founded in Paris during the 1920s, publishing nearly three times as many titles as did Edward Titus under his Black Manikin Press. American expatriates living in Paris, Harry Crosby and his wife Caresse Crosby (American inventor of the modern bra) founded the press to publish their own work in April 1927 as Éditions Narcisse. They added to that in 1928 when they printed a limited edition of 300 numbered copies of "The Fall of the House of Usher" by Edgar Allan Poe. They enjoyed the reception their initial work received, and decided to expand the press to serve other authors, renaming the company the Black Sun Press, following on Harry's obsession on the symbolism of the sun.

They published exclusively limited quantities of meticulously produced, hand-manufactured books, printed on high-quality paper. During the 1920s and 1930s Paris was at the crossroads of many emerging expatriate American writers, collectively called the Lost Generation. They published early works of a number of writers before they were well-known, including James Joyce's Tales Told of Shem and Shaun (later integrated into Finnegans Wake). They published Kay Boyle's first book-length work, Short Stories, in 1929. The Black Sun Press evolved into one of the most important small presses in Paris in the 1920s. After Harry died in a suicide pact with one of his many lovers, Caresse Crosby continued the press' work into the 1940s.

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