Government Museum and Art Gallery, Chandigarh in the context of Rajput painting


Government Museum and Art Gallery, Chandigarh in the context of Rajput painting

⭐ Core Definition: Government Museum and Art Gallery, Chandigarh

Government Museum and Art Gallery, Chandigarh, is a public museum of North India having collections of Gandharan sculptures, sculptures from ancient and medieval India, Pahari and Rajasthani miniature paintings. It owes its existence to the partition of India. Prior to the partition, much of the collections of art objects, paintings and sculptures present here were housed in the Central Museum, Lahore, the then capital of Punjab. The museum has one of the largest collection of Gandharan artefacts in the world.

After the partition, the division of collections took place on April 10, 1948. Sixty per cent of objects were retained by Pakistan and forty per cent collection fell in the share of India. The museum was inaugurated on 6 May 1968 by Dr. M. S. Randhawa, the then Chief Commissioner of Chandigarh.

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Government Museum and Art Gallery, Chandigarh in the context of Saptarishi

The Saptarshi (Sanskrit: सप्तर्षि, lit.'Seven sages' IAST: Saptarṣi) are the seven seers of ancient India who are extolled in the Vedas, and other Hindu literature such as the Skanda Purana. The Vedic Samhitas never enumerate these rishis by name, although later Vedic texts such as the Brahmanas and Upanisads do, so these constellations are easily recognizable.

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Government Museum and Art Gallery, Chandigarh in the context of Harivamsa

The Harivamsa (Sanskrit: हरिवंश, lit.'The genealogy of Hari', IAST: Harivaṃśa) is an important work of Sanskrit literature, containing 16,374 shlokas, mostly in the anustubh metre. The text is also known as the Harivamsa Purana. This text is believed to be a khila (appendix or supplement) to the Mahabharata and is traditionally ascribed to Vyasa. The most celebrated commentary of the Mahabharata by Neelakantha Chaturdhara, the Bharata Bhava Deepa also covers the Harivamsa. According to a traditional version of the Mahabharata, the Harivamsa is divided into two parvas (books) and 12,000 verses. These are included with the eighteen parvas of the Mahabharata. The Critical Edition has three parvas and 5,965 verses.

The Adi Parva of Harivamsa describes the creation of the cosmos and the legendary history of the kings of the Solar and Lunar dynasties leading up to the birth of Krishna. Vishnu Parva recounts the history of Krishna up to the events prior to the Mahabharata. Bhavishya Parva, the third book, includes two alternate creation theories, hymns to Shiva and Vishnu and provides a description of the Kali Yuga. While the Harivamsa has been regarded as an important source of information on the origin of Vishnu's incarnation Krishna, there has been speculation as to whether this text was derived from an earlier text and what its relationship is to the Brahma Purana, another text that deals with the origins of Krishna.

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