Gollum in the context of "Death and immortality in Middle-earth"

In Germanic heroic legend and folklore, Fáfnir, was a dwarf or other type of humanoid, who had shifted into the hamr of a Germanic dragon (a worm, "serpent", in period nomenclature), in order to protect a treasure, and then was slain by a member of the Völsung family, typically Sigurð.

In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr. He is attested throughout the Völsung Cycle, where, Fáfnir commits patricide out of greed, taking the ring and hoard of the dwarf Andvari, and shapeshifting into a dragon. Fáfnir's brother Regin later assisted Sigurð in obtaining the sword Gram, by which Fáfnir is killed. Fáfnir has been identified with an unnamed dragon killed by a Völsung in other Germanic works, including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, such as in the works of J.R.R Tolkien, who drew inspiration from the tale of Fáfnir in his portrayals of Smaug and Gollum.

J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.

The names of races, including ents, orcs, and elves, and place names such as Orthanc and Meduseld, derive from Beowulf. The werebear Beorn in The Hobbit has been likened to the hero Beowulf himself; both names mean "bear" and both characters have enormous strength. Scholars have compared some of Tolkien's monsters to those in Beowulf. Both his trolls and Gollum share attributes with Grendel, while Smaug's characteristics closely match those of the Beowulf dragon.Tolkien's Riders of Rohan are distinctively Old English, and he has made use of multiple elements of Beowulf in creating them, including their language, culture, and poetry.The godlike Valar, their earthly paradise of Valinor, and the Old Straight Road that allowed the elves to sail to it, may all derive from the Scyld Scefing passage at the start of the poem.

The Lord of the Rings is a trilogy of epic high fantasy adventure films directed by Peter Jackson based on the novel The Lord of the Rings by the English author J. R. R. Tolkien. The films are titled identically to the three volumes of the novel: The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). Produced and distributed by New Line Cinema with the co-production of Jackson's WingNut Films, the films feature an ensemble cast combining established and younger actors.

Set in the fictional world of Middle-earth, the films follow the hobbit Frodo Baggins as he and the Company of the Ring embark on a quest to destroy the One Ring to defeat its maker, the Dark Lord Sauron. The Company eventually splits up and Frodo continues the quest with his loyal companion Sam and, eventually, the treacherous Gollum. Meanwhile, Aragorn, heir in exile to the throne of Gondor, along with the elf Legolas, the dwarf Gimli, Merry, Pippin, Boromir, and the wizard Gandalf, unite to save the Free Peoples of Middle-earth from the forces of Sauron and rally them in the War of the Ring to aid Frodo by distracting Sauron's attention.

Evil is ever-present in J. R. R. Tolkien's fictional realm of Middle-earth. Tolkien is ambiguous on the philosophical question of whether evil is the absence of good, the Boethian position, or whether it is a force seemingly as powerful as good, and forever opposed to it, the Manichaean view. The major evil characters have varied origins. The first is Melkor, the most powerful of the immortal and angelic Valar; he chooses discord over harmony, and becomes the first dark lord Morgoth. His lieutenant, Sauron, is an immortal Maia; he becomes Middle-earth's dark lord after Morgoth is banished from the world. Melkor has been compared to Satan in the Book of Genesis, and to John Milton's fallen angel in Paradise Lost. Others, such as Gollum, Denethor, and Saruman – respectively, a Hobbit, a Man, and a Wizard – are corrupted or deceived into evil, and die fiery deaths like those of evil beings in Norse sagas.

Isildur (Quenya: [iˈsildur]) is a fictional character in J. R. R. Tolkien's Middle-earth, the elder son of Elendil, descended from Elros, the founder of the island Kingdom of Númenor. He fled with his father when the island was drowned, becoming in his turn King of Arnor and Gondor. He cut the Ring from Sauron's hand, but instead of destroying it, was influenced by its power and claimed it for his own. He was killed by orcs, and the Ring betrayed him by slipping off his finger just before his death. The Ring then became lost in the River Anduin. This set the stage for the Ring to pass to Gollum and then to Bilbo, as told in The Hobbit; that in turn provided the central theme, the quest to destroy the Ring, for The Lord of the Rings.

Tolkien began a time-travel story, The Lost Road, in which a father and a son were to reappear time and again in human families throughout history. One of the appearances was to be in Númenor just before its fall, with the father as Elendil and the son as Herendil, later called Isildur. The story was abandoned, but Tolkien reused the characters and events.