Mappa mundi in the context of "Ecumene"

The Catalan Atlas (Catalan: Atles català, Eastern Catalan: [ˈatləs kətəˈla]) is a medieval world map, or mappa mundi, probably created in the late 1370s or the early 1380s (often conventionally dated 1375), that has been described as the most important map of the Middle Ages in the Catalan language, and as "the zenith of medieval map-work".

It was produced by the Majorcan cartographic school, possibly by Cresques Abraham, a Jewish book illuminator who was described by a contemporary as a master of mappae mundi as well as of compasses. It was in the royal library of France by 1380, during the reign of King Charles V, and is still preserved in the Bibliothèque nationale de France. The Catalan Atlas originally consisted of six vellum leaves (each circa 64.5 by 50 cm [25.4 by 19.7 in]) folded vertically, painted in various colours including gold and silver. They were later mounted on the front and back of five wooden panels, with the ends enclosed in a leather binding by Simon Vostre c. 1515, restored most recently in 1991. Wear has split each leaf into two.

The Hereford Mappa Mundi (Latin: mappa mundi, map of the world) is the largest medieval map still known to exist, depicting the known world. It is a religious rather than literal depiction, featuring heaven, hell and the path to salvation. Dating from c. 1300 AD, the map is drawn in a form deriving from the T and O pattern. It is displayed at Hereford Cathedral in Hereford, England. The map was created as an intricate work of art rather than as a navigational tool. Sources for the information presented on the map include the Alexander tradition, medieval bestiaries and legends of monstrous races, as well as the Bible.

Although the evidence is circumstantial, recent work links the map with the promotion of the cult of Thomas de Cantilupe. Others link the map to a justification of the expulsion of Jewry from England. Potentially antisemitic images include a horned Moses and a depiction of Jews worshipping the Golden Calf in the form of a Saracen devil. The map may also reflect very patriarchal views of women as inherently sinful, including figures such as the wife of Lot being turned into a pillar of salt for gazing at the city of Sodom. Cantilupe was known for his dislike of Jews; in historian Debra Strickland's opinion he was regarded as misogynistic even by the standards of his own time.

The Ebstorf Map was an example of a mappa mundi (a medieval European map of the world). It was made by Gervase of Ebstorf, who was possibly the same man as Gervase of Tilbury, some time between 1234 and 1240.