Emmanuel Tzanes (Greek: Εμμανουήλ Τζάνες; 1610 – 28 March 1690), also known as Bounialis (Greek: Μπουνιαλής), Emmanuel Tzane-Bounialis, Emmanuel Zane, or Emmanuel Tzane, was a Greek Renaissance iconographer, author, clergyman, and educator. He spent the latter half of his life in Venice, where he was parish priest of the church of San Giorgio dei Greci and a member of the Flanginian School run by the city's Greek Confraternity. Tzanes painted icons in the style of the Cretan school, influenced by contemporary trends in Venetian painting. His known extant works, over 130 in number, can be found in public foundations, private collections, churches and monasteries in Greece. The most popular of these is The Holy Towel, finished in 1659. Tzanes was a collaborator with Philotheos Skoufos, and brothers with the painter Konstantinos Tzanes and the poet Marinos Tzanes.
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Greek Renaissance in the context of Theodore Poulakis
Theodore Poulakis (Greek: Θεόδωρος Πουλάκης; 1622–1692) was a Greek Renaissance painter and teacher. He is considered the father of the Heptanese school and one of the most prolific painters of Venetian Crete. Poulakis was a member of the Cretan school, his contemporary was Emmanuel Tzanes. Emmanuel Tzanes and Poulakis were active painters of the Cretan School until Candia, went to war with the Ottomans around 1649. Candia finally fell after twenty years of siege in 1669. Poulakis settled on the island of Corfu. Stephanos Tzangarolas was another famous painter in Corfu around the same period. Poulakis's works are likened to Andreas Pavias and Georgios Klontzas. Poulakis works exhibit qualities of the Venetian school. Over 130 of his paintings have survived and can be found all over the world.