Goethe in the context of "The Sorrows of Young Werther"

William Whewell (/ˈhjuːəl/ HEW-əl; 24 May 1794 – 6 March 1866) was an English polymath. He was Master of Trinity College, Cambridge. In his time as a student there, he achieved distinction in both poetry and mathematics.

The breadth of Whewell's endeavours is his most remarkable feature. In a time of increasing specialisation, Whewell belonged in an earlier era when natural philosophers investigated widely. He published work in mechanics, physics, geology, astronomy, and economics, while also composing poetry, writing a Bridgewater Treatise, translating the works of Goethe, and writing sermons and theological tracts. In mathematics, Whewell introduced what is now called the Whewell equation, defining the shape of a curve without reference to an arbitrarily chosen coordinate system. He also organized thousands of volunteers internationally to study ocean tides, in what is now considered one of the first citizen science projects. He received the Royal Medal for this work in 1837.

An idyll (/ˈaɪdɪl/, UK also /ˈɪdɪl/; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια).

Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina. Goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethe's production—an idyll.

Anna Amalia of Brunswick-Wolfenbüttel (24 October 1739 – 10 April 1807), was a German princess and composer.

She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of Germany. Her invitation of Abel Seyler's theatre company in 1771 marked the start of Weimar Classicism, that would include such figures such as Wieland, Goethe, Herder and Schiller working under her protection.

Elysium (/ɪˈlɪziəm/ or /ɪˈlɪʒiəm/ ih-LIZ(H)-ee-əm), otherwise known as the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon), Elysian Plains or Elysian Realm, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. It was initially separated from the Greek underworld—the realm of Hades. Only mortals related to the gods and other heroes could be admitted past the river Styx. Later, the conception of who could enter was expanded to include those chosen by the gods, the righteous, and the heroic. They would remain at the Elysian Fields after death, to live a blessed and happy afterlife, and indulge in whatever they had enjoyed in life.

The Elysian Fields were, according to Homer, located on the western edge of the Earth by the stream of Oceanus. In the time of the Greek poet Hesiod, Elysium would also be known as the "Fortunate Isles", or the "Isles (or Islands) of the Blessed", located in the western ocean at the end of the earth (most probably the vicinity of Troy). The Isles of the Blessed would be reduced to a single island by the Theban poet Pindar, describing it as having shady parks, with residents indulging in athletic and musical pastimes.

Han Yu (Chinese: 韓愈; 768 – 25 December 824), courtesy name Tuizhi (Chinese: 退之), and commonly known by his posthumous name Han Wengong (韓文公), was an essayist, Confucian scholar, poet, and government official during the Tang dynasty who significantly influenced the development of Neo-Confucianism. Described as "comparable in stature to Dante, Shakespeare or Goethe" for his influence on the Chinese literary tradition, Han Yu stood for strong central authority in politics and orthodoxy in cultural matters.

He is often considered to be among China's finest prose writers. Ming dynasty scholar Mao Kun (茅坤) ranked him first among the "Eight Great Prose Masters of the Tang and Song".

The Weimar Princely Free Drawing School (German: Fürstliche freie Zeichenschule Weimar) was an art and literature educational establishment. It was set up in 1776 in Weimar by the scholar and ducal private-secretary Friedrich Justin Bertuch (1747–1822) and the painter Georg Melchior Kraus (1737–1806), as part of Weimar Classicism. It was financed by the young Charles Augustus, Grand Duke of Saxe-Weimar-Eisenach and heavily promoted by Goethe, who also taught there. Among its pupils were Charles Augustus's future mistress Karoline Jagemann. It lasted until 1930.

As Weimar's Geheimer Rat had oversight over the school from 1788 to 1832, it is not to be confused with the Großherzoglich-Sächsischen Kunstschule Weimar (set up in 1860), the original version of the Weimarer Kunsthochschule. The school's classrooms were originally housed in the Roten Schloss, moving into the Fürstenhaus in 1807 and later moving partly to the Esplanade and partly to the Großen Jägerhaus. From 1824/25, under the oversight of custodian and painter Louise Seidler (1786–1866), it also housed the grand-ducal art collection.

German literature (German: Deutschsprachige Literatur) comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by dialects (e.g. Alemannic).

Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the Hildebrandslied and a heroic epic known as the Heliand. Middle High German starts in the 12th century; the key works include The Ring (c. 1410) and the poems of Oswald von Wolkenstein and Johannes von Tepl. The Baroque period (1600 to 1720) was one of the most fertile times in German literature. Modern literature in German begins with the authors of the Enlightenment (such as Herder). The Sensibility movement of the 1750s–1770s ended with Goethe's best-selling The Sorrows of Young Werther (1774). The Sturm und Drang and Weimar Classicism movements were led by Johann Wolfgang von Goethe and Friedrich Schiller. German Romanticism was the dominant movement of the late 18th and early 19th centuries.

James Clarence Mangan, born James Mangan (Irish: Séamus Ó Mangáin; 1 May 1803 – 20 June 1849), was an Irish poet. He freely translated works from German, Turkish, Persian, Arabic, and Irish, with his translations of Goethe gaining special interest. Starting around 1840, and with increasing frequency after the Great Famine began, he wrote patriotic poems, such as A Vision of Connaught in the Thirteenth Century. Mangan was troubled, eccentric, and an alcoholic. He died early from cholera, amid the continuing dire conditions of the Famine. After his death, Mangan was hailed as Ireland's first national poet and admired by writers such as James Joyce and William Butler Yeats.

An epistolary novel (/ɪˈpɪstəlɛri/) is a novel written as a series of letters between the fictional characters of a narrative. The term is often extended to cover novels that intersperse other kinds of fictional document with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they do not include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word epistolary is derived from Latin from the Greek word epistolē (ἐπιστολή), meaning a letter (see epistle). This type of fiction is also sometimes known by the German term Briefroman or more generally as epistolary fiction.

The epistolary form can be seen as adding greater realism to a story, due to the text existing diegetically within the lives of the characters. It is in particular able to demonstrate differing points of view without recourse to the device of an omniscient narrator. An important strategic device in the epistolary novel for creating the impression of authenticity of the letters is the fictional editor.