Hans Wild in the context of "Benjamin Britten"

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⭐ Core Definition: Hans Wild

Hans Wild (1912–1969) was a British photographer who worked for Life magazine from 1938 to 1946. Some of his best known work appeared on the cover of Life including a photo of historian Charles Seltman in 1943 and British Prime Minister Winston Churchill while painting with an easel in 1946.

Wild became a professional photographer at 24 years old in 1936, and worked for Life in various capacities in the United States, England, France and Italy. He took numerous photos documenting World War II, as well as portraits of famous people including John Cage, Merce Cunningham, Vivien Leigh, Mary Welsh Hemingway, Bing Crosby, actress Pat Kirkwood, the painter Thomas Hart Benton, E. V. Knox editor of Punch, Foreign Secretary Anthony Eden, Rupert Neve, fashion designer Elsa Schiaparelli, Laurence Olivier, Daphne du Maurier, C. S. Lewis, Alexander Fleming, Chinese Ambassador Guo Taiqi, Nancy Astor, Viscountess Astor, Benjamin Britten, Louis Mountbatten, 1st Earl Mountbatten of Burma, and American diplomats Jefferson Caffery and Anthony Joseph Drexel Biddle, Jr., Louis II, Prince of Monaco with Ghislaine Dommanget and Rainier III, Robert Anthony Eden, David Lloyd George, Thomas Beecham.

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👉 Hans Wild in the context of Benjamin Britten

Edward Benjamin Britten, Baron Britten OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).

Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the a cappella choral work A Boy Was Born in 1934. With the premiere of Peter Grimes in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-scale operas for Sadler's Wells and Covent Garden, he wrote chamber operas for small forces, suitable for performance in venues of modest size. Among the best known of these is The Turn of the Screw (1954). Recurring themes in his operas include the struggle of an outsider against a hostile society and the corruption of innocence.

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