Hans Krell in the context of "George, Margrave of Brandenburg-Ansbach"

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⭐ Core Definition: Hans Krell

Hans Krell (c. 1490 – 1565 or 1586), also Krehl ou Kreil, was a German painter of the Renaissance, mainly known as a portrait painter. He is thought to have been born in Crailsheim or Ansbach, and died in Leipzig.

Hans Krell started his career as court painter of George the Pious, Margrave of Brandenburg-Ansbach in Ansbach. He then entered into the service of King Louis II of Hungary in Prague and Buda, where he was employed as court portraitist in the years 1522–1526. He is later recorded in Leipzig (from 1531) and in Freiberg in Saxony (since 1534). Krell was known as the Fürstenmaler (Painter of Princes) in service of the German Princes Albrecht of Brandenburg-Ansbach, Duke in Prussia, Hedwig Jagiellon, Electress of Brandenburg and the Elector Augustus of Saxony. His paintings of Saxon princes in the ceremonial hall and the council chamber of the Old Town Hall in Leipzig were continually being completed.

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Hans Krell in the context of Light cavalry

Light cavalry comprised lightly armed and armored cavalry troops mounted on fast horses, as opposed to heavy cavalry, where the mounted riders (and sometimes the warhorses) were heavily armored. The purpose of light cavalry was primarily raiding, reconnaissance, screening, skirmishing, patrolling, and tactical communications. Prior to the 17th century they were usually armed with swords, spears, javelins, or bows, and later on with sabres, pistols, shotguns, or carbines.

Light cavalry was used infrequently by Ancient Greeks (who used hippeis such as prodromoi or sarissophoroi) and Ancient Romans (who used auxiliaries such as equites Numidarum or equites Maurorum), but were more common among the armies of Eastern Europe, North Africa, West Asia, Central Asia, and East Asia. The Arabs, Cossacks, Hungarians, Huns, Kalmycks, Mongols, Turks, Parthians, and Persians were all proficient horse archers.

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