Great Exhibition in the context of "Albert, Prince Consort"

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⭐ Core Definition: Great Exhibition

The Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition (in reference to the temporary structure in which it was held), was an international exhibition that took place in Hyde Park, London, from 1 May to 15 October 1851. It was the first in a series of world's fairs, exhibitions of culture and industry that became popular in the 19th century. The event was organised by Henry Cole and Albert, Prince Consort of Victoria, Queen of the United Kingdom.

Famous people of the time attended the Great Exhibition, including Charles Darwin, Karl Marx, Michael Faraday (who assisted with the planning and judging of exhibits), Samuel Colt, members of the Orléanist royal family and the writers Charlotte Brontë, Charles Dickens, Lewis Carroll, George Eliot, Alfred Tennyson, and William Makepeace Thackeray. The future Arts and Crafts proponent William Morris, then a teenager, later said he refused to attend the Exhibition on the grounds of taste. Exhibits showcased include the first public flush toilets invented by George Jennings.

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👉 Great Exhibition in the context of Albert, Prince Consort

Prince Albert of Saxe-Coburg and Gotha (Franz August Karl Albert Emanuel; 26 August 1819 – 14 December 1861) was the husband of Queen Victoria. As such, he was consort of the British monarch from their marriage on 10 February 1840 until his death in 1861. Victoria granted him the title Prince Consort in 1857.

Albert was born in the Saxon duchy of Saxe-Coburg-Saalfeld to a family connected to many of Europe's ruling monarchs. At the age of 20, he married Victoria, his first cousin, with whom he had nine children. Initially, he felt constrained by his role as consort, which did not afford him power or responsibilities. He gradually developed a reputation for supporting public causes, such as educational reform and the abolition of slavery worldwide, and he was entrusted with running the Queen's household, office and estates. He was heavily involved with the organisation of the Great Exhibition of 1851, which was a resounding success.

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Great Exhibition in the context of Hyde Park, London

Hyde Park is a 350-acre (140-hectare), historic Grade I-listed urban park in Westminster, Greater London. A Royal Park, it is the largest of the parks and green spaces that form a chain from Kensington Palace through Kensington Gardens and Hyde Park, via Hyde Park Corner and Green Park, past Buckingham Palace to St James's Park. Hyde Park is divided by the Serpentine and the Long Water lakes.

The park was established by Henry VIII in 1536 when he took the land from Westminster Abbey and used it as a hunting ground. It opened to the public in 1637 and quickly became popular, particularly for May Day parades. Major improvements occurred in the early 18th century under the direction of Queen Caroline. The park also became a place for duels during this time, often involving members of the nobility. In the 19th century, the Great Exhibition of 1851 was held in the park, for which The Crystal Palace, designed by Joseph Paxton, was erected.

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Great Exhibition in the context of Khalili Collection of Japanese Art

The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British scholar, collector and philanthropist Nasser D. Khalili. Its 2,200 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili.

Although the collection is not on permanent public display, its objects are lent to cultural institutions and have appeared in many exhibitions from 1994 onwards. Exhibitions drawing exclusively from the collection have been held at the British Museum, Israel Museum, Van Gogh Museum, Portland Museum, Moscow Kremlin Museums, and other institutions worldwide.

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Great Exhibition in the context of Arsenic acid

Arsenic acid or arsoric acid is the chemical compound with the formula H3AsO4, more descriptively written as AsO(OH)3. This colorless acid is the arsenic analogue of phosphoric acid. Arsenate and phosphate salts behave very similarly. Arsenic acid as such has not been isolated, but is only found in solution, where it is largely ionized. Its hemihydrate form (2H3AsO4·H2O) does form stable crystals. Crystalline samples dehydrate with condensation at 100 °C.

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Great Exhibition in the context of Royal Commission for the Exhibition of 1851

The Royal Commission for the Exhibition of 1851 is an institution founded in 1850 to administer the Great Exhibition of the Works of Industry of all Nations, which was held in The Crystal Palace, London.

The founding President of the Commission was Prince Albert of Saxe-Coburg and Gotha and its chief administrator was Henry Cole. The current President is Anne, Princess Royal.

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Great Exhibition in the context of The Crystal Palace

The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its 990,000-square-foot (92,000 m) exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m), and was three times the size of St Paul's Cathedral.

The 293,000 panes of glass were manufactured by Chance Brothers. The 990,000-square-foot building with its 128-foot-high ceiling was completed in thirty-nine weeks. The Crystal Palace boasted the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights.

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Great Exhibition in the context of Joseph Paxton

Sir Joseph Paxton (3 August 1803 – 8 June 1865) was an English gardener, architect, engineer and Liberal Member of Parliament. He is best known for designing the Crystal Palace, which was built in Hyde Park, London to house the Great Exhibition of 1851, the first world's fair, great public parks such as Birkenhead Park, and for cultivating the Cavendish banana, the most consumed banana in the Western world.

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Great Exhibition in the context of Palais de l'Industrie

The Palais de l'Industrie (French pronunciation: [palɛ lɛ̃dystʁi]; Palace of Industry) was an exhibition hall located in Paris between the Seine River and the Champs-Élysées, which was erected for the Paris World Fair in 1855. This was the last of several buildings with the same name erected on the same site. The first Palais de l'Industrie was built in 1839 and was replaced for subsequent exhibitions in 1844 and 1849. The 1855 building was mainly designed by the architect Jean-Marie-Victor Viel and the engineer Alexis Barrault. It was demolished in 1897 to make way for the Grand Palais of the World Fair in 1900.

Emperor Napoleon III wished the World's Fair of 1855, which followed London's Great Exhibition by four years, to prove the superiority of the French by surpassing the British fair in every way. In particular, he desired a spectacular exhibition hall to rival The Crystal Palace. A competition held in 1852 was won by a plan by architect Jean-Marie-Victor Viel and engineer Desjardin, which combined the traditional use of masonry with that of cast iron. Due to cost constraints, however, the plans had to be reworked, for which the engineer Alexis Barrault is credited. In the final design, masonry was used only for the exterior walls, which were to be one metre thick and eighteen metres high. However, these massive walls were barely able to support the weight of the projecting cornice, and had to be reinforced with cast iron columns and beams.

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