Harper's Magazine in the context of "Battle of Gettysburg"

Hans Koning (born Hans Königsberger, July 12, 1921 – April 13, 2007) was a Dutch American author of over 40 fiction and non-fiction books. Koning was also a prolific journalist, contributing for almost 60 years to many periodicals including The New York Times, International Herald Tribune, Atlantic Monthly, The Nation, Harper's, The New Yorker, and De Groene Amsterdammer. He used the pen name Hans Koningsberger (with an added letter 'n'), and from 1972 Hans Koning.

Jessie Willcox Smith (September 6, 1863 – May 3, 1935) was an American illustrator during the Golden Age of American illustration. She was considered "one of the greatest pure illustrators". A contributor to books and magazines during the late 19th and early 20th centuries, Smith illustrated stories and articles for clients such as Century, Collier's, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. She had an ongoing relationship with Good Housekeeping, which included a long-running Mother Goose series of illustrations and also the creation of all the Good Housekeeping covers from December 1917 to 1933. Smith illustrated over sixty books, including notable works like Louisa May Alcott's Little Women and An Old-Fashioned Girl, Henry Wadsworth Longfellow's Evangeline, and Robert Louis Stevenson's A Child's Garden of Verses.

"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. It was first published in the Sunday Pictorial of London on 26 October 1919. In America, it was published as "The Gods of the Copybook Maxims" in Harper's Magazine in January 1920.

In the poem, Kipling's narrator counterposes the "Gods" of the title, who embody eternal truths, against "the Gods of the Market-Place", who represent an optimistic self-deception into which it supposes society has fallen in the early 20th century.

Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product, such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. Cover art can include various things such as logos, symbols, images, colors, or anything that represents what is being sold or advertised. The art has a commercial function (i.e., to promote the product it is displayed on), but can also have an aesthetic function, and may be artistically connected to the product (such as with art by, or commissioned by, the creator of the product).

The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando, whose persona became a cultural icon of the 1950s. The Wild One is considered to be the original outlaw biker film, and the first to examine American outlaw motorcycle gang violence. It is said that the movie took a nightmare news story as the basis of the film. The supporting cast features Lee Marvin as Chino, truculent leader of the motorcycle gang "The Beetles".

The film's screenplay was based on Frank Rooney's short story "Cyclists' Raid", published in the January 1951 Harper's Magazine and anthologized in The Best American Short Stories 1952. Rooney's story was inspired by sensationalistic media coverage of an American Motorcyclist Association motorcycle rally that got out of hand on the Fourth of July weekend in 1947 in Hollister, California. The overcrowding, drinking and street stunting were given national attention in the July 21, 1947, issue of Life, with a possibly staged photograph of a wild drunken man on a motorcycle. The events, conflated with the newspaper and magazine reports, Rooney's short story, and the film The Wild One are part of the legend of the Hollister riot.

Michael Laban Walzer (born March 3, 1935) is an American political theorist and public intellectual. A professor emeritus at the Institute for Advanced Study (IAS) in Princeton, New Jersey, he is editor emeritus of the left-wing magazine Dissent, which he has been affiliated with since his years as an undergraduate at Brandeis University, an advisory editor of the Jewish journal Fathom, and sits on the editorial board of the Jewish Review of Books.

He has written books and essays on a wide range of topics—many in political ethics—including just and unjust wars, nationalism, ethnicity, Zionism, antisemitism, economic justice, social criticism, radicalism, tolerance, and political obligation. He is also a contributing editor to The New Republic. To date, he has written 27 books and published over 300 articles, essays, and book reviews in Dissent, The New Republic, The New York Review of Books, The New Yorker, The New York Times, Harpers, Quillette, and many philosophical and political science journals.