Harmonielehre in the context of "Fin de siècle"

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⭐ Core Definition: Harmonielehre

Harmonielehre is a 40-minute orchestral composition by the American composer John Adams, composed in 1985. In his memoir, Adams wrote that the piece "was a statement of belief in the power of tonality at a time when I was uncertain about its future" and that it was "a one-of-kind [sic] once-only essay in the wedding of fin-de-siècle chromatic harmony with the rhythmic and formal procedures of Minimalism".

The composition's title, German for "study of harmony", is a reference to Arnold Schoenberg's 1911 music theory textbook of the same name, a study of tonal harmony. Other theory texts titled Harmonielehre include those by Heinrich Schenker (1906) and Hugo Riemann (1893).

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Harmonielehre in the context of John Adams (composer)

John Coolidge Adams (born February 15, 1947) is an American composer and conductor. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, many of which center around historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic, and piano music.

Born in Worcester, Massachusetts, Adams grew up in a musical family and was exposed to classical music, jazz, musical theatre, and rock music. He attended Harvard University, studying with Leon Kirchner, Roger Sessions, and David Del Tredici, among others. His earliest work was aligned with modernist music, but he began to disagree with its tenets upon reading John Cage's Silence: Lectures and Writings. Teaching at the San Francisco Conservatory of Music, Adams developed a minimalist aesthetic first fully realized in Phrygian Gates (1977) and later in the string septet Shaker Loops. Adams became increasingly active in San Francisco's contemporary music scene, and his orchestral works Harmonium (1980–1981) and Harmonielehre (1985) first gained him national attention. Other popular works from this time include the fanfare Short Ride in a Fast Machine (1986) and the orchestral work El Dorado (1991).

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