Hamlet in the context of "Hamnet Shakespeare"

The Tragedy of Richard the Third, often shortened to Richard III, is a play by William Shakespeare, which depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy which also contains Henry VI, Part 1, Henry VI, Part 2, and Henry VI, Part 3.

It is the second longest play in the Shakespearean canon by word count and the fourth longest by number of lines, as well as the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his Henry VI plays, frequently referring to them.

A protagonist (from Ancient Greek πρωταγωνιστής prōtagōnistḗs 'one who plays the first part, chief actor') is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles and choices. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist.

The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. A particularly noble, virtuous, or accomplished protagonist is commonly called a hero, though the terms are not synonyms.

The Tragedy of Othello, the Moor of Venice, often shortened to Othello, is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.

Othello has been one of Shakespeare's most popular plays, both among playgoers and literary critics, since its first performance, spawning numerous stage, screen, and operatic adaptations. Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, its unusual mechanics, its treatment of race, and on the motivations of Iago and his relationship to Othello. Originally performed by white actors in dark makeup, the role of Othello began to be played by black actors in the 19th century.

Ophelia is an 1851–52 painting by British artist John Everett Millais in the collection of Tate Britain, London. It depicts the young Danish noblewoman Ophelia in William Shakespeare's play Hamlet, who due to Hamlet's actions, loses her sanity and drowns.

The painting received mixed responses when first exhibited at the Royal Academy of Arts in London, but is today widely regarded as one of the most important mid-nineteenth-century works, and is renowned for its beauty and natural landscape. The work has influenced artists such as John William Waterhouse, Peter Blake, Ed Ruscha and Friedrich Heyser.

Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.

Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera.

Helsingør (/ˌhɛlsɪŋˈɜːr/ HEL-sing-UR, Danish: [helse̝ŋˈøɐ̯ˀ]; Swedish: Helsingör), classically known in English as Elsinore (/ˈɛlsɪnɔːr, ˌɛlsɪˈnɔːr/ EL-sin-or, -⁠OR), is a coastal city in northeastern Denmark. Helsingør Municipality had a population of 63,953 on 1 January 2025, making it the 23rd most populated municipality in Denmark. Helsingør is located at the narrowest part of the Øresund strait and together with Helsingborg in Sweden, forms the northern reaches of the Øresund Region, centred on Copenhagen and Malmö. Helsingør is a ferry city, with the frequent departures on the HH Ferry route, which connects Helsingør with Helsingborg, 4 km (2.5 mi) across the Øresund.

Its castle Kronborg was used by William Shakespeare as the setting for his play Hamlet.

Kronborg (Danish pronunciation: [ˈkʰʁoːnˌpɒˀ]) is a castle and historical stronghold in the town of Helsingør, Denmark. Immortalised as Elsinore in William Shakespeare's play Hamlet, Kronborg is one of the most important Renaissance castles in Northern Europe. It was inscribed on the UNESCO World Heritage List in 2000.

The castle is situated on the extreme northeastern tip of the island of Zealand at the narrowest point of the Øresund, the sound between present Denmark and the provinces of present Sweden. The latter were under Danish control at the time the castle was built. In this part, the sound is only 4 kilometres (2.5 mi) wide, hence the strategic importance of maintaining a coastal fortification at this location commanding one of the few outlets of the Baltic Sea.