Hanging Gardens of Babylon in the context of "Water feature"

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⭐ Core Definition: Hanging Gardens of Babylon

The Hanging Gardens of Babylon were one of the Seven Wonders of the Ancient World listed by Hellenic culture. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός (kremastós, lit.'overhanging'), which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace.

According to one legend, the Hanging Gardens were built alongside a grand palace known as The Marvel of Mankind, by the Neo-Babylonian King Nebuchadnezzar II (who ruled between 605 and 562 BC), for his Median wife, Queen Amytis, because she missed the green hills and valleys of her homeland. This was attested to by the Babylonian priest Berossus, writing in about 290 BC, a description that was later quoted by Josephus. The construction of the Hanging Gardens has also been attributed to the legendary queen Semiramis and they have been called the Hanging Gardens of Semiramis as an alternative name.

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👉 Hanging Gardens of Babylon in the context of Water feature

In landscape architecture and garden design, a water feature is one or more items from a range of fountains, jeux d'eau, pools, ponds, rills, artificial waterfalls, and streams. Before the 18th century they were usually powered by gravity, though the famous Hanging Gardens of Babylon are described by Strabo as supplied by an Archimedean screw and other examples were supplied with water using hydraulic rams.

Ancient water features were powered using gravitational forces, human power or animals to pump in the water. Since the 18th century, the majority of water features have been powered by pumps. In the past, the power source was sometimes a steam engine, but in modern features it is almost always powered by electricity. There is an increasing range of innovative designs as the market becomes more established and people become more aware of alternate installation methods, such as solar power. The advantages of using solar power include environmental benefits, no electrical lines in the garden, and free energy.

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Hanging Gardens of Babylon in the context of Seven Wonders of the Ancient World

The Seven Wonders of the Ancient World, also known as the Seven Wonders of the World or simply the Seven Wonders, is a list of seven notable structures present during classical antiquity, first established in the 1572 publication Octo Mundi Miracula using a combination of historical sources.

The seven traditional wonders established by the Octo Mundi Miracula are the Great Pyramid of Giza, the Colossus of Rhodes, the Lighthouse of Alexandria, the Mausoleum at Halicarnassus, the Temple of Artemis, the Statue of Zeus at Olympia, and the Hanging Gardens of Babylon. Using modern-day countries, two of the wonders were located in Greece, two in Turkey, two in Egypt, and one in Iraq. Of the seven wonders, only the Pyramid of Giza, which is also by far the oldest of the wonders, remains standing, while the others have been destroyed over the centuries. Remains exist from the Lighthouse, Temple of Artemis and the Mausoleum – either in situ or in museums. There is scholarly debate over the exact nature of the Hanging Gardens, and there is doubt as to whether they existed at all.

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Hanging Gardens of Babylon in the context of Wonders of the Middle Ages

Various lists of the Wonders of the World have been compiled from antiquity to the present day, in order to catalogue the world's most spectacular natural features and human-built structures.

The Seven Wonders of the Ancient World is the oldest known list of this type, documenting the most iconic and remarkable human-made creations of classical antiquity; the canonical list was established in the 1572 Octo Mundi Miracula, based on classical sources which varied widely. The classical sources only include works located around the Mediterranean rim and in the ancient Near East. The number seven was chosen because the Greeks believed it represented perfection and plenty, and because it reflected the number of planets known in ancient times (five) plus the Sun and Moon.

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Hanging Gardens of Babylon in the context of Nebuchadnezzar II

Nebuchadnezzar II, also Nebuchadrezzar II, meaning "Nabu, watch over my heir", was the second king of the Neo-Babylonian Empire, ruling from the death of his father Nabopolassar in 605 BC to his own death in 562 BC. Often titled Nebuchadnezzar the Great, he is regarded as the empire's greatest king, famous for his military campaigns in the Levant and their role in Jewish history, and for his construction projects in his capital of Babylon, including the Hanging Gardens of Babylon. Ruling for 43 years, Nebuchadnezzar was the longest-reigning king of the Babylonian dynasty. By the time of his death, he was among the most powerful rulers in the world.

Possibly named after his grandfather of the same name or after Nebuchadnezzar I, one of Babylon's greatest warrior-kings, Nebuchadnezzar II had already secured renown for himself during his father's reign, leading armies in the Medo-Babylonian conquest of the Assyrian Empire. At the Battle of Carchemish in 605 BC, Nebuchadnezzar inflicted a crushing defeat on an Egyptian army led by Pharaoh Necho II and ensured that the Neo-Babylonian Empire would succeed the Neo-Assyrian Empire as the dominant power in the ancient Near East. Shortly after this victory, Nabopolassar died and Nebuchadnezzar became king.

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Hanging Gardens of Babylon in the context of Octo Mundi Miracula

Octo Mundi Miracula is a series of engravings published in 1572 by the Flemish engraver Philips Galle, based on a set of eight drawings by Dutch painter Maarten van Heemskerck, with accompanying elegiac couplet verses written by Hadrianus Junius. Heemskerck's primary source was Pedro Mexía's 1540 Silva de varia lección, which noted how the classical sources for the Seven Wonders of the Ancient World do not agree on a consistent list.

The series is considered the first known complete visual representation of the Seven Wonders of the Ancient World, and created the modern canonical list of seven wonders – the specific list had not existed in the various classical sources. Despite creating the modern canonical seven, the engravings included an eighth monument—the Colosseum—following van Heemskerck's 1533 Self-Portrait with the Colosseum.

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