Grayson Perry in the context of "Studio pottery"

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⭐ Core Definition: Grayson Perry

Grayson Perry is an English artist. Known for ceramic vases, tapestries, and transvestism as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".

Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of Perry as Claire, his female alter ego, and Alan Measles, his childhood teddy bear, often appear. He has made a number of documentary television programmes and has curated exhibitions. He has published two autobiographies, Grayson Perry: Portrait of the Artist as a Young Girl (2007) and The Descent of Man (2016), written and illustrated a graphic novel, Cycle of Violence (2012), written a book about art, Playing to the Gallery (2014), and published his illustrated Sketchbooks (2016). Various books describing his work have been published. In 2013 he delivered the BBC Reith Lectures.

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👉 Grayson Perry in the context of Studio pottery

Studio pottery is pottery made by professional and amateur ceramists working alone or in small groups, making unique items or short runs, especially those that are not intended for daily use as crockery. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists, or as an artist who uses clay as a medium.

Some studio potters now prefer to call themselves ceramic artists, or simply artists, for example, Grayson Perry, based in London. Studio pottery is represented by potters all over the world and has strong roots in Britain. Art pottery is a related term, used by many potteries from about the 1870s onwards, in Britain and North America; it tends to cover larger workshops, where there is a designer supervising the production of skilled workers who may have input into the pieces made. The heyday of British and American art pottery was about 1880 to 1940.

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