Hardboiled in the context of "Mystery fiction"

Crime fiction, detective story, murder mystery, crime novel, mystery novel, and police novel are terms used to describe narratives or fiction that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. Most crime drama focuses on criminal investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

It is usually distinguished from mainstream fiction and other genres such as historical fiction and science fiction, but the boundaries are indistinct. Crime fiction has several subgenres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction, and legal thrillers.

Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. It tells four intertwining tales of crime and violence in Los Angeles. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.

Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax Films co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax Films fully financed.

A femme fatale (/ˌfɛm fəˈtæl, -ˈtɑːl/ FEM fə-TA(H)L, French: [fam fatal]; lit. 'fatal woman'), sometimes called a maneater, Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.

The term originates from the French phrase femme fatale, which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is lackadaisical, intriguing, or frivolous. In some cases, she uses lies or coercion rather than charm. She may also make use of some subduing weapon such as sleeping gas, a modern analog of magical powers in older tales. She may also be (or imply that she is) a victim, caught in a situation from which she cannot escape.

Film noir (/nwɑːr/; French: [film nwaʁ]) is a style of Hollywood crime drama that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction.

The term film noir, French for "black film" (literal) or "dark film" (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945.

Black Mask was a pulp magazine first published in April 1920 by the journalist H. L. Mencken and the drama critic George Jean Nathan. It is most well-known today for launching the hardboiled crime subgenre of mystery fiction, publishing now-classic works by Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, Cornell Woolrich, Paul Cain, Carroll John Daly, and others.

The Maltese Falcon is a 1930 detective novel by American writer Dashiell Hammett, originally serialized in the magazine Black Mask beginning with the September 1929 issue. The story is told entirely in external third-person narrative; there is no description whatsoever of any character's thoughts or feelings, only what they say and do, and how they look. The novel has been adapted several times for the cinema. It is considered part of the hardboiled genre, which Hammett played a major part in popularizing.

Samuel Dashiell Hammett (/ˈdæʃəl ˈhæmɪt/ DASH-əl HAM-it; May 27, 1894 – January 10, 1961) was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), The Continental Op (Red Harvest and The Dain Curse) and the comic strip character Secret Agent X-9.

Hammett is regarded as one of the very best mystery writers. In his obituary in The New York Times, he was described as "the dean of the... 'hard-boiled' school of detective fiction." Time included Hammett's 1929 novel Red Harvest on its list of the 100 best English-language novels published between 1923 and 2005. In 1990, the Crime Writers' Association picked three of his five novels for their list of The Top 100 Crime Novels of All Time. Five years later, The Maltese Falcon placed second on The Top 100 Mystery Novels of All Time as selected by the Mystery Writers of America; Red Harvest, The Glass Key and The Thin Man were also on the list. His novels and stories also had a significant influence on mystery films, including the style that came to be known as film noir.

Philip Marlowe (/ˈmɑːrloʊ/ MAR-loh) is a fictional character created by Raymond Chandler who was characteristic of the hardboiled crime fiction genre. The genre originated in the 1920s, notably in Black Mask magazine, in which Dashiell Hammett's The Continental Op and Sam Spade first appeared. Marlowe first appeared under that name in The Big Sleep, published in 1939. Chandler's early short stories, published in pulp magazines such as Black Mask and Dime Detective, featured similar characters with names like "Carmady" and "John Dalmas", starting in 1933.

Some of those short stories were later combined and expanded into novels featuring Marlowe, a process Chandler called "cannibalizing", which is more commonly known in publishing as a fix-up. When the original stories were republished years later in the short-story collection The Simple Art of Murder, Chandler did not change the names of the protagonists to Philip Marlowe. His first two stories, "Blackmailers Don't Shoot" and "Smart-Aleck Kill" (with a detective named Mallory), were never altered in print but did join the others as Marlowe cases for the television series Philip Marlowe, Private Eye.