A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. Many of the most famous instances of tragic heroes appear in Greek literature, most notably the works of Sophocles and Euripides.
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👉 Tragic hero in the context of Oedipus
Oedipus (UK: /ˈiːdɪpəs/, also US: /ˈɛdɪ-/ ; Ancient Greek: Οἰδίπους Oidípous, lit. 'swollen foot') was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus unwittingly fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
The story of Oedipus is the subject of Sophocles's tragedy Oedipus Rex, which is followed in the narrative sequence by Oedipus at Colonus and then Antigone. Together, these plays make up Sophocles's three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe.
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Tragic hero in the context of Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.
Tragic hero in the context of Evil Queen
The Evil Queen (German: böse Königin), also called the Wicked Queen or simply the Queen, is a fictional character and the main antagonist of "Snow White", a German fairy tale recorded by the Brothers Grimm. In the Grimm's story, the Queen is Snow White's stepmother obsessed with being "the fairest in the land". When the Queen's magic mirror reveals that the young princess Snow White is considered more beautiful than her, the Queen decides to kill Snow White using witchcraft. When this attempt fails, Snow White is rescued and the Queen is executed for her crimes. A stock character of this type also appears in a number of other fairy tales and legends.
The Grimms' tale is didactic, meant as a warning to young children against the dangers of narcissism, pride, and hubris, and demonstrates a triumph of good over evil. In some revisions, however, the Queen has been reworked or portrayed more sympathetically, serving as the protagonist, antihero, or tragic hero. Her many variants in adaptations notably include the Disney version.