A sculptural pairing of the tyrannicides Harmodius and Aristogeiton (Ancient Greek: Ἁρμόδιος καὶ Ἀριστογείτων, romanized: Harmodios, Aristogeitōn) was well known in the ancient world in two major versions but survives only in Roman marble copies. The lovers Harmodius and Aristogeiton were Athenian heroes whose assassination of the tyrant Hipparchus in 514 BC opened the way for Athenian democracy.
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👉 Harmodius and Aristogeiton (sculpture) in the context of Antenor
Antenor (Ancient Greek: Ἀντήνωρ, Antḗnōr; fl. c. 540 – c. 500 BC) was an Athenian sculptor. He is recorded as the creator of the joint statues of the tyrannicides Harmodius and Aristogeiton funded by the Athenians on the expulsion of Hippias. These statues were carried away to Susa by Xerxes I of Persia during the Greco-Persian Wars. Archaeologists have also established that a basis signed by "Antenor son of Eumares" belonged to a set of female figures in an archaic style which were displayed in the acropolis. The sculptor of the Harmodius and Aristogeiton is usually listed as the son of Euphranor.
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Harmodius and Aristogeiton (sculpture) in the context of Harmodius and Aristogeiton
Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of Hipparchus, the brother of the tyrant Hippias, for which they were executed. A few years later, in 510 BC, the Spartan king Cleomenes I forced Hippias to go into exile, thereby opening the way to the subsequent democratic reforms of Cleisthenes. The Athenian democrats later celebrated Harmodius and Aristogeiton as national heroes, partially to conceal the role played by Sparta in the removal of the Athenian tyranny. Cleisthenes notably commissioned the famous statues of the Tyrannicides.
Harmodius and Aristogeiton (sculpture) in the context of Kritios Boy
The marble Kritios Boy or Kritian Boy belongs to the Early Classical period of ancient Greek sculpture. It is the first statue from classical antiquity known to use contrapposto; Kenneth Clark called it "the first beautiful nude in art" The Kritios Boy is thus named because it is attributed, on slender evidence, to Kritios, who worked together with Nesiotes (sculptors of Harmodius and Aristogeiton) or their school, from around 480 BC. As currently mounted, the statue is considerably smaller than life-size at 117 cm (3 ft 10 ins), including the supports that replace the missing feet.