Harp in the context of "Concerto for Flute, Harp, and Orchestra (Mozart)"

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⭐ Core Definition: Harp

The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be played in either a seated or standing position. Most commonly, harps are made of wood and are triangular in shape. Some have multiple rows of strings and pedal attachments.

Ancient depictions of harps were recorded in Mesopotamia (now Iraq), Persia (now Iran) and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps are found across the Americas; in some regions, they are used in popular folk music traditions. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland.

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👉 Harp in the context of Concerto for Flute, Harp, and Orchestra (Mozart)

The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of music by Mozart for the harp. The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments.

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Harp in the context of Religious music

Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.

Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (the horn, saxophone, trumpet and variations of such) can be commonly found in Islam and Judaism.

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Harp in the context of Concert band

A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the piano, double bass, and harp. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as synthesizer, electric guitar, and bass guitar.

Concert band music generally includes original wind compositions, concert marches, transcriptions of orchestral arrangements, light music, and popular music. Though the concert band does have similar instrumentation to the marching band, a marching band's main purpose is to perform while marching. In contrast, a concert band usually performs as a stationary ensemble, though European ensembles often do both.

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Harp in the context of Concert harp

The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.

In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music.

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Harp in the context of Viggiano

Viggiano is a comune in the province of Potenza, in the Southern Italian region of Basilicata. It is bounded by the comuni of Calvello, Corleto Perticara, Grumento Nova, Laurenzana, Marsicovetere, and Montemurro.

Viggiano is known for migrant street musicians who have brought their music to Italy and worldwide through the centuries, as well as renowned for the construction of harps. Many Viggianesi had the opportunity to play in many symphonic orchestras in Europe, United States and Australia. The street musicians from Viggiano are cited as an influence on Hector Malot's Sans Famille.

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Harp in the context of Arched harp

Arched harps is a category in the Hornbostel-Sachs classification system for musical instruments, a type of harp. The instrument may also be called bow harp. With arched harps, the neck forms a continuous arc with the body and has an open gap between the two ends of the arc (open harps).

Arched harps are probably the most ancient form of the harp, evolving from the musical bow. The first bowed harps appeared around 3000 B.C. in Iran and Mesopotamia and then in Egypt. India may have had the instrument as early as Mesopotamia.

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Harp in the context of Pegbox

A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings.

A tuning peg in a pegbox is perhaps the most common system. A peg has a grip or knob on it to allow it to be turned. A tuning pin is a tuning peg with a detachable grip, called a tuning lever. The socket on the tuning lever fits over the pin and allows it to be turned. Tuning pins are used on instruments where there is no space for a knob on each string, such as pianos and harps.

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Harp in the context of Angélique (instrument)

The angélique (French, from Italian angelica) is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo.

Like the lute, it has a pear-shaped body and vibrating string lengths ranging from 54 to 70 cm. Differing from the lute, the 16 string angelica was single-strung like a theorbo, with which it shares its extended neck with a second peg box, bearing six bass strings.

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