Golden Age of Science Fiction in the context of "Analog Science Fiction and Fact"

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⭐ Core Definition: Golden Age of Science Fiction

In the history of science fiction, the Golden Age is a period in which the genre is considered to have matured in American science fiction magazines, in particular Astounding Science Fiction—the period is usually referred to as the Golden Age of science fiction as a whole, though sometimes more specifically the Golden Age of Astounding. Its beginning is marked by John W. Campbell's assumption of the editorship of Astounding in the late 1930s. The end date is less agreed upon; it is often placed in the mid-1940s, though different definitions use dates ranging from 1941 to the early 1960s. Historiographically, the Golden Age follows the pulp era and precedes the New Wave.

Other eras have also been referred to as golden ages of science fiction in specific contexts. For instance, the 1950s are considered to be the golden age of science fiction cinema. A common humorous statement is that "The Golden Age of science fiction is twelve" years old, or thereabouts.

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👉 Golden Age of Science Fiction in the context of Analog Science Fiction and Fact

Analog Science Fiction and Fact is an American science fiction magazine published under various titles since 1930. Originally titled Astounding Stories of Super-Science, the first issue was dated January 1930, published by William Clayton, and edited by Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith. The new editor was F. Orlin Tremaine, who soon made Astounding the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's Legion of Space and John W. Campbell's "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Foundation series, A. E. van Vogt's Slan, and several novels and stories by Robert A. Heinlein. The period beginning with Campbell's editorship is often referred to as the Golden Age of Science Fiction.

By 1950, new competition had appeared from Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Campbell's interest in some pseudo-science topics, such as Dianetics (an early non-religious version of Scientology), alienated some of his regular writers, and Astounding was no longer regarded as the leader of the field, though it did continue to publish popular and influential stories: Hal Clement's novel Mission of Gravity appeared in 1953, and Tom Godwin's "The Cold Equations" appeared the following year. In 1960, Campbell changed the title of the magazine to Analog Science Fact & Fiction; he had long wanted to get rid of the word "Astounding" in the title, which he felt was too sensational. At about the same time Street & Smith sold the magazine to Condé Nast, and the name changed again to its current form by 1965. Campbell remained as editor until his death in 1971.

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Golden Age of Science Fiction in the context of Science fantasy

Science fantasy (abbreviated as sci-fantasy) is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy. In a conventional science fiction story, the world is presented as grounded by the laws of nature and comprehensible by science, while a conventional fantasy story contains mostly supernatural elements that do not obey the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science–like explanations of any supernatural elements.

During the Golden Age of Science Fiction, science fantasy stories were seen in sharp contrast to the terse, scientifically plausible material that came to dominate mainstream science fiction, typified by the magazine Astounding Science Fiction. Although science fantasy stories at that time were often relegated to the status of children's entertainment, their freedom of imagination and romance proved to be an early major influence on the "New Wave" writers of the 1960s, who became exasperated by the limitations of hard science fiction.

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Golden Age of Science Fiction in the context of Fighting machine (The War of the Worlds)

The fighting machine (also known as a "Martian Tripod") is one of the fictional machines used by the Martians in H. G. Wells' 1898 classic science fiction novel The War of the Worlds. In the novel, it is a fast-moving three-legged walker reported to be 100 feet (30 meters) tall with multiple, whip-like tentacles used for grasping, and two lethal weapons: a heat-ray and a gun-like tube used for discharging canisters of a poisonous chemical black smoke. It is the primary machine the Martians use when they invade Earth, along with the handling machine, the flying machine, and the embankment machine.

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Golden Age of Science Fiction in the context of Collision Orbit

The Seetee series is a golden age science fiction series by the American writer Jack Williamson, under the pseudonym "Will Stewart."

The narrative follows a small group of late-22nd century Asteroid Belt colonists who attempt to harness the titular seetee (a phonetic for "ContraTerrene", an obsolete term for antimatter), both for the advancement of humanity and to secure the Belt's independence from an authoritarian colonial administration.

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Golden Age of Science Fiction in the context of Science fiction television

Science fiction (Sci-fi) first appeared in television programming in the late 1930s, during what is called the Golden Age of Science Fiction. Special effects and other production techniques allow creators to present a living visual image of an imaginary world not limited by the constraints of reality.

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Golden Age of Science Fiction in the context of John W. Campbell

John Wood Campbell Jr. (June 8, 1910 – July 11, 1971) was an American science fiction writer and editor. He was editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. Campbell wrote "super-science" space opera under his own name and other stories under his primary pseudonym, Don A. Stuart. Campbell also used the pen names Karl Van Kampen and Arthur McCann. His novella Who Goes There? (1938) was adapted as the films The Thing from Another World (1951), The Thing (1982), and The Thing (2011).

Campbell began writing science fiction at age 18 while attending MIT. He published six short stories, a novel, and eight letters in the science fiction magazine Amazing Stories from 1930 to 1931. This work established Campbell's reputation as a writer of space adventure. In 1934, he began to write science fiction stories of a different sort under the pseudonym Don A. Stuart. From 1930 until 1937, Campbell was prolific and successful under both names; he stopped writing fiction shortly after he became editor of Astounding in 1937. In his capacity as an editor, Campbell published the earliest work, and helped shape the careers of, nearly every important science-fiction author to debut between 1938 and 1946, including Isaac Asimov, Robert A. Heinlein, Theodore Sturgeon, and Arthur C. Clarke.

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