Great Irish warpipes in the context of "Irish folk music"

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👉 Great Irish warpipes in the context of Irish folk music

Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland.

In A History of Irish Music (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the crwth (a small rubbed strings harp) and cláirseach (a bigger harp with typically 30 strings), the tiompán (a small string instrument played with a bow or plectrum), the feadán (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the beannbhuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish warpipes), the stoc and storgán (clarions or trumpets), and the cnámha (bones). Within the tradition, there is poetic reference to the use of a fiddle as far back as the 7th century, which predates the development of the modern violin by around 900 years.

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Great Irish warpipes in the context of Great Highland bagpipe

The great Highland bagpipe (Scottish Gaelic: a' phìob mhòr pronounced [a ˈfiəp ˈvoːɾ] lit. 'the great pipe') is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.

The bagpipe of any kind is first attested in Scotland around 1400. The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into decline by the late 19th and early 20th century.

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