Gusle in the context of "Serbian epic poetry"

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⭐ Core Definition: Gusle

The gusle (Serbian Cyrillic: гусле) or lahuta (Albanian: lahutë; related to English lute) is a bowed single-stringed musical instrument (and musical style) traditionally used in the Dinarides region of Southeastern Europe (in the Balkans). The instrument is always accompanied by singing; musical folklore, specifically epic poetry. The gusle player (Serbian Cyrillic: гуслар, romanizedguslar; Albanian: lahutar) holds the instrument vertically between the knees, with the left hand fingers on the string. The string is never pressed to the neck, giving a harmonic and unique sound.

On November 29, 2018, the Serbian Gusle was inscribed as a part of Serbia's intangible cultural heritage on the UNESCO Intangible Cultural Heritage of Humanity.

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👉 Gusle in the context of Serbian epic poetry

Serbian epic poetry (Serbian: Српске епске народне песме, romanizedSrpske epske narodne pesme) is a form of epic poetry created by Serbs originating in today's Serbia, Bosnia and Herzegovina, Croatia, Montenegro and North Macedonia. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The instrument accompanying the epic poetry is the gusle.

Serbian epic poetry helped in developing the Serbian national consciousness. The cycles of Prince Marko, the Hajduks and Uskoks inspired the Serbs to restore freedom and their heroic past. The Hajduks in particular, are seen as an integral part of national identity; in stories, the hajduks were heroes: they had played the role of the Serbian elite during Ottoman rule, they had defended the Serbs against Ottoman oppression, and prepared for the national liberation and contributed to it in the Serbian Revolution.

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Gusle in the context of Kosovo Myth

The Kosovo Myth (Serbian: Косовски мит / Kosovski mit), also known as the Kosovo Cult (Косовски култ / Kosovski kult) and the Kosovo Legend (Косовска легенда / Kosovska legenda), is a Serbian national myth based on legends about events related to the Battle of Kosovo (1389). It is rooted in Prince Lazar's apocryphal choice during the battle at the Kosovo Polje, where he is said to have rejected an earthly victory over the Ottoman Sultan Murad I and chose to die as a Christian martyr in favor of a "heavenly kingdom". This choice, as the narrative suggests, was intended to position Serbs as a chosen people and secure a spiritual covenant with God and a place in the Kingdom of Heaven.

It has been a major subject in Serbian folklore and literary tradition and has been cultivated through oral epic poetry and guslar poems. The final form of the legend was not created immediately after the battle but evolved from different originators into various versions. In its modern form it emerged in 19th-century Serbia and served as an important constitutive element of the national identity of modern Serbia and its politics.

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