Greek god in the context of "Eros"

Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (ἥρως, hḗrōs) refers to the mortal offspring of a human and a god. By the historical period, the word came to mean specifically a dead man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of minor supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero.

The grand ruins and tumuli (large burial mounds) remaining from the Bronze Age gave the pre-literate Greeks of the 10th century BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the Iliad and the Odyssey. Copious renewed offerings begin to be represented, after a hiatus, at sites like Lefkandi, even though the names of the grandly buried dead were hardly remembered. "Stories began to be told to individuate the persons who were now believed to be buried in these old and imposing sites", observes Robin Lane Fox. In other words, this is a clear cut example of an origin story for Heroes and what they meant to the Ancient Greeks.

Hephaestus (UK: /hɪˈfiːstəs/ hih-FEE-stəs, US: /hɪˈfɛstəs/ hih-FES-təs; eight spellings; Ancient Greek: Ἥφαιστος, romanized: Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture, and volcanoes. In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it).

As a smithing god, Hephaestus created all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. Hephaestus's symbols are a smith's hammer, anvil, and a pair of tongs. In Rome, he was equated with Vulcan.

Aeolian processes, also spelled eolian, pertain to wind activity in the study of geology and weather and specifically to the wind's ability to shape the surface of the Earth (or other planets). Winds may erode, transport, and deposit materials. They are effective agents in regions with sparse vegetation, a lack of soil moisture and a large supply of unconsolidated sediments. Although water is a much more powerful eroding force than wind, aeolian processes are important in arid environments such as deserts.

The term is derived from the name of the Greek god Aeolus, the keeper of the winds.

The Spercheios (Greek: Σπερχειός, Sperkheiós), also known as the Spercheus from its Latin name, is a river in Phthiotis in central Greece. It is 80 km (50 mi) long, and its drainage area is 1,830 km (710 sq mi). It was worshipped as a god in the ancient Greek religion and appears in some collections of Greek mythology. In antiquity, its upper valley was known as Ainis. In AD 997, its valley was the site of the Battle of Spercheios, which ended Bulgarian incursions into the Byzantine Empire.

It is referenced in a surviving fragment of Aeschylus' play Philoctetes, quoted in The Frogs, as a place for cattle.

In Greek mythology, Silenus (/saɪˈliːnəs/; Ancient Greek: Σιληνός Sīlēnós [siːlɛːnós] or Σειληνός Seilēnós [seːlɛːnós]) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue (thiasos), and sometimes considerably older, in which case he may be referred to as a Papposilenus. Silen and its plural sileni refer to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction.

Silenus presides over other daimons and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures.